Quotes of All Topics . Occasions . Authors
My whole theory about why I couldn’t find any creators who realized they were leaving out female characters is because they were raised on the same ratio. I just heard someone the other day call it either ‘smurfing’ a movie, which is when there’s one female character, or ‘minioning’ a movie, which is when there’s no female characters.
I know the women in the Trump Corporation, have gotten to know them very well recently. Obviously, let the record reflect it was Donald J. Trump who elevated the first female in Republican presidential politics to that role, and then albeit successfully, owing in large part, if not most part, to him, and the campaign that he stewarded.
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.
I'm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and I'm so happy she really cares about her female fans. She's not catering to a male audience and is writing music for other girls.
Greg Rucka always writes lovely, believable female characters in books like 'Whiteout,' 'Queen and Country,' and 'Lazarus.' I am a fan of Kelly Sue DeConnick, who does a wonderful female lead in 'Captain Marvel.' And DC's 'Batwoman' is currently the only book at the Big Two with a lesbian solo lead character, and it's always outstanding.
I don't know who it is, probably some geek - said that when a female gets to a certain age, all her sexuality goes. She's not a vital person anymore. If you're somebody's mother you're not vital. This is such crap, because you're still a person. You still have all the things that you came into childbearing with and all that kind of stuff.
Drag queens always base their personas on their favorite female icons. Mine was Barbie, who's not necessarily a human but is as iconic and beautiful as any woman. I started really pushing it because I hit a crossroads of, 'I don't want to look like a woman or a man. I want to look like a wind-up toy, a plaything manufactured in a factory.'
I look young. I heard this said so often that it became irritating. I once worked as a babysitter for a woman who, the first time we met, said she didn't want somebody in high school. I was 22. Later, I realised that in certain places being female and looking 'young' meant it was more difficult to be taken seriously, so I turned to make-up.
I don't think you can be successful in television without appealing to women. I don't think it's possible. I think that men like women. It doesn't really matter what they do - they love anything. But women don't necessarily like every woman, so I think that's a challenge to get the female audience to not only relate to you but also like you.
The teabagger thing and the right-wing thing - they pick easy targets, and a female in the entertainment industry is low-hanging fruit. It's very easy to mock and marginalize people in general who are in the entertainment industry, for some reason. But then definitely there's the double standard and the misogyny that goes through it as well.
I don't like going out on a date unless I know the broad a little bit beforehand. By the way, 'broad' to me is not a detrimental term for women; it's simply another word for female. Anyway, I don't really go out a whole lot, because there aren't many girls I like to take out and spend a whole evening with - at least not an evening in public.
There were times, especially when I was traveling for 'Eat, Pray, Love,' when, I swear to God, I would feel this weight of my female ancestors, all those Swedish farmwives from beyond the grave who were like, 'Go! Go to Naples! Eat more pizza! Go to India, ride an elephant! Do it! Swim in the Indian Ocean. Read those books. Learn a language.'
I feel like I don't see myself as all that different from other humans as a woman, but I'm surprised by how frequently I'm asked to see myself differently. So that's one kind of terror to have to face. Am I a unicorn? What's sticking out of my head that I'm not seeing? I'm simply female, and that puts me alongside all of my human counterparts.
I first understood the changes that were necessary in this world, because the waiters in the restaurant, when I cried, used to say, "Leave her on the hillside to die. She's only a girl baby." I think they said it somewhat as a joke, maybe not, but it made me understand that being born female in this world was very different from being born male.
I want men and women to both feel a part in the flourishment of female power. So I want to celebrate that power that women have, that they acquired and are still acquiring all over the world. And it's kind of my way of joining the movement and bringing positive attention to an overgrowing awareness of females everywhere who are breaking the mold.
The sexual act - separating that from love itself - is centered solely in the body, whereas spirituality is connected to the whole self. Whether it's a female, a taste, or a sound, all these beautiful things affect our self. We are the perceivers of beauty, and that's why sex doesn't quite go far enough. You can go much further with the spiritual.
In 2008, I started the election season as a critic of Hillary Clinton, a fan of Barack Obama, and a supporter of John Edwards. But by the end of Clinton's historic drive toward nomination, the gendered rhetoric used against her - as well as the way so many men in my own party diminished the value of electing a female president - had radicalized me.
