Quotes of All Topics . Occasions . Authors
'Illustrado' is not an autobiography. Only the ideas are autobiographical; the ideas of bitterness, frustration, unchanging society, an individual lost, social awkwardness... The book satirises archetypes from across Filipino society, and I felt that the least I could do was offer myself up, too.
As our company grew and we began growing our family stateside - with heritages ranging from Liberian and Sierra Leonean to Irish, Indian, Swedish, Filipino, German, and beyond - our different cultural influences and walks of life helped us even better understand the criticality of an inclusive point of view.
I'm part Spanish. My paternal grandfather came from Spain via Singapore to Manila. On my mother's side it's more mixture, with a Filipino mother and a father who was Scotch Irish-French; you know, white American hybrid. And I also have on my father's side a great-great-grandmother who was Chinese. So, I'm a hybrid.
The film 'Documented,' a project of the nonprofit and nonpartisan Define American campaign, is about my families: the family I was blessed to be born into, and the family of friends, mentors and allies that I found when I moved to the United States at 12, a Filipino kid trying to make sense of my new home in America.
No one ceases to be a man, no one forfeits his rights to civilization merely by being more or less uncultured, and since the Filipino is regarded as a fit citizen when he is asked to pay taxes or shed his blood to defend the fatherland, why must this fitness be denied him when the question arises of granting him some right?
I was raised in a dominantly Filipino family. I didn't know I was 'mixed' until I got older and started asking questions about my grandparents, the origins of our middle and last names. We were kind of textbook Pinoys. A lot of the Filipino stereotypes that were joked about by me and my friends rang very true with my family.
Some of my educated Filipino friends were aspiring poets, but their aspirations were all in the direction of the United States. They had no desire to learn from the bardic tradition that continued in the barrios. Their ideal would have been to write something that would get them to Iowa, where they would study creative writing.
When I was about 6, my cousin was very active in a Filipino repertory company, doing musicals and plays. Her aunt was one of the founders of the company, and she told my mom that there were these auditions for 'The King and I,' and that they needed kids. I auditioned, got in and the love affair started from there and just kept going.
I always wanted to let people know I was Filipino, but I didn't want to go up on stage and make it so you wouldn't understand my jokes because you're white or black. I always wanted to let people know I was Filipino through my mom. That was always my goal. That way, everyone got it. You don't have to be Filipino to understand my mom.
