Quotes of All Topics . Occasions . Authors
Falling in love in high school and falling out of love - it's very digital. I've had breakups where they've called me to tell me we were done, and I've gotten a lot of text messages from an old girlfriend letting me know how she felt about me after we had ended everything.
I stuck with that size because I could bend the strings so well, and somewhere along the line I must have gotten it into my mind that I had small hands, so I was thinking I'd never be able to play a full-scale guitar, but I also felt like I was cheating or cutting corners.
I am realising this now more as I grow up: that I never really felt connected to locations. In some sense, I always kind of felt a little lost in that I never had any hometown pride. While I experience a lot different places and experiences, I always felt a little detached.
There have been times when I felt suicidal and I would stop my head from going in that direction of negativity because I thought there'd be something I'd miss that was funny in the future. If there's a chance I'm going to laugh tomorrow then want to live to experience that.
I'm so glad I'm not a dentist. How many times does someone say, 'Oh, Doc, it felt so good when you were drilling my teeth'? Never. But when you give someone a wonderful cookie, you put a little of yourself in, and you see someone's face light up - that's immediate approval.
My whole life growing up, both my parents told me not to swear like a sailor. After college, I recall there was finally a time where I swore, and neither one of them was correcting me, and I felt so relieved. I thought, finally; I can finally be myself and not get yelled at.
In music, I don't think there's any need to be an all-rounder and do everything yourself. Play to your strengths, and do what you feel. Or do whatever the material itself demands. In this case, I felt like it would benefit from me singing, and I wanted it to have that sound.
Immediately after hurricane Maria hit Puerto Rico, I was extremely concerned about my family, friends and all the people in Puerto Rico. I felt helpless and could not concentrate not knowing if my family and loved ones were safe. I wanted to help my people as fast as I could.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
I was destined to work with dying patients. I had no choice when I encountered my first AIDS patient. I felt called to travel some 250,000 miles each year to hold workshops that helped people cope with the most painful aspects of life, death and the transition between the two.
I used to fast during Ramadan because I admired the people fasting around me. What made me convert was that I had that certainty that Islam was for me. I felt this relationship with God, and that enlightened my life. I had that conviction in my heart that that was my religion.
I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
In drama school, they do these big shows and period dramas, and I felt that none of those shows were representing me as a person, and I knew I wouldn't be cast in any of those when I left school. I decided to write my own one-woman show, and that was called 'Chewing Gum Dreams.'
My father constantly reminded me that he named me after Angela Yvonne Davis, a scholar and activist who was well known for her work in tandem with the Black Panther Party. That felt like a purposeful, beckoning call to engage in strategic resistance and to fight for the oppressed.
My mom just wanted me to do anything that was academic, whether it was become a doctor or be a lawyer. Engineering suited her... then I dropped out. It was not what I wanted to do at all; it just felt so unnatural, and I couldn't put my finger on why. I just knew it wasn't for me.
Who doesn't love 'Frogger?' It draws its power from our shared memories of powerlessness. Wherever we are now, at one time or another we have all felt the poor frog's anxiety in the face of the world's intransigence, its blind and callous disregard for our happiness or well-being.
I felt that as an actor I continued to excel and felt really comfortable and confident in myself that I wanted to at least give it a go and picture myself doing other things. It was testament to 'Emmerdale' that they gave me the confidence and creativity to pursue other challenges.
Everybody has their own rules, and so do I. I have always lived on my own terms. As far as mistakes are concerned, I've made them and acknowledged them as mistakes, not regrets. I consider my life a success. There's nothing that I would re-do. I've always done what I felt was right.
When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.
I honestly felt no envy or resentment, only astonishment at how much of a world there was out there and how much of it others already knew. The agenda for self-cultivation that had been set for my classmates by their teachers and parents was something I'd have to develop for myself.
When I first moved to London, I felt very homesick and yearned after the countryside a lot. Because London's hard. It's a big place, and it's lonely. It takes a while to get into it. But once I got into the flow of it and started to grow up, I realised that my home is wherever I am.
Growing up, my dad owned a restaurant in Washington, DC, and food was something I was passionate about. But when I finally got into it, I felt like it was so late in the game; that's why I worked seven days a week at Craft and Mercer Kitchen. I wanted to see how far I could take it.
I've been in SHINee for 10 years, so starting a new team almost felt like getting a different job. I was excited; it felt so fresh, like a new start. To be honest, I thought the project was going to get cancelled when I first heard about it, so SuperM has a special place in my heart.
I had real plans for my next decade and felt I'd worked hard enough to earn it. Will I really not live to see my children married? To watch the World Trade Center rise again? To read - if not indeed write - the obituaries of elderly villains like Henry Kissinger and Joseph Ratzinger?
I got lipo because I felt that that little stomach, no matter how much I was working out, wasn't looking exactly as I wanted it to be. I feel like we all have problem areas on our body, and I just wanted to fix a problem area. I also got lipo underneath my chin and underneath my arms.
I was living an extremely burdensome life, because every time I prayed, I became more clearly aware of my faults. On the one hand, God was calling me. On the other, I was following the way of the world. Doing what God wanted made me happy; but I felt bound by the things of this world.
