I still hope to kill Fischer

Is Bobby Fischer quite sane?

Robert Fischer is a law unto himself

My God, Bobby Fischer plays so simply

Spassky will not be psyched out by Fischer

Fischer prefers to enter Chess history alone

Bobby Fischer is the greatest Chess genius of all time!

Fischer is an American Chess tragedy on par with Morphy and Pillsbury

In complicated positions, Bobby Fischer hardly had to be afraid of anybody

In Fischer's hands, a slight theoretical advantage is as good a being a Queen ahead

Being a friend of Fischer obviously is no undivided pleasure, though being Fischer seems sadder.

Fischer, the great American chess champion, famously said, 'Chess is life.' I would say, 'Pi is life.'

The Soviet Union was an exception, but even there chess players were not rich. Only Fischer changed that.

You know you're going to lose. Even when I was ahead I knew I was going to lose -on playing against Fischer

Bobby Fischer has an enormous knowledge of chess and his familiarity with the chess literature of the USSR is immense.

You want to know what I want? I'll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.

I met Bobby Fischer in 1993 when he moved to Europe. I have mixed feelings about it. He was an idol, but not a healthy minded man.

When I was 15, I became the youngest grandmaster in the world, breaking the record set by Bobby Fischer more than three decades earlier.

If you're bumming out, you're not gonna get to the top, so as long as we're up here we might as well make a point of grooving. (Quoting Scott Fischer)

What was great about Fischer is that when he became world champion is that chess was being covered everywhere. It was in all the major newspapers, it was on TV.

I started chess around the age of seven. I was inspired by the game, but soon legends like Kasparov, Karpov, Fischer, Anand and many other world champions captivated me.

I'm definitely the first no.1 in the world since Fischer, and probably at least since Kasparov, who probably has the most potential to dominate for the foreseeable future.

I am not sure the others are as committed as Rob Hall and Scott Fischer. I think there is more business now, and I know it will be impossible to stop this Everest business.

The Beatles in 1963 came to America and became international celebrities, but Bobby Fischer was one of the first, as Elvis was, more in terms of the message created around him.

This whole fuss did not only damage Fischer's image, but that of the USA as well. The way the Americans treated one of their most popular citizens did not make a positive impression worldwide.

It really doesn't matter to me whether it's defensive end or linebacker. I just want to play the game of football. I've been working on linebacker drills since I got out to Fischer Sports in Phoenix.

Like everyone, I was a kid who played chess when I was young. And I am admittedly old enough to have been around during the fervor of the match in Reykjavik and the rise of Bobby Fischer, so those two things conspired to pique my interest.

The image that everyone has of a chess player is not necessarily positive. I think it's partly due to Bobby Fischer - his rise to fame and then his descent into madness. That left a lot of people with negative stereotypes, of nerds who aren't interesting.

When I played Bobby Fischer, my opponent fought against organizations - the television producers and the match organizers. But he never fought against me personally. I lost to Bobby before the match because he was already stronger than I. He won normally.

My first reaction on being awarded the Nobel Prize was, actually, I thought of Fischer Black, my colleague. He unfortunately had passed away. And there was no doubt in my mind that if he were still alive, he would have been a co-recipient of the Nobel Prize.

Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability, and barbaric sculptural power.

There was a time for German stars in the 1950s with Curt Jurgens, Hardy Kruger, O. W. Fischer, and Maria Schell. That was a totally different generation. It all ended in 1968 during the big students' movement in my country. It was an anti-authority movement that changed everything. All my country's hierarchies, morals and values were questioned.

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