Quotes of All Topics . Occasions . Authors
I felt somehow for many years that George Washington and Alexander Hamilton just left me out by mistake. But through the process of amendment, interpretation, and court decision, I have finally been included in 'We, the people.'
We as African Americans knew that if we wanted to see change, we had to step up to the plate and make that change ourselves. Not everyone comes to that realization in their lives, but thank God Linda Brown's father felt that way.
Something happened to me at the precise moment that my grandmother died. She was three time zones away, but that didn't matter. I believe that I felt something at that moment she passed... some bit of her mortality slipping away.
On the publicity tour of 'My Big Fat Greek Wedding,' I was asked over and over again, if, as the writer, I felt it was a fair depiction of real life to have someone of my er, below average looks, hook up with hottie John Corbett.
I thought of my father and felt a deep sorrow that he should no longer be alive, and that I could not go to him and tell him that I had been awarded the Nobel Prize. I knew that no one would have been happier than he to hear this.
But because they didn't see each other very often, their relationship had more ups and downs than either of them had experienced before. Since everything felt right when they were together, everything felt wrong when they weren't.
The only place I've felt was really my home is my cabin up north. There's something in the water there that connects me to that place. There's also this sense of isolation and loneliness about it that I've never been able to shake.
Never did much art till I was in my 30s, except for painting video sets, designing record covers and T-shirts, and making zines and stuff. I thought I was too punk for art and felt grossed out by white-room galleries and art people.
I tried every diet, from living on cabbage soup to fasting to Weight Watchers, and then came the frozen meals and the shakes. I realized that the more I took care of my body, eating what was good for me, then I felt happy and whole.
It's kind of a lonely work, because you just have to keep your pole in the water. I always had a little routine of going into whatever room I was using at the time to write in and just staying in there till I felt like I got a bite.
I thought depression was the part of my character that made me worthwhile. I thought so little of myself, felt that I had such scant offerings to give to the world, that the one thing that justified my existence at all was my agony.
I was always lonesome. The only time I felt accepted or wanted was when I was on stage performing. I guess the stage was my only friend: the only place where I could feel comfortable. It was the only place where I felt equal and safe.
I remember being 14 years old, making a pact with myself. I would never join into the matrix, never join into the status quo, and I would always fight it. It always felt like I was on an operating table and the anesthesia never worked.
Several years ago, when I was about to start a novel, I thought I might get some mileage out of the idea of a civilization in which people somehow felt - that is, they shared - all the pain and all the pleasure they caused one another.
I felt like it was inevitable that I was going to fail in life and die young. So I was frantically scrambling to document my stunts and pack my message into a bottle. I thought maybe I could be discovered after I'd died, like Van Gogh.
I couldn't speak Japanese very well, passport regulations were changing, I felt British, and my future was in Britain. And it would also make me eligible for literary awards. But I still think I'm regarded as one of their own in Japan.
I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success... such emotions make a man forget food, sleep, friends, love, everything.
On 'Dawson's Creek,' those kids were supposed to be outsider kids - you know, wrong-side-of-the-track kids, weirdo kids. And I just felt like there's no universe out there where Katie Holmes isn't the prom queen, hottest girl in school.
I remember being in New Orleans after Katrina hearing people calling, 'Help me,' and wanting to slide down in the seat of my car because it felt like I was invading their suffering. But I also know that our being there gave them a voice.
She loved him, more than she could ever find words for, but this love he felt for her was not quite the same. It wasn't so much stronger, as more demanding, more insistent. As though he feared he would lose that which he had finally won.
I just felt it was my job to show that there is no easy way to success, and that anyone who gets even just one Top 40 hit deserves their moment in the sun. I accentuate the positive and eliminate the negative. That is the timeless thing.
My mother left behind three daughters when she went to America and started a new life. I certainly felt abandoned when my father died of a brain tumour; I felt he had abandoned me to this terrible, volatile mother and I had no protection.
I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.
I was obsessed with 'The Velvet Rope' for a year straight, letting Janet Jackson's confessional lyrics lull me to sleep and comfort me when I felt lost. I felt that the album was the vehicle onto which Janet finally expressed her full self.
When I was elected President nobody asked me to negotiate between Israel and Egypt. It was not even a question raised in my campaign. But I felt that one of the reasons that I was elected President was to try to bring peace to the Holy Land.
