Quotes of All Topics . Occasions . Authors
I love mentoring young filmmakers and girl filmmakers.
We want to empower artists and filmmakers to forge new paths.
Filmmakers and artists always thrive during more liberal times.
Filmmakers often tell me to watch the original version. I never do.
If any fantastic filmmakers want to offer me roles, I'll consider it!
Film is a mirror. I want to see more filmmakers. We all want to see ourselves.
Filmmakers tell stories to explore human nature, which is always a flawed thing.
I've been fortunate to work with some amazing Asian filmmakers in independent film.
I'm a happy person! I guess I'm not as much of a pessimist as most documentary filmmakers.
You hear nightmare stories from young filmmakers working in Hollywood, being told what to do.
When only one or two percent of filmmakers are female, you can't help but have some kind of bias.
I look for projects with filmmakers who want to make things that give the audience a fresh experience.
I want filmmakers to notice me, not just as a glam doll but as a human being with all facets of emotions.
For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.
What's so great about DreamWorks is that it's run by filmmakers who believe that if it's not broke, don't fix it.
Personally I find there is just as much if not more creativity among game makers as there is among feature filmmakers.
Many filmmakers have had that experience. They make a movie, then out of nowhere, they either pass censorship or fail.
You know, when I first started making online videos, there were a lot of filmmakers I befriended who were doing it too.
If you go back all the way to the 1920s, filmmakers in Hollywood changed the identity of villains from German to Russian.
A lot of filmmakers understand that the work is done digitally, and it's technically possible to change it late in the game.
The whole Orion zeitgeist, of treating filmmakers as partners, to me it's inseparable from the success of 'Silence of the Lambs'.
People say I pick good films. Rather, good filmmakers choose me. The directors come to me, and I thank them for their trust in me.
Marvel is never more happy than when filmmakers start doing things they didn't expect. That's when they know they're in a good place.
I don't think I take risks. People think I do, but I don't. In fact, I think conventional-formula filmmakers take more risks than me.
You know, I feel like my job is to write a book. Then filmmakers come and they make a movie. And they're two really different art forms.
I always tell younger filmmakers, it's not just about the acting or the art itself. It's about how big of an audience watches your film.
I started getting a lot of work once I came to Mumbai. I was working with some of the biggest ad filmmakers. But I had to give auditions.
The world needs more women filmmakers, so we have to keep encouraging ourselves and one another, and eventually things must get easier for us.
Mainstream Bengali cinema unashamedly tries to copy Bollywood. They forget that they don't have the kind of budgets that Hindi filmmakers have.
I've always been told that because of 'Main Hoon Na,' a lot of female filmmakers have come up but I maintain that direction is a 'genderless' job.
A lot of young filmmakers bring their movies to my dad because he always gives lots of good editing ideas and notes. He'd be a good film professor.
I'm drawn toward filmmakers who have a very distinctive voice. I really appreciate people who push themselves and, therefore, push the medium forward.
Instincts are a really important guide for any artist, but particularly filmmakers because it takes a lot to stay true to your instincts as a storyteller.
I have always been very choosy. I am very particular about banners and filmmakers. Everything has to be top-of-the-line; I have never compromised on that.
Having to make a blockbuster every time puts unhealthy pressure on creatives. The pressure on the filmmakers is so intense, I think it stifles the creativity.
The greatest filmmakers are not the ones who put everything in; they're the ones who can figure things to leave out, and in doing so, invite your participation.
Malayali audiences are well aware of Shamna as a dancer and that may be a reason why I was constantly being approached by filmmakers to do song sequences alone.
It is the responsibility of filmmakers, actors and writers, who have the freedom to do the kind of work they want to do irrespective of whether it is good or not.
I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.
Most independent filmmakers in Britain and North America work for commercial crews and then have their own projects when they've got enough money saved up to do so.
It is an honor for me to take part in Canon's Project Imagin8ion, partnering with a brand that is empowering young filmmakers and is at the forefront of technology.
Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.
Simply, the majority of the most interesting filmmakers are the ones confronted with difficult situations. Their creativity blows a hole in the wall and lets in the light.
I feel safe in saying this, and that is that Peter Weir is without a doubt one of the greatest filmmakers of all time. I'd open a door in a movie for him if he asked me to.
It is funny now, but in the beginning of my career, some of the films failed at the box office, and filmmakers stopped casting me, saying I am bringing bad luck to their film.
When you work with filmmakers, and it's their first film, there's an exuberance and optimism, which is quite... There's no room for being jaded. Thinking that you know it all.
A lot of filmmakers from my generation were lucky enough to have their work more or less perpetuated by people who saw them originally on TV and on HBO and certainly on home video.
We don't want to be our own niche. We're filmmakers like everybody. How many years in a row are we going to talk about the fact that we make films and we are women? Enough already.
I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.
I feel I've been deliberately sidelined by the mainstream filmmakers, but I don't let that bother me. If I start thinking about that, I'll lose focus on what I need to do and have to do.