Quotes of All Topics . Occasions . Authors
Seven has always been my lucky number. It's on my guitar pick; in sports, that was always the number I was, and 'Riser' is my seventh album. With this album kind of coming to an end and having seven nominations at the ACMs, it feels like a bigger story in play for me, and it's the perfect number. I wouldn't have wanted eight!
I'm a Conservative, but I talk for the ordinary working classes. I get on with the boys at the pub, but I can also mix with Prince Andrew. I understand both levels. The toffs haven't lived in council estates; they've just known big mansions. How can they understand how the postman feels? I would never say no to becoming an MP.
My childhood was spent with dogs, and I work with dogs surrounding me. This relationship is hardly unique - man-and-dog stories date back to ancient history, up to 10,000 years ago - but it feels that way to me. I used to have a love-hate relationship with dog stories because some got the dynamic right but most were dead wrong.
Even the biggest bands - and I hate to break the magic - but even the band that sold out 90,000 tickets in your football stadium, they might come back two years later and do an arena. It still feels huge, but there's a difference - there's a big difference. And there's a big difference playing a 30,000-seat stadium and a 90,000.
These are such First World problems, but there's a certain claustrophobia to New York. You don't escape in the East Village, but it at least feels full of camaraderie and youth - or full of camaraderie and youth in an East Village that is as full of Chase banks and Starbucks as the Upper West Side, or anywhere else in Manhattan.
It's jarring to live in a world where every person feels his life will only get better when you came from a world where many rightfully believe that things have become worse. And I've suspected that this optimism blinds many in Silicon Valley to the real struggles in other parts of the country. So I decided to move home to Ohio.
When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.
As a consumer, I love action movies and have a lot of opinions about how action comedies don't really do justice to what I find exciting about an action movie, which is the genuine thrill of watching something that feels really high-stakes. A lot of times, it's played for laughs and action, which waters down the sense of danger.
I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
Oh my God, I'm so excited. I love Comic-Con, it feels like a weird nerd camp. All my nerd friends are there and all the comic book writers I know and then a lot of actors, too, and you hang out with these people for just a few days, but you hang out with them all day, every day. It's like camp - it's like a weird camp. I love it.
However much in the foreground depression feels, you are separate to it. This is going to sound cheesy, but I'd say you are the sky. A cloud comes and dominates the sky. But the sky is still the sky. Depression tells you everything is going to get worse, but that's a symptom. Don't give depression power - constantly discredit it.
The whole world feels that it knows Francis, not so much because he follows Francis of Assisi but because he is always himself. We have seen him pay his own hotel bill and heard that Francis called Buenos Aires for a pair of ordinary black shoes, like John XXIII, who preferred stout peasant shoes to the traditional papal footwear.
I found that gloss paint suited me entirely, and its qualities still intrigue me. It's viscous and fluid and feels like a pool. It's highly reflective, which means there are layers of looking. You look at the picture, and you look at the surface, then you look at the reflection in the surface behind you, then you look at yourself.
I've been blessed to be somebody that's been climbing that success mountain top for years of hard work, you know, but now it's all connecting. And now, the whole world is watching, you know what I'm saying, and it feels good 'cause it's good energy. This is all positive vibes, and good vibes and good energy, so it feels incredible.
It sometimes feels like the workplace is immune from social upheaval. We go to work and do the best we can, and at the end of the day, we return to our lives. We don't abandon who we are, however, when we begin and end our workday. Who we are shapes how we are perceived in the workplace and, in turn, how we perform in the workplace.
I have no idea what the economics of the movie business is, especially with all the new Amazon, Netflix, Showtime, AMC, SyFy, and HBO series. But I am intrigued with what feels like a new type of show - the six-to-eight-hour movie. It's a little too long to watch in one setting, but you can watch it over a three- to five-day period.
True stories are always good because they're so odd, and so unlikely. It's always good to have a world that people don't know about - a world that hasn't yet been done. It's like treading on fresh snow. You're the first one there. It always feels good to be dealing with a period of history or a world that no one else has dealt with.
When you stand out in a small town or at work,or in your peer group, whatever it is, it feels really awful. Certainly, when you're growing up, you want to be normal. You just want to fit in. Then you realize that maybe fitting in is, in some respects, quite ordinary. I think it's good to put a positive spin on being slightly unique.
It's okay to not be working all the time and to be gentle on yourself when you're not. When it feels like you're losing that inspiration - or you're in a rut, not making stuff, and your head gets all weird - be gentle on yourself. Just ease into things naturally. But you still have to ease into it: you still have to sit in the chair.