When I was making my debut as an artist, I felt that it was very important that I try to combine the background of my own culture, my people, and the country into the contemporary art world. So that's how I came up with the term 'superflat.'
I've never taken vocal lessons. My early trumpet training and a fortunate talent for singing has always been enough for me. In the case of rock singing, I've always felt it was better to remain a bit untrained to maintain your individuality.
My latter schooldays and my university days were during the war, when science - physics, in particular - was a very important and glamorous subject. A lot of us felt that if we couldn't get into science, we might try engineering or medicine.
Unquestionably, it was going to be highly dangerous. Yet I felt it was quite natural to jump at the task. After all, if you don't like action and excitement, you don't go into police work. And, what the hell, I figured, nobody lives forever!
When I was in primary school, I was given a five-line script in 'Anansi the Spider Man,' and I decided to just improv and make it my own. For a second, I felt like Kevin Hart because everyone was laughing. I just continued to do it. Why not?
When I was younger, I didn't want to come to WWE because I didn't fit into the mold. I couldn't identify myself with the term 'diva.' The divas brand was meant to put a spotlight on the women, but the term, to me, felt more glamorous than me.
My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that was exactly what was happening all around us.
I always enjoyed playing ball, and it didn't matter to me whether I played with white kids or black. I never understood why an issue was made of who I played with, and I never felt comfortable, when I grew up, telling other people how to act.
For me, integrity is the consistency of words and actions. Part of the way that you do that is to ask people questions on some of the most difficult issues that you confront. 'Take me through where you felt you had to compromise your values.'
I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.
Pop music means everything to me. I've been listening to pop since I was kid, running home from school to watch Britney Spears and Spice Girls and Christina Aguilera music videos, and it felt like it was a world to escape to for me personally.
The Way Of The Fist' is not quite a Shakespearian depiction of anger and revenge. This song was more my way of releasing all the pent up aggression I felt against some people who wronged me beyond the point of any kind of forgiveness or mercy.
Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
I don't know where the idea originated that memoir writing is cathartic. For me, it's always felt like playing my own neurosurgeon, sans anesthesia. As a memoirist, you have to crack your head open and examine every uncomfortable thing in there.
On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
The pitcher has the ball, and nothing happens until he lets go of it. So as the batter, I felt I had to fight for any bit of control I could get. I expected the umpire, the catcher, and the pitcher to wait on me. I wanted to get ready on my time.
Although my life is far from perfect, the irony is that in a divorced parent's custody schedule - with days on and days off - instead of like it was before, when I felt ragged and still oddly guilty all the time, now I feel guilty but not ragged.
I grew up in a family of actors. I grew up onstage. The choice for me wasn't, 'Do I want to be an actor or not?' I always felt like that's just ingrained in you, the need to perform. The choice was, 'Do you want to do this professionally or not?'
For a period in the '90s, I felt that the Cure was massively undervalued. But there has been a paradigm shift. There's a bunch of newer bands coming up who've grown up listening to the Cure and don't understand that you're not supposed to like us.
I have felt for the last 10 years I have had this battle; I've been fighting so hard to have an education. It's been this uphill struggle. I was Warner Bros' pain in the butt. I was their scheduling conflict. I was the one who made life difficult.
I felt like the luckiest kid in the world because God had put me on the ground in Texas. I actually felt sorry for those poor little kids that had to be born in Oklahoma or England or some place. I knew I was living in the best place in the world.
When I died my hair red the first time, I felt as if it was what nature intended. I have been accused of being a bit of a spitfire, so in that way, I absolutely live up to the stereotype. The red hair suits my personality. I was a terrible blonde!
You have no idea how humiliating it was, as a boy, to suddenly have all your clothes, your toys, snatched by the bailiff. I mean we were a middle-class family, it's not as if it was happening up and down the street. It made me ashamed, I felt dirty.
A lot of people say I seem masculine, but I don't feel it. I feel intrinsically feminine. I'd love to be one of the boys but I always felt a bit on the outside. Maybe my masculine qualities come from overcompensating because I'm not one of the boys.
As a child my life felt like an adventure, because my dad is such a fun guy. I had a brother and sister who were in and out of hospital a lot – one had a congenital heart problem and the other had a cleft palate. But my parents never stopped smiling.