Quotes of All Topics . Occasions . Authors
At times I have long conversations with God. Sometimes I ask questions. I admit that there are also times when I let out my frustrations, fears, and anxieties in less than honorable ways. No matter what I pray about or how I pray about it, the result I always get is comfort.
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
The fears you do not face become your walls. Most people in business, and in their personal lives, design everything so they can avoid doing what makes them feel uncomfortable. Yet any good business person knows we are not only paid to work, but also we are paid to be scared.
The earliest maps were 'story' maps. Cartographers were artists who mingled knowledge with supposition, memory and fears. Their maps described both landscape and the events, which had taken place within it, enabling travellers to plot a route as well as to experience a story.
I have been working with people on an individual basis for years to help them break habits and deal with anxiety. I've helped people with everything from fears, phobias, and stress right the way through to eczema - anything that is governed by our psyche and inner psychology.
The planet Mars - crimson and bright, filling our telescopes with vague intimations of almost-familiar landforms - has long formed a celestial tabula rasa on which we have inscribed our planetological theories, utopian fantasies, and fears of alien invasion or ecological ruin.
I have, since the age of about 2, been a twitchy bundle of phobias, fears, and neuroses. And I have, since the age of 10, when I was first taken to a mental hospital for evaluation and then referred to a psychiatrist for treatment, tried in various ways to overcome my anxiety.
People who are in a position of finding out that they're at risk for some illness, whether it's breast cancer, or heart disease, are afraid to get that information - even though it might be useful to them - because of fears that they'll lose their health insurance or their job.
If you want to understand your parents more, get them to talk about their own childhood; and if you listen with compassion, you will learn where their fears and rigid patterns come from. Those people who 'did all that stuff to you' were just as frightened and scared as you are.
I think you can separate yourself from your fears. You know what you should do, and it's just scary to do it. But I'd hate to let the fact that I'm scared to do it make me not do it. It ends up defining you. Because the moves you make are then based on what you don't want to do.
Fears that formaldehyde from vaccines may cause cancer are similar to fears of mercury and aluminum, in that they coalesce around miniscule amounts of the substance in question, amounts considerably smaller than amounts from other common sources of exposure to the same substance.
I realize that everyone has their own road to travel in making this decision about when it's right to come out. I know that in my case, the worst fears never materialized. All in all, professionally, I know the work I do here every day is better because I'm honest about who I am.
While being a parent has been the most fulfilling experience of my life, it comes with a price. Besides the onslaught of worries and fears that can be paralyzing, more personally there is a struggle with identity, or the fear of loss or usurpsion of identity, if that makes sense.
Binaries aside, we are the products of our relationships with our identities - cities we have built, bodies we have embraced, kindred souls we've cherished, our memories, our dreams, the fears we hide, the pain we hold - identities that cannot be reduced to a collection of labels.
While Muslim men describe themselves as insecure in their harems, real or imagined, Westerners describe themselves as self-assured heroes with no fears of women. The tragic dimension so present in Muslim harems - fear of women and male self-doubt - is missing in the Western harem.
I think if you follow anyone home, whether they live in Houston or London, and you sit at their dinner table and talk to them about their mother who has cancer or their child who is struggling in school, and their fears about watching their lives go by, I think we're all the same.
There's a lot of speculation on what the zombie apocalypse thing means. I have a feeling that it's kind of an expression of our subconscious fears. I think we know that something big and impossible - some enormous crash, equalizing crash, whatever - may be coming around the corner.
It takes a certain type of man to become a boxer, to fight for a living. To be able to have the confidence to hit another man, to control your fears. You must overcome the psychical aspect and believe in the art, the discipline of the sport. You need to study. You need to be smart.
I've dealt with bigger things than the odd performance, dealt with a hell of a long time out of the game from an injury which shouldn't have kept me out for that long. I've had to deal with fears of not playing again, I'm a bigger man for it and I will be better for it in the future.
I'm reasonably easygoing. Messing up my lines or making a fool of myself is where you find my fears. Like a lot of English people, I'm prey to embarrassment - the dread that everyone's sort of sniggering at you, that you're going to look like an idiot. I think that sort of halts us all.
One of my inspirations, Harry Houdini, remains an icon of the art because he defied our primal fears. His demonstrations in the early 20th century, especially his escape from the Chinese water torture cell, represented triumph over suffocation, drowning, disorientation and helplessness.
Fear can be good when you're walking past an alley at night or when you need to check the locks on your doors before you go to bed, but it's not good when you have a goal and you're fearful of obstacles. We often get trapped by our fears, but anyone who has had success has failed before.
Fairytales work on two levels. On a conscious level, they are stories of true love and triumph and overcoming difficult odds and so are pleasurable to read. But they work on a deeper and symbolic level in that they play out our universal psychological dramas and hidden desires and fears.
As fears about the energy and environmental crises reach a fever pitch, we're all searching for solutions. And one possibility is that we could fix everything if we'd just shrink our population back down to about 2 billion people - which would put us roughly where we were at 80 years ago.
For centuries, our country has welcomed people fleeing religious persecution, war and humanitarian crises to create a better future for themselves and their futures. With proper safeguards in place, we should offer refuge to some migrants with legitimate fears of persecution and violence.
