Quotes of All Topics . Occasions . Authors
I studied English literature in the honors program, which means that you had to take courses in various centuries. You had to start with Old English, Middle English, and work your way toward the modern. I figured if I did that it would force me to read some of the things I might not read on my own.
I'm a really proud, happy Canadian. I think we've got it figured out in our country. For example, gay marriage has just been legalized in all of the U.S. and it's like, 'Wow, hashtag lovewins,' but that's not necessarily a leap forward compared to what we've already experienced in Canada years ago.
I had problems getting my words out. If people spoke directly to me, I understood what they said. But when the grownups got to yakking really fast by themselves, it just sounded like 'oi oi.' I thought grownups had a separate language. I've now figured out I was not hearing the hard consonant sounds.
I practice yoga at home to a TV show called 'Inhale,' taught by Steve Ross. I figured that if the people on the show could stretch that deep then I could too. I ended up pulling my hip flexor. But that's how I met my husband. Paul was the physical therapist my coach called to meet with me after hours.
One thing I have figured out: People don't like different. People don't like to see anything different. When you see something different, you are either scared or afraid or you feel threatened. And I feel that the way I play the game, it feels like I should have played 50 years ago. But it's what I do.
There was a time when I thought dudes had friendship all figured out. The focus on eating things in front of giant screens, pretending to punch one another, competing over who can utter the grossest and most profane personal insults imaginable - this struck me as the very apex of human social exchange.
I was invited to do an all-female improv festival in Portland called All Jane, No Dick. The person running it asked me if I had a female improv team, and I just said yes and then figured out who I would want to bring with me. We had such a fun show together that we decided that we should keep doing it.
All I know is movies; I went to school, but movies are my reference point for everything. I figured I'd have to P.A. or intern in the art department. Because the filmmaking process is so many people creating to make one piece of magic, so I've always wanted to be involved. With the acting, I doubted it.
I wanted to find something I was passionate about, something with the possibility of upward movement, and I wanted freedom. I need to be outside living life, not stuck in an office. I figured I could either be out selling condos in Miami, or I could move to L.A. and chase after that elusive actor's job.
Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'
I used to watch the old 'Flash Gordon' series on TV, and it was thrilling to rocket to the planet Mongo every week. But after a while, I figured out that although Flash got the girl and all the accolades, it was really Dr. Zarkov who made the series work. Without Dr. Zarkov, there could be no Flash Gordon.
People who ask confidently get more than those who are hesitant and uncertain. When you've figured out what you want to ask for, do it with certainty, boldness and confidence. Don't be shy or feel intimidated by the experience. You may face some unexpected criticism, but be prepared for it with confidence.
I obtained eight years of elementary education in a two-room school, where I encountered a stern but engaging teacher who awakened my intellect with instruction that would seem rigorous today in many colleges. History figured large in the curriculum, exciting for me what was to become an enduring interest.
It wasn't until last year that I figured out the problem: I just don't love competitive golf. What I love is the game itself. I love being outdoors, practicing, and smelling the freshly cut grass at 6:00 a.m. as the sun rises. But I didn't love travel, or pressure, or the mean-spiritedness of my competitors.
For as long as I could remember, the person in E23 pasted the same Halloween decoration, a witch with a giant wart on her crone's nose, but whenever kids rang, the tenant wouldn't answer. At first, kids figured they'd just missed the guy: bad timing. But it seemed impossible that all of us missed him every year.
For city dwellers like me who don't get to vacation in the summer, no filmmaker can so effectively make you feel like you went to France for August, fell in love, got hurt, broke up, grew up, and figured some things out - all in 90 minutes or so. My favorite of Rohmer's cinematic escapes is 'La Collectionneuse.'
I was in my 30s when I quit my job and ran for Congress. So often, we're told it's OK to take these big career leaps when we're in our 20s, but we cast such an unfavorable light on those who take big risks later on in their careers or when they start families. There's enormous pressure to have it all figured out.
