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It proved to be pretty impossible to get funds for a feature film in Finland. It's still small, but the film industry was miniscule at that point in the early '80s.
An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.
For me, my films have already aged. When they're finished, I don't want to watch them. Of course, I feel protective, but I try not to attach myself to these stories.
It has nothing to do with commercial success. You cannot calculate in your head how to put the mosaic together to make a commercial film: that's out of the question.
I would have liked to come back in 300; they did an origins film of 300 just recently, and it would have been fun to come back and see what happened to my character.
I sit every once in a while and I think about plays and films I can do with William Petersen into our eighties. He's the most incredible scene partner I've ever had.
If I get an offer, and I think there is something I can do, then I will think about it... I am ready to consider any film and TV acting offers, provided it is great.
Ultimately as much as the film industry is a business, it's a democracy. And the audience votes on how they feel based on the way they spend their money for tickets.
You're making a movie, not a documentary. If you made a film like the historians would like you to make, you're not going to go and see it. I'd rather see paint dry.
I really don't see myself being apart from music. I like doing lots of different things. I've been involved in film for quite a long time and I just like doing film.
I think the relationship between print and film is symbiotic, it's more about evolving and complimenting your existing content. The two are very much interconnected.
There's a lot of vitriolic ranting out there, but there are literally hundreds of critics on the web who care deeply about film and having something to say about it.
If somebody had started on a remake of French Kiss before I announced my own film, I would have dropped my subject. If someone else starts after me, what am I to do?
When you're writing a screenplay, it's like you're dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it.
I had a really hard time in Orange County. I was a nerd. I was watching foreign cinema when I was 13 and talking about how 'Hope and Glory' should be a foreign film.
A person who shakes a leg to 'Zor ka jhatka' at a disc doesn't care about its picturization in the film. He enjoys and downloads it because of the merit of the song.
There are not a lot of places for an actor to explore what it's like to be a woman in her 60s. There aren't any films about it and there very few TV series about it.
Working in film, I'm sure you have insight into this, there's something great that only comes by way of interactions with others that a monastic life does not afford.
I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as sound references.
When what's around you - such as scripts, or like me being on the show and playing 18, now me doing this film playing 18 - it's kind of been what's been there for me.
A film star is a kind of public monument, and everyone's staring at them, and they've kind of got railings around them, and they're rather miserable most of the time.
A very receptive state of mind... not unlike a sheet of film itself - seemingly inert, yet so sensitive that a fraction of a second's exposure conceives a life in it.
'Kit Kittredge' was an amazing experience because I got to go to Canada, and it was my first 'era' film, so I got to wear the 1930s clothes, the real vintage clothes.
I don't think there's a part that I've played or something I've written or directed that hasn't smacked of 'The Wizard Of Oz.' It's the film all roads lead to for me.
I won't go back to the theater. I like some of the things they're doing but it's different now, not something I could do. I'll go on making films the rest of my life.
You graduate from film school and move to Hollywood. Hollywood tells you, 'We're not the place for you to make films,' so you decide you have to make a film yourself.
I think Shah Rukh and I have done essentially romantic films that had great contributions from everyone else, so it's not as if we alone are responsible for our hits.
Many people say that theatre has no money, but it has been the stepping stone for the best film actors of our times like Naseeruddin Shah, Om Puri, Paresh Rawal, etc.
I like to go from mainstream movies to more artsy films. I don't sign on for the money. Maybe I should, but I don't. There's always a good reason for doing something.
When people talk about how parameters can generate really good work, there's no better example than working within a genre in film. That's like the ultimate parameter.
I never thought about acting before I started modeling, but since then I've been in short films and music videos, and I got interested. It felt natural to switch over.
I can watch a film, even a film that I've been in, and think, 'I'm not sure, 100 percent, what I think about it.' I'm not sure what I think about what I've done in it.
There's no such thing as "an auteurist filmmaker." Every film directors is an auteur. We only make films that we do because we cannot put on clothes that don't fit us.
I feel blessed and lucky that some of the film industry's most magical and iconic songs where legendary composers and singers have collaborated have been filmed on me.
What's the good thing about being an actor, you can do more things. Not just being a comedian, not going overboard but expressing myself within the confines of a film.
I don't see me doing $100 million films because $100 million films, the very nature of them, you need to offend as few people as possible just to make your money back.
I studied political science and international relations and had the intention of becoming a journalist or work in foreign affairs. I had no intention of making a film.
Every film has challenges and all of us are doing it together, all the cast is doing it together so you keep each other motivated I guess and keep each other in check.
Look at 'Dulhe Raja.' It was a film made very quietly on the sidelines, and suddenly, when the film was released, it struck gold. I never expected the film to do well.
In a play, you can adjust your performance to audience reaction, but in a film it's like you're trapped in a bad dream watching yourself act and you're in the audience
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
When I started I did not know I wanted to be a filmmaker. I started - I made a film. Then when I finished I said, Oh my god it's so beautiful - I should be a filmmaker!
'Venus,' which is a Roger Michell film - my first scene was with Peter O'Toole, and I cried. That was basically my part. I came in, cried in a white wig, and then left.
When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.
You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.
If I want to do song and dance, I will and I would like to but I don't want to do it in every film. Where is the novelty then? It just takes the fun out of work for me.
Ultimately, the film industry has always pushed out its biggies, and I don't have a problem with that. I just wish that we'd spend more time nurturing the smaller ones.
In my films that I've directed, and my work in commercials and videos, I've rarely used handheld. It's just not something I'm drawn to, but I've seen it done very well.
We have to do a film parody for Comic Relief. We can't decide which film to parody at the moment. Any ideas welcome, but not Spiderman owing to costume being too tight.