Quotes of All Topics . Occasions . Authors
The world can make an actor feel overly important. What I do isn't hard work. It's not ditch digging - which I have done, for one summer. Of course there are times when your fuel tank's low, but even on the hardest days, you are on a film set. You are doing something creative.
On a film set, for me, there's so much more time to process what's going on than there is on a television set. There's more wiggle room to try things and fail and try again and get to the heart of what's going on in the scene, which is really fun for me. It's what I like to do.
I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
Mike Leigh taught me about making choices - as an actor, you choose between being honest and clever, and with Mike, it's always about being honest. I learned how to behave on a film set from Jim Broadbent. He was a great example of someone with a fantastic career who kept his feet on the ground.
A film set is all about hierarchy, but I always like to think about the circus. In the circus, there's this real sense of tribalism, and they're all on the road together. I don't think the ring leader is more important than the clown. They all work together, and I think that I felt that on 'The East.'
I used to assist my chachaji in his artificial jewellery business. One day, I got the opportunity to visit V. Shantaram's film set to supply some jewellery. Curiosity got the better of me and before I knew it, I was playing an extra. Soon, roles with dialogues followed and the rest as they say, is history.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
I did every odd job you could possibly imagine: Holding a sign in the rain for 14 hours straight, sweeping up cigarette butts, pouring coffee, running around - anything I could to be on a film set. I wanted to be in the business. So I'd say, 'You need that job done? Fine,' and I became indispensable to people.
The pace is different on a film set. It's slightly slower, allowing for a little more wiggle room. Sometimes there is a bit more room to explore and work on the floor. On a TV set, you really have to be ultra-prepared and ready to deliver because time is so tight. Not that you don't have to be prepared for film.
After kids, the desire to improve as an actor remains, but time becomes hugely important. I want to do good work and do it well but then be at home. I love hanging out with my children, seeing how they behave, and stealing ideas off them. You can't do that if you're in a hotel, on a plane, or a film set. It's not real life.
Well, I kind of did the math in my head when I was like, 9. I was like, 'Well, if I want to make films' - because I want to be a director - 'I could just go on a film set and learn there.' And then I ended up falling in love with acting and the set and making friends all the time. And so I've just been doing that ever since.
If you're strutting around Beverly Hills and hitting up these big industry parties every night when you're not making movies, then it's going to eventually consume you. But for me, I live most of my life in Boston. I do things no different from the way my buddies back home do them, except when I go to work, I go to a film set.
Everyone talks about how we're on our phones all the time, but the fact remains that when I'm away on a film set for two months, I can Skype my family. I remember the phone calls my parents had to make when my dad was away for a while when I was younger - that once-a-week expensive phone call! The time pressure on talking to your father!
In management terms, directing opera certainly prepares you for a film set: the magnitude of it, the experts in other fields that you have to call on. Both are massive ensemble jobs in which there's incredible pressure to get things done on time and on budget - so much so that making the wrong decision may be better than making no decision at all.
