I was watching Orson Welles and Jean Vigo films at a ridiculously young age.

My films are always concerned with family, friendship, honor, and patriotism.

Honestly a role is a role - whichever industry it is in - TV, stage or films.

More personal films, you could make them, but your budgets would be cut down.

As a child I liked to watch movies. As a young man I wanted to work in films.

I will work in films based on quality productions and significant characters.

There is a ban on Indian films in Pakistan, so that's half of our market gone.

I have worked in Telugu films. I found Bengali easier and sweeter than Telugu.

I have a really embarrassing reaction to horror films. I break out in a fever.

I want to take a few years out, maybe make a couple of more films or whatever.

In feature films the director is God; in documentary films God is the director.

When people ask me if I went to film school I tell them, 'no, I went to films.'

The world is shrinking, and everyone is majorly interested in Indian films now.

I stopped seeing mainstream films 15 years ago. They are absolutely unbearable.

It is none of anyone's business how I make my films or my creative partnerships.

What Bollywood lacks is scripts. A lot of the films are copies of western films.

My goal is to keep making films and grow as a film maker; that's always my goal.

I really want to do more mature, artistic, twisted, edgy films. That is my goal.

I want my films to be entertaining: not comedy, but something which is gripping.

Films are always pretentious. There's nothing more pretentious than a filmmaker.

No matter how widely spread out the films are, how different, you still are you.

It's a big opportunity to work with a director like Shashank who's had hit films.

I have a particular taste, I do films according to it and promote it accordingly.

I'm in so many Charles Bronson films because no other actress will work with him.

I was a slightly melancholy child and I think films were a way of escaping for me.

I have a particular dislike for children's films. I'm way past the novelty aspect.

I want my films to offer wholesome entertainment and not be my personal showreels.

For me, personally, I will always do G-rated films, which the world needs more of.

I think I did a lot of humorous films when I was young, and they were No. 1 films.

I think it is very important that films make people look at what they've forgotten.

Do I like how digital films look? Sometimes, but sometimes it looks flat, and ugly.

I love strong women in films that are allowed to play women and not male fantasies.

I'd love to make 10 to 12 films in my life. That's a lot of films, but it's doable.

I've been able to make films over the past 10 years but still maintain my anonymity.

If I get stuck doing comic-book films for the rest of my life, I'll be really happy.

I don't really know how I grow. I can only see the changes when I look at the films.

I am hopeful that films can connect people who are in conflict in a separated world.

Short films really helped me develop as a story teller, animator, and as a director.

Learning to make films is very easy. Learning what to make films about is very hard.

I love films that make you feel something but also deliver that payload behind jokes.

We are continuing to collaborate with Disney on future films and other opportunities.

My father Kamran Khan was a successful producer, director and actor in B-grade films.

In India, the films are not looked upon just as entertainment. They're a way of life.

Acting is acting at the end of the day. How does it matter if it is in films or on TV?

After the success of 'Krishnan Love Story,' I have decided to work only on good films.

I don't see a lot of films. I'm quite choosy, but there's certain films that stick out.

I think music is like little films, and it's nice to listen to music and really escape.

I don't smoke and I don't want to smoke. I am not a fan of gratuitous smoking in films.

The fact is that war films, by their very nature, are pitched at a high dramatic range.

Korean films have always been distributed to international audiences as arthouse films.

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