Quotes of All Topics . Occasions . Authors
I always want to do a big finale.
The writing of a series finale is horrible.
I think that 'The Shield' was a phenomenal series finale.
My favorite film is probably the finale - 'Deathly Hallows: Part 2'.
With a reality show, the bottom line is, there's no plot; there's no finale.
Making it to the finale of 'Dancing with the Stars' has been a major accomplishment.
A good novel is a good novel, pointe finale. And I think what I'm writing is exactly that.
I'm very very high on 'Ozark.' I was very excited about it. The season three finale blew my mind.
Curtain! Fast music! Light! Ready for the last finale! Great! The show looks good, the show looks good!
With the finale episode of 'Gravity Falls' our job as storytellers is to finish all the things we've started.
The best part is coming." "What's the best part? You swallowing an entire cow whole?" "No. That's the finale.
I had my idea of what the series finale of 'King of the Hill' would be, but that's not what the actual series finale was.
I don't think we set out to make it the most intense 'Fosters' finale ever, but I kind of think that's what we ended up with.
I think finales are always so hit or miss because they're so personal. When you do a finale, it's always up to the person watching it.
Growing up, I remember the 'Cheers' finale and 'M*A*S*H' and all these amazing finales, and I remember them being very, very important.
When everybody starts out in the process of 'The Voice,' you do think about the people who have won or that have made it to the finale and what happens.
The Oscars is always the most special event of Awards Season and is the grand finale - there's just something about the atmosphere that makes it magical.
Even though the third season of 'Necessary Roughness' was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
I remember just weeping my way through the 'Friday Night Lights' finale with my best friend and just being so happy all the way through because it was so beautiful.
For the finale, I thought the audience deserved to get a close point of view on the monster, and to recognize him the way you recognize the heroes of 'True Detective.'
In the knockout tournaments, it's futile to prepare for a grand finale. You may have worked out many strategies for the final. But you may lose in the first round itself.
Suprisingly, one of the most complex pieces of code is the code to determine where a note is in the staff. Finale stores notes as relative scale positions in the current key.
This idea that you can watch a show like 'True Detective,' and it was awesome, but is it really ruined for you if the finale is not your favorite episode of it? It's just odd to me.
My character on 'The Sopranos' was specific to being a single mother and being from Jersey. And being part of that season finale... wow. That show is always going to be world-renowned and iconic.
A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.
I'm always a fan of the cliffhanger season finale. I recall the first season of 'Twin Peaks' - I'm a huge David Lynch fan - it was almost a takeoff of cliffhangers. They had around 20 of them happen in that finale.
Perhaps the most versatile and useful plug-in in the collection is Mass Copy. It is certainly the one I use the most. Due to limitations in how plugins can interact with Finale, Mass Copy has a somewhat unusual user interface.
Britain in 2018 has the feel of a Netflix drama approaching its season finale. It's the classic 'how on earth does anyone get out of this one?' kind of cliffhanger, with all of the key protagonists confronted by their nemesis.
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
Many composers use software to write music - programs like Finale or Sibelius. There are also recording programs. I should say I'm still very old-fashioned, I still use pencil and paper. But almost every composer I know does it the 'new way.'
These characters, they have to evolve. They're getting older on the show, these are things that happen in everyone's life. People do get married... this is just a natural evolution. I wonder if we'll have 'Big Bang' babies in the season finale?
I wanted people to talk about the finale of 'The Vampire Diaries' as one of their favorites, which is a lofty ambition, but it certainly drove me hard creatively to make sure that we had put as much thought and love into it as we possibly could.
'Battlestar Galactica' executive producer Ronald D. Moore told Tor.com that the series finale of 'Battlestar' turned out exactly as he'd intended, but there were several alternate endings that were considered before the final version was produced.
When I fought in The Ultimate Fighter Finale, I had microfracture surgery, and that's usually eight month's recovery turnaround. I had to fight three months after that, and I fought three months after that. And I had to train through that with that.
I can't say that the ending of a story is always the best part of the story, and yet there's sort of this implicit idea that the finale is somehow supposed to be the mind-blowing best episode of a show. The question is: Why is that? Why do people make that assumption?
Books about technology start-ups have a pattern. First, there's the grand vision of the founders, then the heroic journey of producing new worlds from all-night coding and caffeine abuse, and finally, the grand finale: immense wealth and secular sainthood. Let's call it the Jobs Narrative.
As we began working toward the finale of 'Lost,' I knew there was no possible ending that was going to be universally loved, and I accepted that. We ended the story the way we wanted it to end, and we stand by it. On my Twitter feed, I still get ten to fifteen positive comments for every negative one.
Speaking only for myself, the ideal finale to me is 'Friday Night Lights,' where you have loved and worshipped a show for all these years, you get to come back, celebrate the characters, finish up their journeys, and send everyone out with a feeling of, 'My God, I'm so grateful that I got to know these people.'
If you really watch 'The Voice' and follow Adam, he's very ADD. He's kind of one place here, and then he's over here the next minute; he's kind of all over the place. When it comes down to being very serious, and especially when we were talking about the finale song, he's actually very serious, and he's a very good listener.
With a computer, there are too many choices, and I always liked working within limits. You know, if you look at Mozart, who had this strict classical framework - an allegro, an andante, a scherzo and a finale - you see that within that formula, he got results he might never have gotten if he had all the options in the world.
I feel like if you enjoyed the 119 hours that precede the finale of 'Lost,' is that whole experience ruined by the fact that you might not agree with everything that we did in the finale? I would hope not! I would hope that you would appreciate the fact that you were entertained for 119 hours even if you didn't love the finale.
I was on a show called '12 Miles of Bad Road' with Lily Tomlin - it was an incredible HBO show. We shot 6 episodes, previewed it before the finale of 'The Sopranos;' it was written up as a 'Great New Show on HBO,' and then the whole thing was canned. Gone. Disappeared. That's when I realized anything can happen in this business.
At the Cruiserweight Classic finale, I said... I don't know if people had looked it up, or if they had heard it before, but it was an old Zen proverb. 'Before enlightenment, chop wood, carry water. After enlightenment, you chop wood, carry water.' It can be interpreted a lot of ways, but for the most part it's about staying in the moment.