And it was kind of funny to see all these professional fighters unwilling to get within a mile of the female. Then again, if you wanted to survive doing the work they did, accurate risk assessment was something you developed early -- and even Qhuinn, who was the object of the protective instinct the Chosen was rocking, wouldn't have dared touch her.
The men who espoused unpopular causes may have been considered misguided, but they were rarely attacked for their morals or their masculinity. Women who did the same thing were apt to be denounced as harlots or condemned for being unfeminine - an all-purpose word that was used to describe almost any category of female behavior of which men disapproved.
Funny business, a woman's career: the things you drop on the way up the ladder so you can move faster. You forget you'll need them again when you get back to being a woman. It's one career all females have in common, whether we like it or not: being a woman. Sooner or later, we've got to work at it, no matter how many other careers we've had or wanted.
If someone is of the opinion that biological men ought to use the men's room and biological females ought to use the women's room - he is regarded as a bigot. I find this absolutely astonishing. Especially since using a toilet facility is a matter of the privacy of other people who are in the room. It's not a matter of the rights of the transgender person.
As an actor, especially one who's worked in casting, you read so many scripts, and some of them are terrible. They're terrible and they're getting made, and some of them are good but the female role is just painful or underwritten. So after years of that, I had this idea kicking around in my head for two years, and I thought, I'm just going to start writing.
[Prince Humperdinck] was seventy-five minutes away from his first female murder, and he wondered if he could get his fingers to her throat before even the start of a scream. He had been practicing on giant sausages all the afternoon and had the movements down pretty pat, but then, giant sausages weren’t necks and all the wishing in the world wouldn’t make them so.
Let not men then in the pride of power, use the same arguments that tyrannic kings and venal ministers have used, and fallaciously assert that women ought to be subjected because she has always been so.... It is time to effect a revolution in female manners - time to restore to them their lost dignity.... It is time to separate unchangeable morals from local manners.
In my vast experience, I've found it always wiser to go along with female advice... First, you make them happy by doing what they tell you. That's the main thing. Let them think they're in control. They love it. Then, if it turns out they were right, everything's cool. If it turns out they were wrong... then you have the pleasure of basking in the glow of superiority.
When looking at female body builders and reading about the industry and the culture, their bodies just break down. They end up having to get breast implants and not having menstrual cycles. The obsession of pushing your physical self way beyond what nature is expecting is really interesting. I liked the idea of these women; it's their career, but it's also their obsession.
It was certainly not this mummified and outrageously painted old woman he was seeing before him, but the entire "female species," as it was his custom to call women. The individual disappeared, the features were obliterated, whether young or senile, beautiful or ugly - those were mere unimportant variations. Behind each woman rises the austere, sacred and mysterious face of Aphrodite.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
Sorry," I said to the Duke. "Eh, it's not your fault. It's Carla's fault. You were turning the wheel. Carla just wasn't listening. I knew I shouldn't have loved her. She's like all the others, Tobin; as soon as I confess my love, she abandons me." I laughed. "I never abandoned you," I said patting on her back. "Yeah, well, (a.) I never confessed my love to you, and (b.) I'm not even female to you.
I am not able to instruct you. I can only tell that I have chosen wrong. I have passed my time in study without experience; in the attainment of sciences which can, for the most part, be but remotely useful to mankind. I have purchased knowledge at the expense of all the common comforts of life: I have missed the endearing elegance of female friendship, and the happy commerce of domestic tenderness.
It is all of our jobs to make sure that women's rights are human rights, and that they do have a place at the table, and we all push toward equality. The leadership numbers for women in business really haven't changed since I began as CEO. There are only 21 female CEOs at Fortune 500 companies, there is only 17 to 19 percent of female representatives in Congress, there are only eight female governors.
I don't see myself as a crusading feminist filmmaker. Not at all. I have the luxury of coming from New Zealand and I've had moments in my life where being female is considered to be a tremendous advantage - emotionally, career-wise. Personally, I have nothing to prove. But I'm tremendously curious about human nature. Female life is so incredibly underexplored in cinema, so these stories feel very exotic.
Now I’m just standing here on the conveyor. Along for the ride. I reach the end, turn around, and go back the other way. The world has been distilled. Being dead is easy. After a few hours of this, I notice a female on the opposite conveyor. She doesn’t lurch or groan like most of us. Her head just lolls from side to side. I like that about her. That she doesn’t lurch or groan. I catch her eye and stare at her.
