Filming Quotes - Page 11

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I saw 'Brokeback Mountain' in a packed house in Chelsea, New York, when I was filming a Bollywood film there. Chelsea, being a predominately gay neighbourhood, had the most euphoric reaction. I saw couples holding hands and crying at the end. It was the most heartening viewing I have ever been to.

After 'Rings,' I had two feelings: One, I immediately didn't want to work on anything on a large scale. I wanted to work on something really small after I was finished filming the first three. But the other thing was that I had a continuing interest in working on things that were really different.

While I was filming 'Kong' - and I don't play a very capable Army Ranger in 'Kong'; I play a completely different character - but we had a lot of Army Rangers there, former Army Rangers, and Navy SEALs, who were working on the movie with us for the other characters, for the Army guys in the movie.

I think about the movie 'Jaws.' They had this state-of-the-art animatronic shark, but it kept breaking down, which kept delaying the filming. So, they had to use it very sparingly, but it became why the film was so good because you never saw the shark. You only heard about it, and it was suggested.

Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.

I really tried out for the part of Harry Potter, but they ended up picking me for the part of the enemy of Harry. Actually it is really fun playing the bad kid because it just has so many interesting qualities to it. And Daniel Radcliffe and I get along really well off set so it's really fun filming.

I had to pinch myself. I got the call and didn't expect it. And right up 'til nearly the end of filming, I was thinking, 'Am I actually doing a film with Akshay Kumar?' because I was a massive Akshay Kumar fan before, and the first film that I ever watched was his and Katrina's film, 'Namastey London.'

The 'Jamestown' set was so convincing. It had been raining for a few days before we started filming, and when we turned up, we were knee-high in mud. There were pigs and goats everywhere, too, which meant the whole place smelled pretty ripe. It definitely helped us enter the 'Jamestown' world immediately.

Personally, it all feels like I've been filming just one long film the whole time and I have no personal like or dislike for any of the films that I've done. I feel like all of the all of them are important to me, all of the cast and all the staff that I've worked with have also been very important to me.

Filming 'Eclipse' - Eclipse was my favorite book so I was really excited to start filming the movie. I just love that it's the height of the love triangle. 'Twilight' develops Edward and Bella's relationship, 'New Moon' develops Jacob and Bella's and in 'Eclipse,' the three of them are physically together.

I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong.

I was a TV producer at a noncommercial station, and we were producing some good documentaries - on Head Start, on poverty. But I was struck by the children, and the damage that poverty was doing to them. I didn't think filming them was helping much, so I wondered how we could use TV for them, to teach them.

I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.

My first job was on Broadway. Then I went into the Navy. When I came out of the Navy, I went back to Broadway and a friend of mine, Lauren Bacall, was in Hollywood filming with Humphrey Bogart. She told one of her producers I was great in my play, and he saw it and cast me in 'The Strange Love of Martha Ivers'.

The reason I wanted to start directing is that as an actor I felt I came into a job late. There's a whole team of people who have been working on it for months before you start. You have this really intense period of filming and then you leave it, knowing that the director will work on it for another few months.

Certainly in the theatre, you never have to get up before 10 A.M., and when filming, though you do have to get up terribly early, you usually get to lie down a lot during the working day. I thought my semi-bedridden existence was a choice. But now I think that actually, in fact, I must always have been depressed.

Over the holidays, and even during filming, I realized that I actually like my body, even if it's not perfect according to the book. I just feel sexy. For the first time, I don't want to get rid of the curves. I just want to tone it up. My body is comfortable, and it's not unhealthy, so I'm going to rock with it.

It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.

The short film project I just finished for W Hotels and Intel, I didn't have my script finished until a few days before we began filming. We edited it very quickly and now it's up online. It was great to conceive an idea and have it premiere just a few weeks later, compared to a feature, which takes a year or more.

When we are filming, it often feels like we're flying blind. As an actor, you have no idea if your choices are right or if they work. Some scenes feel like a complete Hail Mary. Imagine you're blindfolded and cook a massive Thanksgiving feast with only new recipes - without getting to taste any of them along the way.

The craziest place I've probably ever visited while filming would have to be Jordan. I did a small test shoot for a test movie. We arrived in Jordan, and we stayed in Amman for a night. Then we drove down for three hours into the middle of the Wadi Rum Desert, which is in the absolute middle of nowhere. It was insane.

I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes, is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.

When we're not filming or promoting then, you know, I live two different lives. So when I'm just in Taylor's life, and I'm just, you know, at home spending time with friends, it's great, it's a totally different life than this 'Twilight' world for sure. But it's amazing; our fans are the most passionate fans in the world!

Yeah... I like films, I like movies, I like playing different characters and working with different actors and filming in different places. I like movies because it's kind of a combination of every art: it's like, it's picture, it's story, it's music, it's kind of like a clash and a collide of every art. It's really neat.

