Quotes of All Topics . Occasions . Authors
You know, I've had a lot of rewarding interviews. And, a lot of times, it's the connection you make with the family of the victim, or near-victim, or somebody who spills their heart out to you for the first time. And often times, it's somebody who's watched my shows and feels comfortable with doing it.
At home, he's a 100-percent softie; that's who he is. I just blew his cover. When Howard has a really stressful day at work or he feels overwhelmed, it's funny, I point to the foster room. After 30 seconds of being there with these baby kittens or these special needs cats, it just changes your whole mood.
I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.
One interesting thing about jazz, or art in general, but jazz especially is such an individual art form in the sense that improvisation is such a big part of it, so it feels like it should be less soldiers in an army and more like free spirits melding. And yet, big band jazz has a real military side to it.
I have been wanting to do beauty for years and to pair with an international beauty company. It will solidify the image of Jason Wu as a world. All my shows have a distinctive hair and makeup look. It feels so natural for me; the woman who wears my clothes would have my makeup as part of her beauty regime.
Even though everybody's lives are different, in general we're all human beings, and we go through the same things: disappointments, the pleasures of life, life and death. That's always been a really big part of the show to me, making sure the audience feels connected, and that carries through to the album.
That brick that you're standing on, that foundation that you're standing on, there's a brick in there that was placed by someone you never knew, sort of a faceless possibility, but you're there now. You have an opportunity to put your own brick in there. That's what it feels like we're doing with 'Hamilton'
My popularity has to do with the divorce between modern art, where everything is obscure, and the viewer who often feels he needs a professor to tell them whether it's good or not. I believe a painting has to talk directly to the viewer, with composition, color and design, without a professor to explain it.
I envy people with dreams and passions, but I don't think that way. I still don't have a 'bliss' to follow. For people like me - I suspect that's most people - holding out for a 'dream' or a 'passion' is paralyzing. I just like having work I enjoy that feels meaningful. That's hard enough... but it's enough.
You can't shut down. You can't say, 'What can I do to make this go away?' You have to let it be painful and get through it. Every day gets better. Because when you're in love, you kind of give everything and make that person your life. So every day, you get more and more of yourself back, and it feels better.
The gay bunting erects his white crest, and gives utterance to the joy he feels in the presence of his brooding mate; the willow grouse on the rock crows his challenge aloud; each floweret, chilled by the night air, expands its pure petals; the gentle breeze shakes from the blades of grass the heavy dewdrops.
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.
There is something really horrific for any human being who feels he is being consumed by other people. I'm talking about a writer's critics, who don't address what you've written, but want to probe into your existence and magnify the trivia of your life without any sense of humor, without any sense of context.
When I was young, I really wanted to be a part of the end-of-year awards shows, but now that I'm actually there, it feels weird. I used to go to church and ended the year with a prayer, but now I spend it with people I'm not very familiar with at an award show, and I wonder if it's something I should be doing.
For any American who is worried about this country, who feels our core values slipping away, who believes something has to be done to change the direction of our nation before all is lost - the NRA is your refuge. It is your place to stand and fight with Americans just like you, for all that is good and right.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
I paint and I draw and I write and I do other things too, and recently some people at school were asking if I'd ever publish any of my work. But I almost feel like I would have to publish it under another name because there's a definition of me out there that feels kind of stuck in the moment when it was formed.
There are some days I feel fat. I'm not convinced there's going to be a moment where every woman in the world wakes up and feels like a million dollars. So, what I want to do is give women the tools that will help when those moments come up. Sometimes it can be as easy as telling yourself that you are beautiful.
Unless one is planning to go shopping - basically begging to be smothered by the ravening throngs of returners and bargain hunters; an embrace as constricting as that hugging machine designed by autistic author Temple Grandin - then Boxing Day feels like a bar after last call when the lights have been turned up.
I can hardly tell you how boring it is to interview almost every politician among the multitudes I have ever interviewed (journalists can't say this, because if people knew how boring politicians were they wouldn't read what we write), how dead the conversation feels, how bald, flat, uninteresting the message is.
I almost want to ask the judges, 'If you don't count leg kicks, if you don't count body kicks, why not?' So if you don't think they're effective in the scoring criteria, they're not effective striking, effective grappling, so how about I kick you in the body, I kick you in the leg, and you tell me how that feels?
It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema.
There's an old hymn called 'How Can I Keep from Singing?' That's what writing feels like to me. I have to write. It's intrinsic to who I am. So it was a natural choice for me to try to pursue writing as a career. Truthfully, though, I still daydream about how fun it would be to ride on the back of a garbage truck.
My personal style changes wherever I am. When I'm in Ibiza, I'm a bit girlier because there's an opportunity to be more romantic and dress up for the beach scene. Whereas in New York, I tend to go for suiting and tailoring that almost feels like weaponry for the city - but I think I'm quite playful no matter what.
The thing about awards is that a lot of those moments are about the whole world telling you that you deserve it and rah, rah, rah. I'm very appreciative of that, but I love experiencing stuff by myself. Because it feels different. You know the truth, and you can hear what the voice in your head is saying properly.
