Before 'Dancing with the Stars,' I'd directed a short called 'Man vs. Monday' that I sent out to all the festivals just to show I can direct and produce. It was also a template to launch a movie or a TV series.

We have harmonies, folk songs, and compositions attached to each occasion - ranging from birth, harvest, to our festivals. Our country thrives on culture, music, and arts. Musically, ours is a very rich country.

I make films, and festivals, museums, and academia are embracing the work. It will be heard. It's bound to happen because cinema is universal. You create it, some people will notice it, some people will watch it.

I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.

Pontus, instituted among all people, as an addition or corollary of devotion towards God, that festival days and assemblies should be celebrated to them who had contended for the faith (that is, to lie martyrs ).

Toronto Film Festival is one of those festivals where there are 400 movies, and unless you have a distributor who is super confident and puts a lot of money into it, sometimes movies can go unwatched or unnoticed.

When you're talking about your own music every day, listening to bands, going to festivals, you can kind of lose sight of your initial connection with music. Instrumental music - especially jazz - helps me refocus.

I just want the truth about it, because if the reality is that electronic music festivals are significantly more dangerous than other festivals, then something should be done about it, and that warrants conversation.

Sometimes it's hard to eat healthy on the road, especially on the days when we play fairs and festivals! There is lots of fried temptation there, and it's hard for this Southern girl to turn down some good fried food.

I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.

I'm used to promoting books, but a movie is a very different thing. You have to go to film festivals and wear fancy clothes and try and look glamorous and intelligent when you're just terrified and you want to go home!

When it's your own thing there's a lot more pressure to make it awesome, since these people bought tickets specifically for you. Whereas at the festivals, you're one of many acts on a bill so I find it's less pressure.

You can argue about violence. It's destructive, but people are inherently violent in a lot of ways. Abusing drugs is always bad for people and bad for society, but the whole notion of festival is tied up with intoxication.

Playing new songs at festivals is weird, obviously. People at festivals are always a bit drunk, and probably just want to hear stuff they know by bands they love, or are checking you out and don't know your stuff very well.

Sectarian political festivals are not the way Londoners want their money to be spent. Most of us, I suspect, just want to be trusted to get on with other people and not be instructed by activists about the dangers of racism.

I've followed Tegan and Sara's music for quite a while, and I've been a fan of them and what they do and what they stand for. We've run into each other at one or two festivals over the years, and I kind of fanned out on them.

Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.

I've been pitching a show of five female stand-up comedians through the generations, from Phyllis Diller to Amy Schumer, so when I got an e-mail asking me if I would participate in the Women in Comedy Festival, I was thrilled.

A lot of festivals on a worldwide basis that I am seeing, they're trying to multi-genre it. Like, they put a wild card band on, like, us old guys that happen to have a record that has stayed in pop culture for as long as it has.

We took a show to the Aspen Comedy Festival, called "Puppet Up" at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, "Please come to Edinborough."

The more film festivals, theatrical shows, and music performances and visual arts we have, the less chances there are for war. Art is hope, and it is found in hope, and that's why we need to share our experiences and cherish art.

Just a decade after 'Living in Bondage,' Nollywood films, made in some 300 languages, were being watched in both urban and rural areas, distributed on both the streets and online, and finding their way into international festivals.

Martin's Monsanto poem holds devastating power. I heard the first public reading at the Resurgence Festival of well-being in London. It brought truth with clarity, not least with a kind of conviction and passion that is all too rare

I always tell young filmmakers, don't go make a feature. Make a short. When you're ready to make a feature, people will tell you. Your friends will tell you. Your fans will tell you. Festivals will tell you. Listen to your audience.

Festivals promote diversity, they bring neighbors into dialogue, they increase creativity, they offer opportunities for civic pride, they improve our general psychological well-being. In short, they make cities better places to live.

The quality and success of Disney was actually bad for us animators because everyone on the planet thought that animation was only for kids and only in a certain domain. The big film festivals never thought much about animated films.

When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.

Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving.

