Quotes of All Topics . Occasions . Authors
In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.
My view of myself doesn't change. I know who I am. I'm Cuban American; both my parents are Cuban - one was a little browner than the other one. That's who I am. I feel sorry that it's taken so long for the film industry to figure it out and to catch up.
I read a book recently by a psychiatrist who was able to interview a few serial killers and she had a thesis on how you could figure these people out. And she thinks that there are things that could tell you whether someone has the potential to do that.
I moved back home after graduating from Virginia Tech. And that's when reality hit. I knew I had to do something. I guess it doesn't click when you're that young. I was 19 and had finished college. I got home and had to figure out what I was going to do.
Very early on, you figure out that you put your self-esteem in the hands of strangers. There's a different commodity. There's the Helena Bonham Carter that everyone thinks they know, who really has nothing to do with me. But you just have to let that go.
For millions of women and men around the world, the playwright Eve Ensler is a beloved figure. She represents the epitome of the politically engaged artist, someone who uses her creative brilliance to illuminate injustice and give voice to the voiceless.
I think any player at any position their rookie year, they're trying to figure out how to process all the information we give them, how to process what the defense is doing and then actually physically play the game and the position that they're playing.
You can tell my mood by my makeup. When I'm depressed, it's really dark. Then I'll do super-dumb happy makeup. Like, I'll do one eye electric blue and one smoky brown, and you won't even figure it out until you're talking to me - then you're like, 'Whoa!'
I think so many people tend to think of faith as blind adherence to a dogma or unquestioned surrender to an authority figure, and the result is losing self-respect and losing our own sense of what is true. And I don't think of faith in those terms at all.
I think the exploration and the search for who Jesus is, and that 2,000 years later we're still trying to figure out who He was, and did He really rise from the dead... And I think for me, the answer is 'yes,' and that's why we're talking about Him today.
I love writing Christmas music. It's some of the easiest songs to write... You draw from your own memories - it's kind of a wellspring of inspiration, in a way. With other songs, you know, you spend six months just trying to figure out what to write about.
There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Julliard, and the National Institute of Dramatic Arts in Sydney, Australia.
In 'Star Wars: Episode II,' when Jango Fett is chasing Obi Wan Kenobi through an asteroid field, they needed a big asteroid to shatter into a million pieces, and I had to figure out how to do the fracturing, write the code, and show an artist how to use it.
The real issue for the public is to figure out which narrative do we want. We can have a bigger government, if that's the public's choice. It'll just require higher taxes on every American. Do you want that, or do you want smaller government, smaller taxes?
When things have gone really wrong in my life, I've cried like a child. I have really, really cried. I cry it out. Two-three days I cry, and then I'm like, enough, time to deal with reality and figure a way out. This is the way I have dealt with everything.
There are so many ways to approach a character. You have to figure out the similarities between you and the character, build on them, and at the same time, blur the dissimilarities. Since you do it day in and day out, it becomes a process and a part of you.
Hopefully we'll figure out how to get 'Iron Man 2' going, and I'll be involved with that. You have got to outdo what you did before. So, if the last one took two years, we would need at least that to do what we are talking about or, at least, thinking about.
What we need to do is always lean into the future; when the world changes around you and when it changes against you - what used to be a tail wind is now a head wind - you have to lean into that and figure out what to do because complaining isn't a strategy.
I don't read a lot of the sports, because I think people sometimes either build it up, or you have this guy that hates sports that is going to write bad about it, so I figure I'm not going to read it. Because I'm not going to let him put an idea into my head.
One of the reasons I got into acting to begin with is that I was trying to figure out how life worked. It was interesting to me to try and follow how other people, real or imaginary, would deal with problems, because I was trying to deal with my own problems.
My allegiance to the GOP was cemented during the 1980s, when I was in high school and college and Ronald Reagan was in the White House. For me, Reagan was what John F. Kennedy had been to an earlier generation: an inspirational figure who shaped my worldview.
I've had it up to my ears with the personal mythology. It's getting kind of personally sickening. The personal stuff just turns out to be misinterpreted. I've had such an earful for so long, it's gotten tedious. I figure if you stay away from it, you're safe.
Cezanne had an enormous influence on everyone in that period; there was a change in attitudes to art. People found him disturbing because they didn't like their existing ideas being challenged and overturned. Cezanne was probably the key figure in my lifetime.
Self-esteem doesn't come simply from dressing well, but they are both something we can control. It's a missed opportunity when women say they don't have the money, figure, etc., because style is such a way to help cultivate the way women feel about themselves.
Oprah is a wealthy person, pack leader of the human world. So many see her as the dominant one, as the authority figure. The way I view her energy, seeing her on TV, is a very calm, quiet energy. You need, in order to gain control, higher energy than your dog.
