Quotes of All Topics . Occasions . Authors
A feature film is twenty-four lies per second.
Making your first feature film is actually impossible.
I want to direct a feature film. Horror is my main genre.
In a feature film, the question of censorship always comes up.
A short film is not a shortened feature film. It has a soul of its own.
I wouldn't necessarily recommend shooting a feature film on a still camera.
It's tricky to take a book of short stories and turn it into a feature film.
To make a documentary is one thing, to make a feature film is quite another.
Angel was the first Irish feature film. Neil's first movie and my first movie.
I started off writing TV adverts. I saw those as rehearsals for a feature film.
Let's put it this way: if I were to direct a feature film, I would not be in it.
My first experience on a feature film was with Shane Meadows on 'This Is England.'
'Saw' really came from that want, the aspiration to make a feature film on our own.
I did manage to secure a feature film for 2005, though, which I'm really chuffed about.
Trying to make a feature film yourself with no money is the best film school you can do.
I've not had any interest in running a movie studio, but I want to make one feature film.
My dream would be producing, maybe directing - definitely not writing - one feature film.
Dragon's Lair 3D is about as close as you can come to controlling an animated feature film.
I get better roles in television. I'm not going to do a lesser role just to be in a feature film.
I initially moved to Switzerland for work on an animated feature film, and have been here ever since.
People have been trying to make a two-hour feature film of 'Outlander' for years and years and years.
Directing on a 90-day schedule, whether for a TV series or a feature film, it's crazy; it's a marathon.
Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
Feature film can have a major role in explaining ideas and describing peoples' lives and their struggles.
I've always wanted to do a feature film, because, as a model, you have to play so many different characters.
The writer is just so much more intimately involved in the television process than the feature film process.
I made a lot of short films before making a feature film. Actually, I learnt film-making by making short films.
The first writer I developed a script with was John Hughes, and that was 'Mr. Mom.' That was my first feature film.
When you're writing a feature film, the moment you begin Page 1, you are in a sweat that you're running out of pages.
'The Best Man' was my first feature film, and I didn't want to be known as a director who only does romantic comedies.
I dropped out of college and ended up making this feature film I wrote when I was 19 with some friends. It was terrible.
I never like to stick to one media; whether it's a TV series or feature film, I enjoy it and I like changing constantly.
When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.
By the time 'Dumbo's Circus' wrapped production of its 120 episodes, I had an agent, and I had scored my first feature film gig.
After a couple of attempts at making shorts, I decided to make a feature film with a friend, Tom Hall, whom I've worked with ever since.
Ever since I made the short film 'Black And White,' which had almost no dialogues, the idea of making a silent feature film fascinated me.
I'd love to win an Oscar; that would be great. I hope to get a feature film that I've made get a wide release. I'm not sure that's ever going to happen.
I have actually directed over thirty plays and about one hundred commercials for cable TV, but have not yet had the opportunity to direct a feature film.
I'm used to adapting my novels for feature film - it can be challenging to cut and compress three or four hundred pages into two hours of dramatic action.
For my first feature film, I just wanted to write something that people can relate to, something that was real. I really wanted it to hit home with people.
I want to do feature films. I am flying to Malaysia to be in another feature film. We will be filming that in Malaysia, the Phillipines, and back in California.
When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience.
It proved to be pretty impossible to get funds for a feature film in Finland. It's still small, but the film industry was miniscule at that point in the early '80s.
I'd love to be in a feature film, and I don't just mean in a starring role - it could be a small part. And I would like to act in television, to do comedy and drama.
Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score.
We did this film in 13 days, mind you. And 13 days is not very long for a feature film. Nobody in their right mind would argue that. Nobody in their right mind would do that.
I think feature film can be quite conservative, because you have to now get audiences to come out, and it's quite a hard thing to do. Of course, television can be conservative too.
When the BBC decided to bring Doctor Who back as a feature film a few years ago, one national newspaper ran a poll to ask its readers who should be the new Doctor, and I topped it.
I'm being photographed, worrying about my hair - and yet here I am, I've directed a feature film, why do I care about the way I look? Who cares? Does Tim Burton care? Does Joel Coen?