Quotes of All Topics . Occasions . Authors
My father was among the first of his generation to look into writers who've become part of the American lit. canon. When he wrote his master's thesis on William Faulkner in the Forties, he couldn't find anybody on the faculty at Columbia University to oversee it because they didn't read Faulkner.
In college, I started to get soaked in the materials. Subsequently, I worked with R.W.B. Lewis, Robert Penn Warren, and Cleanth Brooks on a history of American literature - I did that for seven or eight years. In the course of that work, my interest in Faulkner deepened and has been sustained ever since.
Faulkner speaks to us on the questions of race, the challenges of modernity, and modern man's dilemma in all of its aspects. That he is able to specify among those and bring those themes alive is one of his great gifts. There are so many different kinds of pleasures one gets from encountering those materials.
I am a rereader. Quality is variety if you wait long enough. Barthes, Baudelaire, Benjamin, Celine, Duras, Faulkner, Fitzgerald, Melville: There is so much to revisit. 'Ingrid Caven,' by Jean-Jacques Schuhl, is always in rotation. I used to read 'Morvern Callar,' by Alan Warner, every year - I adored that book.
After college, I went on a real big classics kick. Read everything by Faulkner, Hemingway, Woolf, Proust, Dostoevsky. And that classics train dropped me off at 'Dracula.' Halfway through it, I understood I'd never be going back, never 'leaving' the genre again. Since then, I've been on a fairly strict horror diet.
Faulkner's 'As I Lay Dying' had an immense effect on me, and most of my novels bear the burn marks of this experience, those short chapters with their conflicting points of view, truth expressed by multiple perspectives. The other attractive thing about 'As I Lay Dying' was the way it gave rich voices to the poor.
When we have a favorite writer, it's always the places where they grew up, lived, worked, and that they recreated on the page that we most want to visit and commune with. Faulkner's Mississippi, Raymond Chandler's Los Angeles, etc. The mind of the reader longs to be somewhere, not just anywhere, and certainly not nowhere.