Emma Willard told the legislature that the education of women "has been too exclusively directed to fit them for displaying to advantage the charms of youth and beauty" The problem, she said, was that "the taste of men, whatever it might happen to be, has made into a standard for the formation of the female character." Reason and religion teach us, she said, that "we too are primary existences...not the satellites of men.
Behind the cameras, there's a different problem, which I think is not unconscious gender bias. It's probably categorized more as conscious gender bias. Because everybody's known the numbers for decades. Nobody's stunned to hear there are very few female directors, only 4 or 7 percent. Everybody knows, but it doesn't change anything. It doesn't make people say, "Wow! We should change that." Nothing happens. It's utterly stagnant.
You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant.
The female experience throughout the history of Korea has been accompanied by physical and mental anguish. This negative aspect of Korean history is one of the driving forces behind my work. To imagine transcending time and space to live in the body of another person is not only one of the key elements that shape my work, but also, it is an opportunity to revisit and understand the ways women have long been viewed and treated in Korea.
I think the culture of the feminine needs to be reinvigorated and women need to build a culture that is connected all over the globe to reinforce this new-found power in the body. Women have been divided to be conquered. No one person did this. It's been a cultural evolution. The masculine nature is very out there and vocal and very much espousing their point of view, and God bless them. The female culture needs to learn to do the same.
I see the beauty of Mike's attempt to devise an ideal ethic and applaud his recognition that such must start by junking the present sexual code and starting fresh. Most philosophers haven't the courage for this; they swallow the basics of the present code--monogamy, family pattern, continence, body taboos, conventional restrictions on intercourse, and so forth--then fiddle with details...even such piffle as discussing whether the female breast is an obscene sight! (p.365)
There's still sexism in the world, so there's still sexism in publishing and in graduate school. But it is different. Now, it's more coded and harder to detect. It was more explicit when I was in school. There were no rules against male professors asking out female students. The reverse didn't happen since female professors were rare or nonexistent. Visiting writers came, 90% of them male, and some expected that a female student would materialize as his date for the visit.
Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world - the figure of the sharp female called La Guillotine. It was the popular theme for jests; it was the best cure for headache, it infallibly prevented hair from turning gray, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine looked through the little window and sneezed into the sack.
As conscious adult women, we need to instill a different value system. Actually, it is an innate value system. We need to tell the world that being compassionate about other people does not make you weak, and it is not intrinsically a female trait. It is a trait of the evolved human being, and it is a trait that we need to hold up as something of great worth. As women, we need to promote that, emphasize that, and nurture that. This is part of what we are doing with Global Girl Media.
When you're a female poet, would you, therefore, invoke a male muse? When nuns get consecrated into their vocations, they become brides of Christ. Christ is the bridegroom. In these symbolic actions, rather than in physical actions, where a male reaches sexuality or participates in intimate exchanges, if one uses a different term - there's often a heterosexual figuring that takes place. The male poet invokes a beautiful female muse. The virginal nun consecrated invokes the male bridegroom, Christ.
I'm about to turn 24, but I'm probably closer to the average 34-year-old in a lot of ways. I never had the problem of, "Who am I and who do I want to be?" I've known for so long, so I think that's why getting married made sense early. And then the biggest factor is just finding really incredible women. I think that's the part about being in a band with female fans: You get to meet so many women, and you figure out pretty quick which ones stand out in the crowd and which ones are really connecting with you.
I do not consciously reclaim. I am not those "some readers" and so I think it would be impossible for me to see my work that way, as reclaiming a preserve. I write in a way that is aimed at all levels - conscious and unconscious - at pleasing the kind of reader I am. Some of the authors I read are male, some are female, and some are even in between. And speaking of in between, maybe now is as good a moment as any to point out that there might be no "feminine" or "masculine" literary sensibility, or sensibility generally.
The argument that it is difficult to find women is complete BS. Any bank will tell you that the No. 1 employee they lose the most money on is the mid-tier female they bring on when they are 22 who leaves in her mid to late 30s. These are women they spend a ton of money training, and a ton of money attracting and hiring. And then they lose them. And they lose them for many reasons. They're going to other sectors, other industries. So for us in the financial-services world to say we can't find women is ridiculous. They are out there. We've done it here at Anthemis.
