Quotes of All Topics . Occasions . Authors
Jhene Aiko, I like Zara Larsson, I like working with female artists.
It's interesting that a lot of female artists want to collaborate with me.
I hope and believe we are paving a better future for female artists to come.
I definitely hope that I'm inspiring a lot of different female artists to run with the boys.
We showed the industry that female artists could attract the same audiences as the big male stars.
I always think it's a little bit of a challenge when people sort of associate female artists as their own genre.
Digital shows have played a big part in empowering female artists. I'm very lucky to be a part of such projects.
You always hear how female artists don't get along, how they hate each other - but that hasn't been my experience.
The male muse is an unaccountably rare thing in art. Where does that leave female artists looking for inspiration?
I just am fascinated by other female artists, probably because I feel a kinship with them, no matter who they are and what they do.
It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
I truly believe that diversity is so important, and I hope that I can use my platform to encourage and inspire other aspiring female artists.
I was lucky to grow up in the '90s, when we had just as many strong female artists as male artists. That's a world I would like to live in again.
At my second record label, they told me and other female artists that some of us were going on the chopping block. I was 19... and it was devastating.
It's unfortunate that a lot of people think African-American female artists are monolithically R&B this-or-that, don't have to do anything by default.
As female artists, we have to be constantly criticized for the way that we look, the way that we dress, on a whole other level that men don't have to face.
I've written songs about women since I've been involved with women, but I do know a few gay female artists who, back in the day, would write songs about men.
I'm listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I'm pretty well-versed in the pop female category.
There's so much talk about female artists doing their own thing but being super supportive, coming together and doing projects together. I love that whole wave.
In country music, there are certain female artists, like Gretchen Wilson, where you're going to find lesbians because they're responding to that more aggressive side.
Right now, black female artists are the most interesting people to think about. People are ready to hear whatever we're gonna say, and I'm not scared to say anything.
There have always been female artists and singers putting bands together all the time. But we were not always getting credit for that because we didn't know any better.
When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.
I'm sure Madonna has been a huge influence for many female artists. Her live shows always make a massive impact; the sets are amazing, and she's always trying new things on stage.
Pop music seems to be the way radio programming has chosen to support female artists. They have chosen not to support a more provocative voice from women, which I find disappointing.
Female artists are the perfect example of a creator: They know how to make life and art with their bodies. Life comes from their bodies, so on a very basic level, they have more to write about.
I signed with Big Yellow Dog and have been with them for years. The president of the company is a woman named Carla Wallace, who is an amazing publisher who just has a knack for female artists.
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The other claims that when money ebbs, so do prospects for women.
Marlene Dumas is one of the two or three most successful female artists alive, if you judge by prices. I've never reviewed her work, because I find nothing in it to get excited about no matter how hard I look.
There are female artists I can look at that I find more in common with than the male artists, because they're blending the pop, dance and theatricality... but currently there aren't a lot of guys who go there.
There are a lot of female artists my age around at the moment, but they're all American and blonde and blue-eyed and smiley. I'm totally the opposite of that. I want to show a bit more attitude and I have an opinion.
The state of female artists is very good. But the very definition of art has been biased in that 'art' was what men did in a European tradition and 'crafts' were what women and natives did. But it's actually all the same.
Most female artists - to do what you have to do and to be as honest as you have to be, to be as selfish as you have to be, as tunnel-visioned as you have to be to make art, not entertainment - you can't compromise, really.
When I was 16, I created this online platform for female artists. I messaged women who I loved; that's how I got work and connected with people. You don't need to plead for entry into a system that doesn't want you anyway.
We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive.
There's not a lot of pretty, young female artists that's out. It's a lot of talent out there, but they don't know how to go about it. I feel like there should be way more sexier women in hip-hop and R&B then it is - more originality.
I didn't see spaces where female artists could exist and exhibit their work. So I created a platform for this - one that allowed our works to be seen, but to also weave a community of women that could lean on and work with one another.
Female artists I love the most are Fiona Apple, Paramour and Regina Spektor - those girls that really write amazing songs themselves, and they're younger and cool. I'm not quite sure I could ever write songs like any of them, but if I could, I would.
People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't; it's impossible.
Not to name names, but a lot of pop female artists you see, they don't write their own songs. Lot of top male artists and boy band artists, they don't write their own songs. They're just a product. They sell, they sell, they sell. They don't care about musical integrity, any of that kind of stuff.
I was really inspired by these larger-than-life female artists like Lee Bontecou and Eva Hesse and Yvonne Rainier and the incredible Lynda Benglis. There were many women who were really driven and became successful, who were part of essential paradigm shifts, despite the fact that the art world was still dominated by men.
Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.