Quotes of All Topics . Occasions . Authors
If you are living a life that feels right to you, if you're willing to take creative chances or a creative path that feels like it's mostly in keeping with your sensibilities, you know, aesthetic and artistic, then that's what matters.
It's always good to have your players with you, it makes you feel great. That is just it. The coach and the players understand one another but people outside don't understand. But it's good to see him, it's good to see all the players.
I've had to stop going to the nearest grocery store that seems to play Shania Twain's 'Forever and For Always' whenever I'm there. It's hard to shop for frozen entrees through cold-air blasted tears. Feels good on a flushed face though.
As actors, we're so used to the axe falling, and then we all go our separate ways. I can tell you, the feeling amongst the cast in 'Nashville' is, we don't feel like we're done. It feels like, in some way, we're just hitting our stride.
Fear has been a big battle, it runs rampant in my sport so I love to overcome that, to challenge it head on, because there is nothing that feels as accomplished as overcoming a fear, and something that has blocked you in such a big way.
The places I visit in any given week are my home, so when I'm somewhere that feels good to me, it's a real game changer. If a place causes me to have a strong reaction, be it positive or negative, it'll often find its way into my music.
I could stifle my voice, or strip it. I know that I could, because we can do anything we put our minds to. I know that I could, but it feels very unnatural for me to strip my prose like that, in part because place is so important to me.
I'm really sick of anthems. Every song has to be a very big singalong thing - it feels very Eighties. There are a lot of 'whoah whoa whoahs,' this stadium thing. You're even getting that from some of the 'folk' groups. I can't stand it.
What surprised me about the Oscars was how familiar it was - because you're in the room with all these people that have inspired you from your childhood to adulthood in the film industry. It feels like you've known them all of your life.
I have flown with British Airways since I was a very little child, so it feels quite special to have gone from family holidays flying around Europe to become a gold card holder and be spoiled enough to travel more than not in first class.
I guess it feels to me that the political argument that has been lost in my lifetime is taxation. How do you engage in that debate when people don't trust politicians at all? It is almost impossible to start a conversation about taxation.
I would be a giraffe because I just want to experience what a sore throat and being a giraffe feels like. It would be really uncomfortable walking around in the Sahara and being like, 'I really need, like, 15 lozenges for my giraffe body.'
From an early age, my favorite thing to read was novels. For years, when I was writing only nonfiction, still I was reading almost exclusively novels. It's weird to be producing something that you don't consume. It feels really alienating.
Fandango is not really a Western. It's really just set in Texas. It's a road picture. And then I did one that hasn't come out yet called Kreep, which is set in Texas, but it's not really a Western. But it has a more rural-Texas feel to it.
Shake yourself free from the manikin you create out of a false interpretation of what you do and what you feel, and you'll at once see that the manikin you make yourself is nothing at all like what you really are or what you really can be!
As for what I might wear, my mantra is that, no matter how chic the event, I don't want to look too prim. I like wearing short cocktail frocks to black-tie events; it just always feels more like me, and a bright red lip is always a staple.
I am extremely thrilled that my superhit single 'La la la,' composed by the talented Bilal Saeed, will be a part of the film 'Baazaar.' The song is a hit with the youth, and it always feels nice that the work you do is appreciated globally.
The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist's choice.
Leadership is simply the ability of an individual to coalesce the efforts of other individuals toward achieving common goals. It boils down to looking after your people and ensuring that, from top to bottom, everyone feels part of the team.
You have to feel comfortable being uncomfortable. I'm always comfortable being uncomfortable. And to be comfortable being uncomfortable, I have to hone my discipline, which to me is doing what I have to do, but also doing it like I love it.
We're in a situation where talented, motivated school leavers and graduates can send off a hundred CVs and not get a reply, and where a trip to the Job Centre is depressing rather than inspirational. And you know what, that just feels wrong.
If there is dissatisfaction with the status quo, good. If there is ferment, so much the better. If there is restlessness, I am pleased. Then let there be ideas, and hard thought, and hard work. If man feels small, let man make himself bigger.
If watching television doesn't hasten death, it surely manages to make death very inviting; for television so shamelessly sentimentalizes and romanticizes death that it makes the living feel they have missed something - just by staying alive.
A lot of times, you land in a city, and you're like, 'This is not my people.' I'm gonna do the show, but you don't feel like this is for you. And then, some places, you just go and just fall into a groove, and you're like, 'This feels right.'