This is something I've struggled with a lot: how to relate to the fear in a constructive way. It's not that you eliminate the fear. We have all the fears. That's natural; that's human beings. But how do you deal with the fears, how do you engage with your fears in a way that's productive?
All along, I've been writing about our fears, our longings, our fantasies, our ambivalences. When I decided to study psychoanalysis, I did it because I wanted to understand the psychodynamics of it all. Though far from perfect, psychoanalysis offered me a huge, wonderful window on all that.
One reason I'm such a wayward prognosticator of rightwing trends is that I'm incapable of blacking out enough neural sectors to see the world through reptilian-brained eyes, a prerequisite for any true channeling of the mean resentments and implanted fears that drive hardcore conservatives.
We are providing a platform to creators who are expressing their emotions; they are expressing what they are feeling - fears, joys, terror. That's what art is about, and we don't want to censor it, but neither would we permit violence which feels gratuitous or glorified to be on our platform.
I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
Directly after Rock Hudson's death came the fears that gay writers and actors and directors would be denied jobs; who knew if they would live long enough to finish a feature film or television series? And would the unions force directors to give blood tests and ban actors who tested positive?
I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
Write down your fears. Write down your thoughts. Write down the feelings you want to have. Just release it, don't ignore it. It's a lot easier said than done, but once you start practicing some of those things, you'll realize that you have a lot more control over your thoughts, your feelings.
If you know anything about the issues in our country, you know we have a lot of deep-rooted anger and anxieties that spark a lot of passion. When you talk about our national anthem or the flag or race relations or the criminal justice system, it brings up a lot of those fears and insecurities.
I think one of the most important changes of our time has been our attitude to fear. Every civilisation defends itself by keeping fears out and saying 'we protect you from fear'. But it also produces new fears and throughout history people have changed the kind of fears which have worried them.
I have mentally overcome situations most of you would be terrified to ever attempt: heights, fire, needles, spiders, snakes, angry monkeys, being shot, being hit by a car, going blind - you name it, I have been in a situation where I have had to mentally overcome my inherent fears to do my job.
We recognise that, like us, other humans have insecurities and ambitions; we fall in love and have relationships that end in heartbreak; we worry about our children's wellbeing; we say things we regret; we're occasionally kept awake by fears or worries; and we try to impress people we look up to.
I am running for president to help create a better future. A future where everyone who wants a job can find one. Where no senior fears for the security of their retirement. An America where every parent knows that their child will get an education that leads them to a good job and a bright horizon.
The challenge for Muslims in America is to respect the fears of ordinary people while resisting the exploitation of those fears by political parties, lobbies and sectors of the media. To meet this challenge, Muslims must reassess their own involvement, behavior and contributions in American society.
With the transcendent or supernatural, they help us contextualize our own lives while we are here on this earth. On a narrative level, as a storyteller, they are a wonderful tool and technique by which to explore those hopes, those fears, those existential dilemmas that we all face from time to time.
Bob Smith from Brooklyn is a guy who sometimes gets hung with problems and fears. Wolfman Jack is a happy-go-lucky guy who knows how to party. The challenge of my life has been letting more and more of Bob Smith go, becoming the Wolfman on an almost full-time basis, while still taking care of business.
I think people respond to dystopian stories because they're ways of acting out anxieties that we have and fears that we have about the future. So much media's coming at you over the Internet, your brain gets overloaded. You don't know what to do with it. And one thing you can do with it is read a story.
Pakistan is alarmed by the rising Indian influence in Afghanistan, and fears that an Afghanistan cleansed of the Taliban would be an Indian client state, thus sandwiching Pakistan between two hostile countries. The paranoia of Pakistan about India's supposed dark machinations should never be underestimated.
As a filmmaker, like any artist, when something affects me emotionally I think about it in those terms. It's my way of dealing with my thoughts, my fears and my hardships. I think the same can be said with any artist. For a musician, you're going to write a song about something that affects you emotionally.
I thought psychologists were people who rob, figuratively of course, money from the insecure. But they are not. They are people who are there to help you, and if you find a good psychologist, they will allow you to talk about everything and open up, without the slightest of fears, and that is no easy thing.
Of course most Americans don't know how A.I.G. brought the world's financial system to near-ruin or what credit-default swaps are. They may not even know what A.I.G. stands for. But Americans do make the connection between their fears about their own jobs and their broad understanding of the A.I.G. debacle.
NPR fired me for telling the truth. The truth is that I worry when I am getting on an airplane and see people dressed in garb that identifies them first and foremost as Muslims. This is not a bigoted statement. It is a statement of my feelings, my fears after the terrorist attacks of 9/11 by radical Muslims.
There is no such thing as a crazy dog person in New York. Are there people who are completely insane about their dogs? Hordes. But cat people may as well have whiskers and tails themselves. That's because their pets' lack of social need taps straight into our worst fears as the human inhabitants of New York.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
It's almost a very rough rule of thumb: when Democrats are able to successfully frame the meaning of an election season around middle-class fears, Democrats win the election; when Republicans are able to successfully frame the meaning of an election season around cultural fears, Republicans win the election.