I've figured out how to turn what's different about me and limitations - I'm new to this world, I'm a woman, I don't have a math background - and how I use that to my advantage. They're what make me unique. In poker you learn very quickly, if you play like everyone else, you'll be fine, but you'll never be great.
You know the question: 'How do you get to Carnegie Hall?' Answer: 'Practise?' Well, in my case, I got there by not practising. I didn't finish my music degree. And when I got into the pop world, I decided not to conform because I figured that the point of being an artist was that you shouldn't be like anyone else.
When I was a young girl, I was so crazy about animals that I wanted to do something associated with them, and I thought of being a vet. But then again, I figured I had to go to medical school, and science wasn't a good subject for me, so I dropped the idea pretty soon and thought maybe I could be a vet's assistant.
'Guyism' wanted a daily video series. They told me they were planning on hiring a girl and then hiring someone to write all her jokes. Then they figured it would be easier just to get me, so they offered me $750 a month to do it, which turned into an offer to move to New York and do it full-time for $30,000 a year.
We basically built a pricing model that surgically identified what people wanted to pay us for and what they didn't want to pay us for. One of the things we figured out early on was that we could create value for people by creating a product that allowed them to design something that they couldn't design without us.
People ask me, 'What were you thinking during that game-winning penalty kick in the 2011 World Cup?' I was actually thinking absolutely nothing. I just walked up there and was so inspired by my teammates who rocked all their PKs; they just killed it. I figured I might as well do the same, or they might have my neck.
Hiding my migraines on the set may have been my toughest challenge as an actor. There were times when the pain from migraine headaches was so severe that I literally had to crawl across my dressing room floor. But I couldn't let anyone know. If they thought I might slow production, I figured that would end my career.
I did have a nice career in print, but traditional publishers don't always have the resources to create individualized marketing for their authors. Mine never figured out how to package books as hot as mine so that they found their full audience. Finally, I got frustrated enough over my lack of traction to walk away.
Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
I'm naturally shy, so the social media thing is new to me. I haven't really figured out how my voice sounds on social media, you know? I don't want to tweet everyday just for the sake of tweeting. I want to make sure whatever I do there is honest. Social media can very quickly get fake, and I don't want to be that guy.
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it!
I figured if I write a modern thriller but spliced in the DNA of a classic western - the drifter who comes into town with secrets - I could do something interesting with both genres. Westerns are also an incarnation of the classic knight errant tale, the lone warrior with a moral code, and I love those types of stories.
I wanted to fold into the 'Hellraiser' narrative something about the guy - the Frenchman Lemarchand - who made the mysterious box, which raises Pinhead. I figured, 'Well, what would have happened to him?' He might well have been taken to Devil's Island, and I thought that would be a pretty cool place to start the movie.
He's always been tough on me, but I've had to figure out when he's being a coach and when he's being a dad. Once I figured that out, it was much easier. It's definitely tough, something that took years to figure out. Just knowing he was looking for what's best for me, not just yelling at me as a parent. It took maturity.
The world will try to make you think that being good is outdated and old-fashioned and that popularity comes from breaking the rules and lowering your standards. Don't buy into that way of thinking. As you watch TV or read magazines, you might be made to feel abnormal when, really, you are the one who has it figured out.
I always figured there would be a kid audience and an adult audience, and there is. That's true for 'Hunger Games' and 'Twilight' and 'Harry Potter.' And 'Maximum Ride,' for sure. In particular what happens is a lot of parents share the books with their kids, and the mom has read it, and the kids, and they talk about it.
I get worried sometimes that people are saying 'Why is she on television - is it because of Survivor?' That people are saying, 'She got here the easy way.' But I have been working hard all these years, and I figured I needed to move forward and embrace it, respect it and perfect it. If I didn't, then everybody would lose.
