I have to talk about my movies. I have to give interviews to promote what I'm doing. But no one really knows my personal life. And if you don't have a personal life I feel bad for you.

When I'm curious about something, I do it full on and take it as far as I go, but when I feel like I've really explored it, I'm OK with putting it aside and going on to something else.

The joys of making a comedy are that it feels very playful and silly, and the energy is totally different because they want you to feel free enough to come out with something a bit mad.

Bruce Wayne is Batman. He became Batman the instant his parents were murdered. Batman needs Bruce, however hollow that identity feels to him from time to time. Bruce keeps Batman human.

You used to have to sing and convey emotion, and now, well, technically you can do anything with technology. It sucks for music today, but that's why that old music feels so good to me.

We all drive differently and have different styles. For me I need a car I can develop beneath me and feel comfortable in. If the car feels neutral and unbalanced it doesn't work for me.

That's how I feel about the work. The work is solid, the work exists and will stay the same, but if you can have it playing and interacting with light, then it will always be different.

I always wanted a great love affair: something that feels big and full, really honest, and enough. No moment should feel slight, false, or a little off. For me, it had to be everything.

If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous. To me, this is just a job.

You know when you take the paint off an old canvas and you discover that something's been painted underneath it? That's what I feel like - that part of the old is coming through the new.

My family is first-generation Nigerian, and we grew up in a very small, suburban town in New England, Massachusetts. So I do understand what it feels like to be an 'only' in that regard.

Catastrophes are often stimulated by the failure to feel the emergence of a domain, and so what cannot be felt in the imagination is experienced as embodied sensation in the catastrophe.

That's the thing: I'm not opposed to working with people. I'm just not one of these people that feels the need to hop around the industry and get this guy's beat and get this guy's hook.

I am sure that, on the one hand, the Rothschilds appreciate the merits of Marx, and that on the other hand, Marx feels an instinctive inclination and a great respect for the Rothschilds.

I feel like it's always about embracing what it is that you think is wrong with you. It's often times your greatest 'flaw' which actually forays into what is also your greatest strength.

Sometimes I feel like a human pin cushion. Every painful emotion hits me with ridiculously exaggerated force. And the anxiety feels like hands inside of me, squeezing my guts really hard.

If you're writing anything decent, it's in you, it's your spirit coming out. If it's not an expression of how a person genuinely feels, then it's not a good song done with any conviction.

The more one does and sees and feels, the more one is able to do, and the more genuine may be one's appreciation of fundamental things like home, and love, and understanding companionship.

I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard. It doesn't get easier, but that's why I love it: because it's a challenge every time.

If there's something you know and there's something you feel, but you can't quite express it, you will hear it somewhere. And you don't have to worry, because someone will get it sung out.

As a proud spokesperson for L'Oreal Paris, I have communicated the 'Because You're Worth It' message many times, and know firsthand how empowering it is to say and how empowering it feels.

The thing that is always important to me is the relationships. I feel like until I get around with the actual people that I am going to be working with there is only so much that I can do.

You do not stop losing power by refusing to recognize your fear, by anesthetizing yourself to what you feel. The road to authentic power is always through what you feel through your heart.

I know now that before I take a picture I have to be sure about how I feel about the subjects. What I don't know is if I should explain to them what I'm doing while I'm photographing them.

A lot of our creative flow comes from a place of curiosity and exploration. It often feels like we're excavating and asking questions and not just giving answers but really just exploring.

Every third person in the world is a drama queen. And crying 'victim,' especially when you're not really a victim in any real way, feels good. It feels good to cry victim if you're not one.

I think I have this thing where everybody has to think I'm the greatest.And if they aren't completely knocked out and dazzled and slightly intimidated by me, I don't feel good about myself.

Americans have always had an ambivalent attitude toward intelligence. When they feel threatened, they want a lot of it, and when they don't, they regard the whole thing as somewhat immoral.

Breakfast is always the best time for something juicy, sweet and fresh - it just feels like the right way to open the day. There's no right way, though, when it comes to choosing the fruit.

Love feels no burden, thinks nothing of trouble, attempts what is above its strength, pleads no excuse of impossibility; for it thinks all things lawful for itself, and all things possible.

When I'm not completely loaded, it's a much more vulnerable place. I can feel the music, I can feel the energy and I really have to put it out there. When I was loaded, I was just oblivious.

When I work I do it from my heart. And my heart is that I bring love to the world. When I travel around the world I bring my love. I bring so much love in my heart. I hope you can feel that.

Ken, my husband, just smelled like he belonged to me. I'm not talking about hygiene. I'm talking about when you hug him, he either feels like a member of your tribe or not. It's their scent.

I'm very comfortable in the U.S. and Europe, but I feel completely out of place in the rest of the world, mostly because I never spent time outside the U.S. and Europe until I was in my 30s.

I just want to go to university and have fun - I want to be an ordinary student. I'm only going to university. It's not like I'm getting married - though that's what it feels like sometimes.

Anyone who hates something feels threatened by it. A guy who says he hates feminism (a) doesn't understand or know feminism, and (b) is scared of powerful women. Most attacks come from fear.

Maybe it's because it's connected to my childhood, or it's connected to the origins of what drove me creatively, but I feel like my life never makes more sense than when I'm in that process.

I don't take things for granted, because everything feels more fragile. It's made me wonder about mortality and how long you've got somebody in the world. I'm more fearful than I used to be.

I always say that if I end up in a relationship where I feel like seventy-five percent of what I was looking for is there, then I've already won, then we're all winners in that relationship.

I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.

When you feel totally alone in your thoughts and feelings, there's someone out there who is going through what you went through, even if it's the strangest, weirdest thing you could think of.

Not everybody can identify a purpose in life. But when you do, and when you pursue it, you will be living the kind of life you feel you were meant to live. And what's more, you will be happy.

A lot of the lyrics I write involve images that just swing the song in a way that feels really good to me and there isn't a literal explanation. They're not riddles for the listener to solve.

In my life, I wanted to feel tall. I wanted to be somebody. I wanted to be tall as the Sears Tower. I wanted to be on top of the Sears Tower. I wanted to be as strong as the Sears Tower feels.

That feeling of being part of a group moving together is very powerful. It feels like it opens up a zone of possibility, a place for another self to form, also a place for a new world to form.

I'm telling you, until I shaved my head, I never realized how much heat is lost through the top of the head. I walk out in winter and it feels like I have an ice pack on my head. Unbelievable.

It feels like now I - you know, I'm almost 80 years old - I can sit back and retire, you know, and say, 'Look, our young people are taking over.' And that's great. That's what I'd like to see.

It's good for me to see so many other people who are not me. That there are so many others. I feel affection for them. Most of them are doing the best they can. I am also doing the best I can.

'Oppressed' is one of the terms that's very, very sellable and easily thrown around these days because everybody feels it, no matter what side you're on. We thrive on it. We're addicted to it.

The structure of private campaign finance has essentially pre-corrupted our politicians, so that they can't even recognize explicit bribery because it feels the same as what they do every day.

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