I was in a music class when I was little, and they discovered I had a talent and could sing. From there, I joined this singing troupe in California, and I would just go sing at festivals in this girl group and perform as much as I could.

Unlike with any other art form, filmmakers have this unique web of festivals. There are hundreds. It is a democratic system in which you submit films, and if they are good enough, they play. The only barrier to entry is the submission fee.

When we finally got to play that and we had a great show there, well I can tell it was pretty awesome. Y'know, we probably did bigger festivals since then; we probably headlined bigger festivals since then, but I will always remember that.

All of our lives are enriched by our culture, from blockbuster films, best-selling video games, independent music, and internationally-renowned museums and art collections, to theatre, opera, ballet, literary festivals and performance poetry.

I've never really wanted to do the bra top or booty shorts at festivals. I'd rather be cool, casual, and comfortable, and I like wearing outfits that I can also walk on the street with. In short, I don't really dress differently at festivals.

There are so many fun charity festivals in the Hamptons. We enjoy so many fun events for kids such as Kidsfest. We also go to Super Saturday. We like to chill out and go out by the pool. We do things that are fun for kids and good for charity.

I don't like being at food festivals and have someone from some weird cable access show that's all about lifestyle get in my face with a microphone and wants to know which party I'm going to later... That just is pointless kind of stuff to me.

At comedy festivals, we always get grouped with other musical comedians, so you can get to know them and see what everyone is doing. it's really fun and awesome that we're the only girls, because we can tackle issues that guys can't sing about.

For me, religious festivals and celebrations have become an important way to teach my children about how we can transform living with diversity from the superficial 'I eat ethnic food', to something dignified, mutually respectful and worthwhile.

Festivals are fun for kids, fun for parents and offer a welcome break from the stresses of the nuclear family. The sheer quantities of people make life easier: loads of adults for the adults to talk to and loads of kids for the kids to play with.

We are working on organising classical music festivals in a bid to promote qawwali there and produce films that promote music. Perhaps people lack the talent as yet, but at least there's a stable platform available to promote this as an art form.

You see Mexican cinema in festivals throughout the world, and you see Mexican directors getting recognized at Cannes, at the Oscars, in Berlin, but the question is, What is the end result of that in terms of the market? That's where it's lacking.

Before YouTube, I used to show videos at film festivals, and that was good and constructive. Watching things with an audience is a great way to gauge - it's pretty clear what's working in comedy when there's a joke and people laugh or don't laugh.

The reality is that we have all these awards and all these festivals that give out awards, so you sort of go, 'okay, well, people liked the film, and I think it's a good film, and it's up for an award - well, I guess it should win the award then.'

It's a very strange experience to watch yourself in a movie anyway. I most frequently don't do it, but if I was going to do it, I would do it in a private way, not at a public screening at a film festival, which is just an overwhelming experience.

What I like about Japanese venues is that the front barrier is right up against the stage, so when you're bending over, they're right there in front of you. In some European festivals, they're so paranoid, you need a taxi to go and touch the crowd!

As a screenwriter, there's so many layers you have to go through in order to tell your story. You have to write the script, get money for the script, shoot it, find distributors, make it into film festivals, all of that just to get to your audience.

That's the reality of my life - I do normal things and then get to go to film festivals and wear borrowed clothes and turn up at premieres and talk about things I am passionate about. But then you click back to normality and your family and friends.

It is at programmes organised on the sidelines of temple festivals that you get to see raw audiences who will let you know immediately whether the act has clicked or not. It was those audiences who taught me how to strike a rapport with the audience.

I've made so many changes to my records because of the way the audience has reacted at the various festivals I've played - I've taken tracks back into the studio, stripped them bare, and built them back up again to create something entirely different.

Tyrone, I think they're taking to festivals. I don't know which festivals it will be at. It's like a buddy picture. It's a couple of guys driving across the country and they get to a small town and they hit a guy. The guy turns out to be a drug smuggler.

Now, there are so many movies, so many festivals, and so many awards going on, each judged with each other, like your work is worse than others and that's not fair. How can you tell what's best and what's worst from these awards? We're talking about art.

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