I took the test for AIDS. I began to hate people who were not sick. Those people are monsters, I would think, believing that they are well because of moral superiority, because they are good. I identified with the loneliness of the sick. I felt that there was something pure about them.
I felt (a) it was a great role and (b) I wanted to stay in town. I wanted to stop going to these four month and five month gigs up in Toronto or Montreal or Vancouver or down in Mexico. I wanted to be around my son, Max. This came along and I was like, 'I really want to play this guy!'
Since the departure of good old-fashioned entertainers the re-emergence of somebody who wants to be an entertainer has unfortunately become a synonym for camp. I don't think I'm camper than any other person who felt at home on stage, and felt more at home on stage than he did offstage.
There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.
I used to love to draw. I didn't want to go to art class because I felt that would be too corny when I was young, but architectural drafting was the cool thing to do because there was more precision. It taught me a lot about building and structures and doorways and frames and windowsills.
I have never read any Tolstoy. I felt badly about this until I read a Bill Simmons column where he confessed that he'd never seen 'The Big Lebowski.' Simmons, it should be pointed out, has seen everything. He said that everyone needs to have skipped at least one great cultural touchstone.
I think I was eight the first time I saw the Benin bronzes. I was taken to see them at the British Museum by my white, British mother, who felt it important that her half-Nigerian children learned about the artistic achievements of their forefathers. I've been entranced by them ever since.
I was 12 years old when I first moved to New York, and at that age, you're trying to find yourself. It was hard being so different from everyone I was around, and I felt that nobody could really understand me because everyone was American, and I was this little English girl with an accent.
Everybody has culture, even white people have culture, but its different with me. So in high school, I was hanging out with the black and Hispanic kids. I'm not hating on white people. I hang with white people, too, but that's where I felt most accepted because I could relate to them more.
If you are black on television, you are probably going to be some kind of thug, gangster, or portrayed in a negative light. If you are some type of Muslim, you are going to be blowing stuff up. If you are Hispanic, you are going to be some type of gangbanger. I've felt like this for years.
Guys like to gaslight us, and it's not cool. And it happens so much; it's happened to me in relationships. It's happened to me where I have been cheated on, and I felt so sad and angry, like it wasn't my fault, but that was because the person was gaslighting me into thinking it was my fault.
With all the media attention, all the love from the fans, I felt I needed to prove myself. Prove that I'm not a marketing tool, I'm not a ploy to improve attendance. Prove I can play in this league. But I've surrendered that to God. I'm not in a battle with what everybody else thinks anymore.
The first beat that I ever made that I thought was actually worth a damn was called 'Toilet Paper Nostrils,' and I made it when I had a cold. I had the worst cold ever. And I had toilet-paper nostrils making music, but it was really reflective of how I felt. It was a really sad trumpet sound.
I grew up in a small town in a low-income family and was the only black kid in my elementary school. I felt like an outsider, and since I didn't know of LGBT people - much less LGBT black women - living happy, healthy, and successful lives, I didn't believe I could ever marry or have a child.
I've always felt I struck out with Doris Day. Her son, Terry Melcher, was a producer I worked for at Columbia, and one day, he asked me to go to her house to play piano on a song she was doing. So I get there, and she has about 30 dogs running around the place - turns out she's a dog rescuer.
I felt really lucky that 'Hairstyles Of The Damned' and 'The Boy Detective Fails' were both bestsellers, and I thought that donating the money from 'Demons' was a good way to respond to that. My favorite artists are the ones that are willing to experiment, even if it means a smaller audience.
'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
I was reading The Bible a lot through my 20s, mostly the Old Testament, just because I was knocked out by the language and the stories. I felt that the God being talked about there, who was this insane, vindictive patriarch - it was kind of thrilling, and titillated something in me at the time.
One of the biggest things growing up that my dad taught me is that if I was okay to talk about my feelings and express how I felt and not get angry, then he would listen to me. If I had issues, I would just tell him, 'Here's how I feel, this is what I'm feeling,' either with him or with my mom.
I felt 'Gone with the Wind' would last five years, and it's lasted over 70 and into a new millennium. There is a special place in my heart for that film and Melanie. She was a remarkable character - a loving person - and because of that, she was a happy person. And Scarlett, of course, was not.
I felt different from everyone else - like an alien. The looks I received when I was 320 pounds were ones usually reserved for three-eyed monsters, half-man half-woman reptiles, creatures with hideous rolls of skin that sweated profusely and jiggled when they walked. That last one really was me.
I felt like people who had a lost mindset or who occasionally did stupid things were having a 'donkey' moment, or some of them are permanent donkeys, so I just started calling them donkeys. So when I went to Philly to do my own morning show, that's when I first started doing 'Donkey of the Day.'
I started watching so many different types of women, saw all the complexities of them, all the ways and the look and shapes they could be, and I felt it was missing for me in American film. I didn't see anybody I was watching in movies that felt like me. I felt rather tortured and lonely about it.
Don't get me wrong: I wouldn't wish it on anyone. Even the word 'cancer' brings back the nausea and pain, the fear I felt, and the heartbreak I saw in my parents' faces. The smells that fill hospitals and the constant tired feeling that comes with treatment are also permanently stuck in my memory.