No one goes on a direct path, even though it sometimes feels like your peers might be racing ahead. Everyone's trying to figure it out. But if you just put yourself out there, step out of your comfort zone, establish yourself in terms of skills, mentorship, but leave space for your passions, then you're going to turn out pretty well.
I'm one of those introverted people who simply feels a lot better after spending time alone thinking through ideas and emotions. This is a sign, I've come to think, of a kind of emotional disturbance - a reaction to inner fragility. I wish I were more able to just act and do, rather than constantly have to retreat and examine and think.
Tennis players we're always playing in center courts that feel like arenas. And when we get on the court and the crowd cheers your name or salutes you - it's like you're a gladiator in the arena. And everyone is cheering - and you're fighting, you're screaming, during your strokes - it feels like you're an animal, fighting for your life.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
I would say if you have a dream - and whether that is you want to be some sort of artist, or you want to start a start-up or a business, anything that very much feels like it's uniquely yours and you may not be able to get traction going through traditional channels - the way to do it is to build it brick by brick on your own in microsteps.
Are Labour members inherently bigoted against women, unable to objectively assess political attributes beyond the gender prism? This accusation seems particularly ludicrous when levelled at a party so much in thrall to identity politics that it sometimes feels more like a student union than an organisation set up to defend the working class.
Those of us in law enforcement must redouble our efforts to resist bias and prejudice. We must better understand the people we serve and protect - by trying to know, deep in our gut, what it feels like to be a law-abiding young black man walking on the street and encountering law enforcement. We must understand how that young man may see us.
So often, in my life, when you play a joke on another actor, you say, 'Hello? Steven Spielberg? It's for you.' What's it feel like? It's bizarre. He feels like he's a friend. He feels like he's some kid in the neighborhood who has a camera and makes films, now and then, and says, 'Would you come 'round and play?' It doesn't feel grand at all.
I like to act. I guess letting what you love be what you do is key. I've worked very hard for that to be the case, probably because I'm very lazy and I only want to do things that are fun and I run away from anything that feels like work... Acting for me is like lunch at school... you're just in a playground where you get to pretend and play.
Sonnymoon and Quadrants are a couple of bands that really inspire me in terms of the melodics of things and certain tones and just what feels good. It takes me back to the type of music that I grew up on in my household. We played a lot of gangsta rap, but we also played a lot of oldies, and I think that mix is part of what inspires my sound.
We called the head of CBS and said, 'We know how network television feels about musicals. Would you even consider doing 'Gypsy?'' He said, 'If I did say yes, you'd have to have a big movie star who does not do TV.' I told him that, in our fantasy world, we'd like Bette Midler. He said, 'Get Bette Midler, and you have an on-the-air commitment.'
I appreciate the fans who come out here, and they support us, but it's football. We're not saving lives. We're not police officers. We're not doctors. We're football players, first and foremost. If you want to stop watching the game because a guy feels strongly about a very serious topic that's going on in our society, then that's your choice.
My company was based in Palm Beach, Florida, but when 'Bar Rescue' took off, I knew I had to move west. It was a choice between L.A. and Vegas. I have a lot of friends in Vegas, and it became my choice. I'm so glad because I love it here. There's a real sense of community. It's a big town that feels like a small town. Everybody knows everybody.
Nine out of nine architects start with a sketch, and then they say, 'What should we make it out of?' I start from the bottom up - what should it be made out of - and then I worry about what should it look like. The material, the color of the material, the way it feels, and the way you respond to it is every bit as valid as the form or the shape.
My dad's from that generation like a lot of immigrants where he feels like if you come to this country, you pay this thing like the American dream tax: like you're going to endure some racism, and if it doesn't cost you your life, well hey, you lucked out. Pay it; there you go, Uncle Sam. I was born here, so I actually had the audacity of equality.
You never know with Punk. He is definitely somebody who does things his own way, and I think the biggest thing is that you can never count out what his next move will be. I think no one would have predicted his move to UFC - nobody would have predicted a lot of things he does - so whatever he chooses to do, he will do what feels best in the moment.
If there's more that you can do, then do it. If there's not more that you can do, then be content with what you're doing. But if there is despair, the despair can only be that you can do more. Because when you're doing as much as you can do, you will not feel despair. Because despair is the gap between what you could be doing and what you are doing.
The one thing that everybody wants is to be freenot to be managed, threatened, directed, restrained, obliged, fearful, administered, they want none of these things they all want to feel free … The only thing that any one wants now is to be free, to be let alone, to live their life as they can, but not to be watched, controlled and scared, no no, not.
