Most of the film directors expect their actors to want to work fast.

I am sure I am one of 2,000 film directors in the world that Tarantino admires.

I guess you could say I'm like a film director but my movies have only one frame.

Film directors don't come to the theatre in Sydney. In London and New York, they do.

All film directors, even the ones using 3-D today, want you to look at what they chose.

It's really rare for film directors to be that interested in things other than themselves.

With Kubrick and most film directors, they are in complete control, but one can influence them.

Working with film directors helps me grow, but nothing like the incremental jumps I make onstage.

Vijay Anand's death marks the passing away of a true, original mind. Vijay had charisma and cinematic dazzle. He was the first who gave Indian film directors the status of a star.

I am bowled over by the massive number of remarkable people who face down the fact that no, they are not going to be film directors, famous artists, or billionaire entrepreneurs and still come out the other side as cheerful, decent, gracious human beings.

I don't want to inspire the next generation of tight ends or linebackers to play the game. If I could inspire the next generation of architects and technology leaders and writers and illustrators and film directors, then I feel like I have fulfilled my life purpose.

A lot of film directors are quite scared of actors. They are a bit of a nightmare sometimes, but I like them. It looks like cunning, but you try to get extra things from them all the time, by stealth, by making them feel confident, so they trust you and you can push a bit.

I once gave a talk at a girls' school and, once I'd finished, 29 out of the 30 girls wanted to be film directors. I think that's where we need to get girls interested in making films. We need to give them the idea that they can, that it's one of the things on their horizon.

I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.

There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad.

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