One scientist will interpret data one way, another in another way. One scientist may feel that an experiment is valid, another feels it's invalid. That's why scientists have discussions and put forward their opinions in conferences and papers.
It feels nice to be loved, but let me tell you there are 10 times more better looking, stylish and talented guys than me. So there's no solid reason for me to be proud! I don't think I have done anything extraordinary to change people's lives.
I must learn to love the fool in me - the one who feels too much, talks too much, takes too many chances, wins sometimes and loses often, lacks self-control, loves and hates, hurts and gets hurt, promises and breaks promises, laughs and cries.
I just know that I wasn't happy where I was. I didn't feel complete. I didn't feel like I was contributing what I needed to contribute to not only to my, my, my fans that I had begun to gather but to myself most of all, most importantly for me.
I don't like, and I've never been very good at, close-up shots. As soon as you have the camera right there in front of you, it feels like you're in a different reality from the person you are acting with; you lose any real connection with them.
It is an honor to open in New York City and to have the opportunity to serve and share our family's version of American Chinese food and hospitality. New York City deeply influenced my passion for food and service, and it feels good to be back.
An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she feels that she may exert all her powers of pleasing without suspicion. All is safe with a lady engaged; no harm can be done.
To all of us who have been charged, we all agree that we don't feel like we were doing things that we weren't supposed to, because we were told to do them. We think everything was justified, because we were instructed to do this and to do that.
I cannot stand Hollywood child performances. It just reeks of artifice, and it's weird that, for some reason, Hollywood feels they have to make their child characters smarter than adults, and suddenly kids have the vocabulary of a college grad.
In so many ways, it feels the same now when I play as the very first time I picked up the instrument. There's always this sound out there that's just a little bit beyond my reach and I'm trying to get there and that just sort of keeps me going.
My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.
I just banged it a little bit on a helmet. And you know, if you get your throwing motion and momentum going at a helmet it makes it hurt a little more and it freaks everybody out because it's your throwing shoulder, but honestly, it feels great.
I'm a centrist. There is a lot going on socially that I don't like, but I feel that in a democracy you work from the center, not because I like the center - I'm a marginalized person politically - but because the center is where things get done.
I can understand how people who don't really follow baseball can look at 'dead arm' and think the absolute worst. Basically, a dead arm is when your arm kind of feels a little heavy, kind of feels weak, and basically, it's just muscular fatigue.
You're going to see a rise of the white male voter who feels like they're not secure, their country has been taken away. They cherish the American flag. They have fought for the American flag. They have fought for the American idea and the ideal.
There's something about being rejected - when I go out without my friends, I'm reminded of how I'm actually quite antisocial. I don't look like a guy who feels like that, but it's very hard for me to start up a conversation. At a party, I'm lost.
I think when I look out and I see there's so much negativity in the world and a lot of people are unhappy and a lot people are anxious, it just feels like that's one view of the world. But you don't have to always focus on that view of the world.
The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
I think I draw most inspiration from writers like Richelle Mead and filmmakers like John Hughes. They both really understand the experience of being a teenager and how insistent and intense everything feels, but they're also smart, savvy, and fun.
I think every classically trained film composer feels to some extent, maybe on some level, that they took the low road, that they could have maybe pursued a career in the concert music world, and perhaps been involved in a higher quality of music.
We got to do a few things with President Clinton. To be invited to Washington again to play with Ashanti and all those other cool people there in front of President Bush and the rest of the world feels awesome. I'm really looking forward to going.
You can tell if something feels special. But there are so many moving parts involved in making the song a hit. The radio has to deliver, the management has to deliver in terms of booking the right promotions... just being a good song isn't enough.
In my head, I consider 'No Turning Back' my 'dipping the toe in the water' album. It was mostly covers of favorite songs, and there were three originals in there. So, it feels like it was just my album to see what the temperature of the water was.
Your performance depends on your people. Select the best, train them and back them. When errors occur, give sharper guidance. If errors persist or if the fit feels wrong, help them move on. The country cannot afford amateur hour in the White House.
It's because I'm alone.. If I could just feel it, it would be different, because I would not be alone. But if I were not alone, everybody would know it. And he could do so much for me, and then I would not be alone. Then I could be all right alone.
I feel like I am an example. And I hope my life is a testimony to show people no matter what you go through, how many hurdles are placed in front of you, how many bumps and bruises you get, to pick yourself up and be resilient and keep on trucking.