I don't know if this is the kind of retrospective analysis that people are fond of applying to their work or actions, but it feels like I knew I was going to be famous and I knew that an element of that would be traumatic, so that if I could make myself something big and otherworldly, it would be a kind of defence.
I enjoyed my upbringing, my siblings did, we're polite, we're respectful, but at the end of the day we're young, we like to have fun. But now, more so than ever, the youth has been vilified to the point where it feels like you can't enjoy being young any more, you just have to sit it out and wait until you get old.
There are times when I'm super-overwhelmed, and everything feels like it's hitting me in the face at once, but I think what's keeping me calm, and who I am by staying true to myself, is my whole family being so supportive and keeping me grounded. They treat me the exact same way they treated me years and years ago.
Somebody once told me I treated my smart phone like Wilson, the volleyball Tom Hanks turns into a friend when he's stranded on a desert island in that movie 'Castaway.' It's an apt comparison: parenting a toddler occasionally feels like being marooned, and your phone is your only connection to the rest of the world.
When we are filming, it often feels like we're flying blind. As an actor, you have no idea if your choices are right or if they work. Some scenes feel like a complete Hail Mary. Imagine you're blindfolded and cook a massive Thanksgiving feast with only new recipes - without getting to taste any of them along the way.
My father has always been interested in discarding the past. He's never much liked China or the whole idea behind China or Chinese ways of thinking. He's always been much more attracted to American ways of thinking. He feels Americans are more open - they tell you what they think - and he's very much that way himself.
We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
I did grow up in Kenosha, Wisconsin, around a lot of my mom's family. I had a lot of cousins and aunts and uncles around me, and my sisters and my brother. Probably the most formative part of it was that we grew up on the edge of a forest. It wasn't a big forest, but it was enough. When you're a kid, it feels gigantic.
When someone tells me about Malala, the girl who was shot by the Taliban - that's my definition for her - I don't think she's me. Now I don't even feel as if I was shot. Even my life in Swat feels like a part of history or a movie I watched. Things change. God has given us a brain and a heart which tell us how to live.
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
Diversity on the bench is critical. As practitioners, you need judges who 'get it!' We need judges who understand what discrimination feels like. We need judges who understand what inequality feels like. We need judges who understand the subtleties of unfair treatment and who are willing to call it out when they see it!
Sometimes there are paparazzi that take photos and you don't know they're there. So you're laughing, kicking up your heels and doing silly things. You don't even realize it. And then there's other times where they're two feet away from your face and it's invasive and it feels threatening, so you don't want to be smiling.
That's a tumor. It goes across my liver, up through my lungs, all the way around my heart. And when they were done trying to cut it out, nuke it out with radiation and chemotherapy it out, it left so much scar tissue that when I walk outside now in cold weather and take a deep breath, it feels like someone is stabbing me.
I spend a lot of my time thinking about how to spend my time. Probably too much - I probably obsess over it. My friends think I do. But I feel like I kind of have to, because these days, it feels like little bits of my time kind of slip away from me, and when that happens, it feels like parts of my life are slipping away.
My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.
We are not like the social insects. They have only the one way of doing things and they will do it forever, coded for that way. We are coded differently, not just for binary choices, go or no-go. We can go four ways at once, depending on how the air feels: go, no-go, but also maybe, plus what the hell let's give it a try.
I have an American son and an American partner, so marriage might logistically make sense at one point. My partner is a stay-at-home father, so if he wants to be on my health plan, or tax wise, or maybe on paper we want to have our I's dotted and our T's crossed, but emotionally, neither of us really feels the need for it.
There is a universal, intelligent, life force that exists within everyone and everything. It resides within each one of us as a deep wisdom, an inner knowing. We can access this wonderful source of knowledge and wisdom through our intuition, an inner sense that tells us what feels right and true for us at any given moment.
Just as there are moments when the words flow and it feels like the easiest job in the world, there are many more when I think I have nothing to say, and my journalism training taught me that writing is a job, that you write whether you are inspired or not, and that the only way to unlock creativity is to write through it.
I was with my band at a karaoke bar in Japan when it was very big there, and they got up and made fools of themselves without practicing properly. I didn't understand why they were doing that. It was like they were making fun of the genre by performing badly. But I didn't get up and sing, so I don't know what it feels like.
We all have to strive to learn what motivates us, learn from our experiences, and what feels right and what feels wrong. There's a strong component over the years to having formal processes that help to identify lessons that need to be learned, and actions that need to be taken. In other words, how do you find the big idea?
Though Lexington is not a small town, it sometimes feels like one, with circles of acquaintance overlapping once, then again; the person you meet by chance at the library or the pool may turn out to be the best friend of your down-the-street neighbor. Maybe that's why people are so friendly here, so willing to be unhurried.
I am a twin, but my brother and I aren't identical, so it's not such a big deal. But when you share bunk beds and birthdays and a womb with someone, you have a special connection. It definitely feels different from the relationship I have with my other siblings - my twin and I are more connected. Jacob is a conservationist.
To understand the intensity of driving an F1 car, you have to be in it. When you're driving a 750hp machine at 200mph, the noise and the vibrations are incredible. The G-force when you take big corners is like someone trying to rip your head off. You hit the brakes, and it feels as if the skin is being pulled off your body.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.