I was home-schooled and I graduated super-early. But I've always had older friends, so I got to go to all their dances. I got the best of both worlds. I had the choice to go to prom with a friend of mine and I decided not to because I was filming very close to that. But red carpets and the 'G.B.F' prom were so much better.

I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.

There's a gap between what I want to do, what I do on camera, and what gets edited. Right? So the goal is to try and close the gaps. What's the biggest compliment is if I read a review and it's exactly what I wrote down in my diary before ever filming it. That's really cool. That's the biggest signifier of closing the gaps.

I'm a filmmaker, but my working procedures are different. All my basic structuring is done during the filming. You know, how long I keep the shot, the exposure or the speed - slower or faster, etc. That's structuring. And then there is a second stage of structuring that comes later when I begin to put those pieces together.

I have never seen a script that hasn't gone through at least eight different iterations before they even begin filming, and frequently what is filmed is not what's in the script, because things change on the ground. An actor can't say a particular line. An actor will have a brainstorm and ad lib something utterly brilliant.

Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.

When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.

In 2005, while filming an independent movie with Elisabeth Shue in New York, I was put up in the most gob-smackingly beautiful, spacious, split-level loft apartment in SoHo for six weeks. It was so big that you could skate-board around the place, and since the job took place in the summer, my family got to join me there, too.

When we first started 'The Breakfast Club,' we wanted to have a video person dedicated to filming our interviews and sending out content. I think having video clips that could go viral, or get picked up by media outlets, helped us get syndicated, because people in other cities were familiar with us from having seen our videos.

I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'

I came to Los Angeles only after filming 'A Good Day to Die Hard,' when I was cast in the independent movie 'Delirium.' Director Lee Roy Kunz was looking everywhere for a Russian actress. He saw my photos, and only then he learned where I starred before! Eventually, I spent several months in the U.S., and we made the film quickly.

Just filming Season 1 was different because I had to fly back and forth, in and out. I remember the show was just so relaxed because no one knew what the show was; we used the words 'Stranger Things' on all the sides, and all the cast names. Then in Season 2, you used code names for everything, and they just had to up the security.

I absolutely love 'Four In A Bed.' Before I started filming, and I was unemployed, it was the focus of my day. Four B&B owners go to each other's B&Bs, have a meal and stay over, and then pay what they think the room was worth. At the end of the week, they sit down together and open each other's envelopes, and they all start rowing.

The Canary Islands offer special incentives to companies looking at potential filming locations, so it was only logical for me to help the local government make connections with major U.S. film studios like Universal, Fox, Sony, Disney, Paramount, Time Warner, 21st Century Fox, CBS, Viacom, Comcast, HBO, Netflix, Warner Brothers etc.

The most exciting thing about joining EastEnders' is not only that I'll be back on the television, but I'll also be working with Maggie. I have admired her for a long time. She is one of my favorite actresses. Filming not just our first scenes but our first episode together will be like first night in the theatre - very exciting indeed.

My hats off to anybody filming action, because you get beat up. If I'm going to get the crap kicked out of me, I would love 15,000 people on hand to tell me that I'm doing good or I'm doing bad. So, if I'm going to be in any physical duress, I'd really like it to be in a WWE ring, which is why I was so amped to be a part of 'Trainwreck.'

I realized that if you try to be the perfect mom, perfect wife, perfect actress, you start to feel overwhelmed. You shut down. I got that really fast... I was running back and forth from breast-feeding to filming a scene, overextending myself on every level. I realized I have to make priorities, and my family is number one no matter what.

When I'm travelling, I always take my little notebook and scribble things down as I watch them; I'm very much geared to everything that's happening. Whereas, the diary I keep is just about a record of a day I've spent. When I'm filming, I'm looking quite intensely at everything I see and trying to get my own eye on what we're going through.

I have to say that filming 'The Night Manager' was not just amazing but also very daunting at first. I used to describe myself as the token plebeian surrounded by all your national treasures. All that glittering talent in one place; I knew Hugh from Fry and Laurie videos that my grandpa used to watch, and Tom Hollander's 'Rev' is hilarious.

My first arrival in India was memorable - landing at Delhi airport at 2 A.M. to start filming 'The Jewel in the Crown' in the Eighties. The man who was supposed to pick me up wasn't there, so I spent a very uncomfortable three hours phoning around hotels to find out where I was supposed to be. It was a major culture shock, but I adored India.

I think everyone that's from Cleveland knows exactly where they were when the Cleveland Cavaliers won the NBA Finals. I was filming a movie, 'The Marine 5: Battleground,' up in Vancouver, so I couldn't be at the game, but I watched it in my hotel room with my wife - who could care less, by the way, about basketball because she's from Montreal.

If anything, I'm overacting in the ring because of the facials and the body language. I want the guy in the cheap seats to be able to see what I'm thinking, the expression on my face. But when you're filming a movie, it could be a two- or three-camera shot, and you're doing it over and over and over again. It's not live TV; it's a lot different.

Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.

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