You know, there's nothing you can do about your public image. It is what it is. I just try to do things honestly. I guess honesty is what you would call subjective: if you feel good about what you're doing, yourself, if you figure you're doing the right thing.
Mos Def is a name that I built and cultivated over the years it's a name that the streets taught me a figure of speech that was given to me by the culture and by my environment and I feel I've done quite a bit with that name and it's time to expand and move on.
I love listening to the radio because there's something about that discovery, that platform, still being the main medium. And it is changing with streaming services, but I like to listen to what people are listening to and figure out why is this song so catchy.
I don't understand art-speak. My pictures are big doodles. I'm amazed what people come up with when they look at them. There's one of a figure with two heads that somebody thought must be a comment on the state of matrimony. None of it is a comment on anything.
Every time I watch CNN, it feels like you're assigning me homework. Is Trump a Russian spy? I don't know. You tell me - I'm watching the news. It feels like I'm watching CNN watch the news. Just take an hour, figure out what you want to say, then go on the air.
I actually went to some Gamblers Anonymous classes, and I sat there for three or four of them, and I'm trying to figure out what I have in similarities with these other people, and I could never find anything. It just seems like it wasn't the right place for me.
I feel that if you shelter your kids from everything, one day they are going to be out in the world on their own, and they are going to have to figure it out. You can't give them a test if you never taught them anything that's on the test. They're going to fail.
I eat healthy when I can; I eat a burger when I want, and I work out. You have to live with the routine that keeps your body the healthiest, and that's what I do - I don't change it for a swimsuit shoot. You have to figure out what works with your body the best.
If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's still the ideal of beauty. When a black or Asian figure shows up in a fashion magazine, she's the exception, not the rule.
For relaxation, I like to figure skate. Being on the ice and spinning and jumping, I feel very close to nature. In particular, I feel very close to Newton's laws of motion. On the ice, you can experience Newton's laws of motion in their purest, most elegant form.
If we can map the retina, that will help us understand how it functions in vision, as well as devise new ways of repairing its malfunctions. And if we can really figure out the retina, perhaps we will have a shot at figuring out the vastly more complicated brain.
Working with a guy like Ice Cube on 'Ride Along,' you learn so much. He's a guy who produces, writes, and directs, so you watch and learn and ask questions. As you go, you learn and figure out what you should and shouldn't do. I do nothing but soak up information.
Quest stories are about the oldest form of narrative there is, and they're also the perfect metaphor for life because we're all on a journey trying to figure out where we're going and who we are. 'Solomon Creed' is just doing it with more danger and guns involved.
It seems to be that when these communist regimes take over - if you look at the example of Vietnam or Cambodia or Nicaragua - that even in conditions of peace they don't seem to be able to figure out how to support their people, and the human suffering is enormous.
The thing is, we live in a contemporary world, and being able to make yourself the best person you can possible be can be difficult. But as long as you're trying to figure it out, and you're really looking in the right direction, everything's going to be all right.
I went to Drexel University, majored in computer science. Drexel has a great program - they call it co-op - but its, like, mandatory to graduate to do internships. I loved it because it helped me figure out very quickly that I didn't really want to be a programmer.
I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
The digital apocalypse continues to blight the lives of television producers, music-industry executives and newspaper publishers, all of whom are scrambling to figure out how to reconfigure their business models in such a way as to allow them to make an honest buck.
The companies that I really admire the most are the ones that have a deep visceral understanding of why people use their service, and they figure out ways of making money that are completely consistent with how people are feeling and what they are doing at the time.
Don't treat your heart like an action figure wrapped in plastic and never used. And don't try to give me that nerd argument that your heart is a 'Batman' with a limited-edition silver bat-erang and therefore if it stays in its original packing it increases in value.
Ariel Pink would be a regular on the Mike Douglas Show. Both a master songwriter and a charismatic figure, he'd wander the set like a cherubic, more likable Jim Morrison. His songs would be all over KFRC - the way Boz Scaggs ruled for one summer with 'Silk Degrees.'
Could it be, I wonder, that there is such a thing as a wantologist, someone we can hire to figure out what we want? Have I arrived at some final telling moment in my research on outsourcing intimate parts of our lives, or at the absurdist edge of the market frontier?
There's a finite amount of time on this planet for each of us. Sometimes, the only way we figure out how to deal with that reality - knowing that there will be an end to every story, and you don't know how many chapters are left in your book - is by living in denial.
The first line in the first 'Gasland' is: 'I'm not a pessimist. I've always had a great deal of faith in people that we won't succumb to frenzy or rage or greed. That we'll figure out a solution without destroying the things that we love.' I have not lost that sense.