Even though I was dealing with all of these health issues, I was still doing well during my season. It wasn't the best season, but it was consistent. And I figured if I could be this consistent when I'm not my best, what happens when I get better, where could I be? So I wanted to see what I would be like on the other side.
My wife was born and raised in Italy until she was about 9, and then she came to America, and her mom was a great cook, and they have great recipes, and whenever her mom would come into town, we would have all these friends just randomly showing up at our house, and eventually we figured out why. They wanted Mama's cooking.
Since I was part of the St. Francis College basketball team, I used to get the opportunity to go to various parts of the city for tournaments. It's during one such outing that I figured this is the Chowmahalla Palace! I still remember buying a ticket and getting into the palace with my team, all of us in our sports uniform.
You look at somebody like Frankie Edgar and you think, 'oh, that little guy,' this and that. But these guys, they want it. And even if you're sitting there and you think you've figured something out, or got something you're going to surprise somebody with, the first thing you've got to do is have more heart than these guys.
I remember, as a kid, I couldn't wait to get my library card, get my first book. There was a sphinx on the cover, and I figured I was going to read about the Egyptians. But it was this archeology. It was so dry. But I forced myself to read it because it was my first book out of the library. Should have gotten a 'Hardy Boys.'
When I graduated college, I remember all I really wanted was to make enough money to have a swimming pool, because I love to swim, to grow my own fruit. I wanted to have a little plot where I could grow my own oranges and make enough money where I could to take two weeks off a year. I figured if I had that, it was game over.
If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!
I landed about one a year. Just enough to make me question the gas money and all the driving in rush hour. When you audition for commercials, it's a lot of driving. What I netted wasn't exactly matching the hours I was putting in. I figured I'm not a face that makes people want to buy Lysol. Then I auditioned for Progressive.
When you're a child actor and play the precocious kid, the temptation is to wear leather pants or a cutoff shirt to redefine yourself. But I never felt the need to randomly reshuffle the deck and say, 'Don't call me Peter. Call me Pete.' I just figured you evolve naturally, and you'll be recognized for what your successes are.
I think a lot of people look at athletes in general and think they have everything figured out. They made it to the big leagues... We're battling and going through the same stuff everyone else is going through, but just in a different way. Maybe it can be comforting knowing that we have to battle through some of the same stuff.
I was 22 and had worked on Wall Street for a year, and quit my job. I bought a motorcycle and sort of had this fantasy that I'd go cross-country like 'Easy Rider.' I went from New York to L.A., and on the way back, I stopped in Chicago and saw a friend of mine who was into improv. And I figured it might be fun to give it a shot.
I always knew I'd keep at it with the plodding doggedness that I used to master lump-less gravy and wriggle out of fitness classes; I always knew I'd get a zillion rejection slips. I figured I'd write part time while working various full-time office jobs, and maybe, maybe in my 50s, I'd be able to quit and try writing full time.
One day when I was 16, I rode my bike to the nearby DMV office to get my driver's permit. Some of my friends already had their licenses, so I figured it was time. But when I handed the clerk my green card as proof of U.S. residency, she flipped it around, examining it. 'This is fake,' she whispered. 'Don't come back here again.'
I became a poet in Pittsburgh. When I lived in the South, I was a basketball player and primarily a jock. An English teacher essentially suggested that I send the poems that I'd been writing - really just for him - to a few programs, so that when I wound up in Pittsburgh, it's where I figured out that I could actually be a poet.
We had a great dramatics department in school, so I did a lot of plays and theatre there. Later, when I was the captain of our student's ward, I figured out that if you find something you really love to do, you don't have to work for the rest of your life! You can just have fun and still excel in it because you enjoy what you do.
With 'Free Agent Nation,' I was figuring out how to write a book along with writing the book. Now I think I've kind of, sort of figured out how to write a book a little bit better. But the process remains not that different - slow; laborious; tiny, incremental progress each day, punctuated by feelings of despair and self-loathing.