Filmmaking Quotes - Page 4

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Stop-motion has limitations, any form of filmmaking does, but stop-motion has a lot of limitations.

I got picked for very unique and independent filmmaking experiences with auteurs. And I'm so lucky.

The beauty of filmmaking in Punjabi industry is that we never control the fun happening on the set.

Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.

I don't have incredible knowledge about films or of filmmaking history; I'm not that kind of person.

It's not really that I'm interested in filmmaking. I'm interested in the instrument of it, you know.

But I love filmmaking - I'm not ashamed of that. You're sort of vilified if you say that in England.

Filmmaking is not about what we see - it's a very misconceived notion; it's about what we don't see.

The further you get up the corporate ladder, the farther you get from the actual filmmaking process.

That's the great thing about filmmaking: Things happen you don't know are going to happen at the end.

The whole purpose of filmmaking is to entertain the viewers and when it happens, it gives you a high.

I've always been an angel. Sometimes I transform into a witch only because the filmmaking demands it.

No other aspect of filmmaking has tempted me to do a film other than the script and the story itself.

Kodak has always represented innovation that is approachable while delivering the craft of filmmaking.

Wong Kar-Wai is a really great inspiration. He's always referred to as the Jimi Hendrix of filmmaking.

I love the process of filmmaking. I understood that you have to be a writer in order to be a director.

When I started my filmmaking journey 17 years ago, I honestly didn't know what a documentary film was.

I feel filmmaking is not an easy task. People make films but sometimes they are not able to release it.

I just tell you what a pleasure it is to get back to the kind of filmmaking I used to be allowed to do.

Chemistry exists or it doesn't, and I think casting is a very underappreciated component of filmmaking.

My background is in filmmaking, and my mentor is Dusan Makavejev, who combined fiction and documentary.

Today, filmmaking isn't just about shooting and releasing. You've to structure the marketing of a film.

I think there are advantages to different scales of filmmaking. You wouldn't want to do just one thing.

That's the beauty of filmmaking: it's extremely humbling because you do it all over again all the time.

I think documentary filmmaking is a braver way to make films because it's real, and you're really there.

Women should not only be doing action on-screen but should be a part of every other aspect of filmmaking.

I mean, '8½' to me is such a great dissertation on the whole, you know, act of filmmaking and creativity.

That's what I learned most about directing on my own - you've got to build a family, a filmmaking family.

There's a respect factor in filmmaking, like in sports, where certain things are kept in the locker room.

I mean, '8 ½' to me is such a great dissertation on the whole, you know, act of filmmaking and creativity.

For me, it doesn't matter what kind of role I am doing. I just enjoy the process of acting and filmmaking.

I've had weird, weird acting jobs. Low-budget filmmaking where you find yourself in really bizarre places.

I realized that acting isn't necessarily what I love, but it's what I do. But I really do love filmmaking.

As far as the filmmaking process is concerned, stars are essentially worthless - and absolutely essential.

I've known Venkatesh Maha since 2015 and we often discuss several things related to cinema and filmmaking.

The worst thing is that filmmaking is an expensive medium and money corrupts cinema right at the beginning.

My attention is more on the technical process of filmmaking; I like to observe cinematography and direction.

Filmmaking, whatever the window dressing or the scale of a film may be, is eventually about telling a story.

Filmmaking is to me very similar to being in a café somewhere in Paris and looking at the people walking by.

I feel that the smallness of the filmmaking environment is somehow connected to the freedom of creating film.

Obviously, I've made several films in Korea, so I'm very well accustomed and acclimated to Korean filmmaking.

The future of filmmaking is to make the canvas bigger, something you can't enjoy on your phones or computers.

One of the things I've always tried to do in filmmaking is that you don't tell the story, you try to show it.

My time in documentaries was very educating, in terms of life experience as well as the filmmaking side of it.

At any filmmaking class, you learn the power of the visual medium and are always trying to minimise the words.

To me the recognition of the audience is part of the filmmaking process. When you make a movie, it's for them.

It's important to show that creativity is in many different sectors, not just in graphic design or filmmaking.

As far as art and filmmaking is concerned, I don't see there's any separation; it's just one continuous thing.

The thing that is so great about Ang Lee is the diversity in his filmmaking, from 'Brokeback...' to 'The Hulk.'

Any filmmaking, any film is a collaborative process. There's always a lot of people working on things together.

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