Quotes of All Topics . Occasions . Authors
I didn't know until high school that I was interested in writing in any real way. But there was this boy that I had a crush on, and I used to tell him all the time what I felt about him. Finally he gave me a blank journal and said to write it all down - and it didn't take me very long to realize how much I loved writing.
I worked hard to be accepted by the fashion community in ways beyond my physical appearance. In no time, though, I found myself surrendering to the industry's approval process. I felt like I needed validation from everyone. As a result, I lost sight of myself and what it meant to be happy, what it meant to be successful.
Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.
I was an introverted kid; I liked my time alone. And the rest of my family is pretty extroverted, so I felt like a bit of an oddball. They're very gregarious and charming and charismatic people. I always felt like I was struggling as a young person. I think everyone was very surprised to hear that I wanted to be an actor.
After the Tiananmen Massacre, I felt compelled not only to continue writing but to actively resist the restrictions placed on freedom of speech. I set up the publishing company in Hong Kong, with offices in Shenzhen in mainland China, and managed to publish works of fiction, philosophy, and politics by unapproved authors.
How thin and insecure is that little beach of white sand we call consciousness. I've always known that in my writing it is the dark troubled sea of which I know nothing, save its presence, that carried me. I've always felt that creating was a fearless and a timid, a despairing and hopeful, launching out into that unknown.
Whenever people ask me: 'Why didn't you get up when the bus driver asked you?' I say it felt as though Harriet Tubman's hands were pushing me down on one shoulder and Sojourner Truth's hands were pushing me down on the other shoulder. I felt inspired by these women because my teacher taught us about them in so much detail.
I was successful and I enjoyed modeling, but it got to a point where I felt like I had 'been there, done that.' I wanted something that would inspire me and challenge me. I needed something that required more creativity. I started writing and I started auditioning. Simply posing in front of the camera was no longer enough.
The music itself is very challenging, so I've never really felt the lack of stimulation. I love to be creating; I love to be making things and solving problems, I suppose, and when I'm not, then I'm not an incredibly good person to be around. If I'm not busy, then I think I would be disaster. That's just the way things are.
With 'Greek Gods,' I wanted to go with the blue and green hues of sky and water; with 'Heroes,' I felt the color needed to be more dramatic and give a sense of battle, rage, and yes, of blood. That's the world these demigods lived in, and I felt that orange and red would also compliment the greenish blue of the 'Gods' cover.
Think Oman, and you think desert. But what we found was mile after mile of barren, spiky rubble, cliffs of jutting sharp rocks, unrelieved by a single piece of vegetation or water. We drove for hours across what felt like the surface of the moon. We saw goats foraging but couldn't work out what they could possibly be eating.
'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.'
AdNectar was born out of a class project at the Stanford Graduate School of Business in January of 2008. The founders are all avid social network users and we wanted to see if we could discover the optimal way for advertisers to reach consumers in a way that felt authentic and organic, and yet was scalable to a mass audience.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
I grew up in a household where I learned five things from my old man. You know what they were? You're no good. You're a failure. You're not going to amount to anything. Don't trust nobody, and don't tell nobody your business. When I lost to Larry Holmes in 1982, I felt all five of those things smacked me right across the face.
Now, I made the most money I ever made in my life with 'Papers' - I think my first check was like $101,000, my folks couldn't even believe. At this time, this is like 2010, I'm still in the barbershop cutting hair, still being the regular Zaytoven because I felt like after 'Papers,' it wasn't going to get any bigger than that.
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
If a big number of young pupils felt secularism was an attack on them, it was because the term had been misused and deformed in the public debate for years by the extreme-right and the right as an attack on Islam. The term had often been misused to point out how Muslims were different to others, and that is clearly problematic.
I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
Hindered by asthma since I was six weeks old, I had begun experimenting with my diet and discovered a disquieting correlation. When I stopped eating the normal American diet of sugar, fats, alcohol, chemicals, and additives, I felt better. I could breathe freely. When I tried to sneak in a hamburger and a Coke, my body rebelled.
I theorize that there is a spectrum of consciousness available to human beings. At one end is material consciousness. At the other end is what we call 'field' consciousness, where a person is at one with the universe, perceiving the universe. Just by looking at our planet on the way back, I saw or felt a field consciousness state.
During my first years in the Sierra, I was ever calling on everybody within reach to admire them, but I found no one half warm enough until Emerson came. I had read his essays, and felt sure that of all men he would best interpret the sayings of these noble mountains and trees. Nor was my faith weakened when I met him in Yosemite.
When you lift off, the pressure is supposed to be maximum. But actually, it was very benign. Very enjoyable. But as soon as the engines cut off and you get to zero gravity, you felt as if you were being pushed off your seat. You feel disoriented. You don't feel aligned with anything. I felt for a few good hours that I was falling.
If we just stand at two opposite ends of the spectrum screaming in each other's face, we're never gonna get anything done. I don't agree with a Trump voter, but why do they feel like that? Yes, some of those people are racist and have hateful opinions, but some of those people voted for him because they felt completely left behind.
At school I pretended I had a normal life, but I felt lonely all the time and different from everyone else. I never felt like I fit in, and I wasn't allowed to participate in after-school activities, go to sports events or parties or date boys. Many times I had to make up stories about why I couldn't do anything with my classmates.
Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I'm trying to say is I'm trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
Sure, I've felt racism. I think everybody has prejudice. When I was growing up, the dark Mexican kids weren't allowed in the public swimming pool in Dallas. My light-skinned friend got in, and he laughed at us. It didn't seem like a big deal, because we didn't know any different. So I never ran into anything that actually scarred me.
I think that part of the reason that 'Iron Man' was so successful was that we really chose to break new ground in a new area tonally, cast wise, the way we depict the hero, what his abilities are. It felt fresh in a genre that is beginning to feel stale if it's not done with the proper amount of inspiration and a strong voice or tone.
The wonderful police officers who spend time with me I don't think appreciate that, but I do still drive. I do still cook: not often, but just last week, I really felt like making one of my mum's old recipes - so I did. I do still go to our local department store to buy things like maternity jeans that no one else can really do for me.
The rules and principles of case law have never been treated as final truths but as working hypotheses, continually retested in those great laboratories of the law, the courts of justice. Every new case is an experiment, and if the accepted rule which seems applicable yields a result which is felt to be unjust, the rule is reconsidered.
I'm happy that I have my family, and I'm happy that I had Virginia, where I grew up, to retreat to any time I felt overwhelmed. Whenever there were times when I felt like the rug was being pulled out from under me and I was floating in this crazy space, I would stop and go back to that neighborhood and realize nothing's changed, really.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
When I was on the 'Knock Madness' tour, I was just thinking about life; I started questioning God. I was praying a lot. I was just really emotional. I was going through a break up situation as well. And I just felt like I needed to be home. I was over the rap thing. I just felt like I wasn't getting the respect and credit that I deserve.
In Morocco, a Muslim country, I got to hear the call to prayer five times a day. At first it felt kind of scary, kind of dangerous, because of the propaganda towards anything Muslim in the U.S. subconsciously coming out in me. By the end of the trip, it was so beautiful, and then not hearing it when I got back to L.A. really threw me off.
For my first show at 'SNL', I wrote a Bill Clinton sketch, and during our read-through, it wasn't getting any laughs. This weight of embarrassment came over me, and I felt like I was sweating from my spine out. But I realized, 'Okay, that happened, and I did not die.' You've got to experience failure to understand that you can survive it.
I work out like a maniac, three times more than anything I did in the past. I am off carbs, salt, sweets, and live on a fish diet. And I promise I am not going to indulge in food again. See, when I was 49 years old, I was fine, but the moment I touched 50, I felt that something within me had changed drastically. My metabolic rate dropped.
I think the debating thing actually helped to establish to me that being popular was completely worthless. I didn't enjoy the social dynamic and immediately left after becoming number one. But it felt like I needed to do it to know what it was like. It wasn't just that I was an aggressive person, although that probably is true to an extent.
'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.
When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.
People who supported Obama felt like they formed a relationship, that they were being spoken to. The way that campaign worked and the way he's worked during his first term is to make people feel like he's grasping their hand, whether it's by tweeting or email, moments after an event, sometimes during an event. It makes people relate to him.
I write what I want to write, and then, when it's finished, I use my judgment to see whether or not I think it's intrusive. If it is problematic, then I ask those involved. I won't necessarily do what they say. But I do consult. I haven't had too many problems. Nobody's really gotten angry at me. Nobody, as far as I know, has felt betrayed.
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
Your personal life, your professional life, and your creative life are all intertwined. I went through a few very difficult years where I felt like a failure. But it was actually really important for me to go through that. Struggle, for me, is the most inspirational thing in the world at the end of the day - as long as you treat it that way.
I don't know if this is the flat-out strangest, but I'll never forget handling a human brain. It had been sliced into sections for autopsy, each about an inch thick, and felt like pork tenderloin. I swear to god, my first thought was that if you were to dust it with chipotle and cinnamon and saute it in butter, it would probably be delicious.
When I took the habit, the Lord immediately showed me how He favours those who do violence to themselves in order to serve Him. No one saw what I endured... At the moment of my entrance into this new state I felt a joy so great that it has never failed me even to this day; and God converted the dryness of my soul into a very great tenderness.
O, you men who think or say that I am malevolent, stubborn or misanthropic, how greatly do you wrong me. You do not know the secret cause which makes me seem that way to you, and I would have ended my life - it was only my art that held me back. Ah, it seemed impossible to leave the world until I had brought forth all that I felt was within me.
If people knew that Burzum was just the band of some teenager, that would sort of ruin the magic, and for that reason, I felt that I needed to be anonymous. So I used a pseudonym, Count Grishnackh, and on the debut album, I used a photo of me that didn't look like me at all to make Burzum itself seem more out-of-this world and to confuse people.
I was part of a metal and rock band, and I performed in front of 3000 to 4000 people for many years. I was the loudest mouth up there on stage. We would be screaming, head-banging and mass venting. We would all vent our feelings together, which is ideal as compared to participating in political and social forums, and I never felt any restrictions.
At Tennessee, I said I can't wait to beat Florida in the Swamp and sing 'Rocky Top' all night long. The thing at Tennessee I felt was that there needed to be energy in the program immediately. Two of the last three years there, they were 5-7. Urban Meyer and Nick Saban were at all-time highs. I felt like the fan base and players needed confidence.