Quotes of All Topics . Occasions . Authors
Well, that's why I really love Diego Della Valle, because he's crazy. Instead of going out to find a top business school graduate, for whom it would have taken five years to see the difference between a ballet shoe and a book, he asked me to revive the label. It's a bit like Balenciaga. Brands like Vivier are pillars - they are monuments of fashion; they are names we don't forget. But the general public doesn't necessarily know that and therefore we had to get the name re-known.
It was the fashion of the times to attribute every remarkable event to the particular will of the Deity; the alterations of nature were connected, by an invisible chain, with the moral and metaphysical opinions of the human mind; and the most sagacious divines could distinguish, according to the colour of their respective prejudices, that the establishment of heresy tended to produce an earthquake, or that a deluge was the inevitable consequence of the progress of sin and error.
It's a fact of life that how you dress affects how you are perceived and whether your contribution to a meeting is registered as worth listening to. It was most alarming the way people's attitudes changed when I started wearing my designer suits to committee meetings. Obviously, it's not just the clothes that count; you have got to have something worth saying. But it si true that some people's views are dismissed before they speak because others perceive them as just a secretary!
Psychoanalysis provides truth in an infantile, that is, a schoolboy fashion: we learn from it, roughly and hurriedly, things that scandalize us and thereby command our attention. It sometimes happens, and such is the case here, that a simplification touching upon the truth, but cheaply, is of no more value than a lie. Once again we are shown the demon and the angel, the beast and the god locked in Manichean embrace, and once again man has been pronounced, by himself, not culpable.
An Islamic writer recalls her joy in the clothes she wore as a young girl at a wedding: They were always in beautiful bright colors: crimson, pink, turquoise, purple, and embroidered with sparkling crystals, sequins and beads. ... The older girls and women would wear glamorous heavily-beaded silk blouses and long, princess-like skirts. I wanted to wear those fairy-tale clothes too. I longed even more to wear a sari which the women wore so elegantly and which flattered their curves.
Authentic faith leads us to treat others with unconditional seriousness and to a loving reverence for the mystery of the human personality. Authentic Christianity should lead to maturity, personality, and reality. It should fashion whole men and women living lives of love and communion. False, manhandled religion produces the opposite effect. Whenever religion shows contempt or disregards the rights of persons, even under the noblest pretexts, it draws us away from reality and God.
Over the course of the years, I've learned [that] fashion is a fascinating business about selling magic. It is done on the backs of our optimism and our insecurity. It is as much psychology as commerce. But I've also learned that every day we make split second decisions about people based on their attire and those decisions can have powerful implications - see the story of Trayvon Martin and his hoodie. It's important for us to understand how fashion works and how we connect to it.
Human beings are many-layered creatures, and do not succumb to the hegemony of others as easily as historians and politicians sometimes imply. Those Welsh, Scottish and Anglo-Irish individuals who became part of the British Establishment in this period did not in the main sell out in the sense of becoming Anglicised look-alikes. Instead, they became British in a new and intensely profitable fashion, while remaining in their own minds and behavior Welsh, or Scottish, or Irish aswell.
While the poet entertains he continues to search for eternal truths, for the essence of being. In his own fashion he tries to solve the riddle of time and change, to find an answer to suffering, to reveal love in the very abyss of cruelty and injustice. Strange as these words may sound I often play with the idea that when all the social theories collapse and wars and revolutions leave humanity in utter gloom, the poet--whom Plato banned from his Republic--may rise up to save us all.
The last thing I’d ever subscribe to are fashion rules. However, I do think that you should put effort into what you wear. Clothing is ultimately the suit of armor in which we battle the world. When you choose your clothing right, it feels good. And there’s nothing shallow about feeling good. Owning your style, however, is much more about your attitude than it is about what’s on your back. But don’t underestimate the transformational possibilities that getting dressed can afford you.
I was thinking recently, If the body really is the new dress, as some are saying - with women buying boobs, butts, faces - then who needs a dressmaker? So I started designing spring like a plastic surgeon - everything stretchy and nude. But after three weeks, I was so bored with myself and the world, I began adding diamond butterflies and chiffon and colors. I realized that fashion is not about second skin. It's not the perfect white shirt or camel jacket. What women need is a dream.
Clearly people should meet an acceptable threshold of appropriateness! But I think that for many women in the public eye, it just seems that the burden is so heavy. We're doing a job that is not a celebrity job or an entertainment or fashion job.... In a professional setting, treat us as professionals.... And it takes a lot of time. I've often laughed with my male colleagues, like, "What did you do? You took a shower, you combed your hair, you put your clothes on. I couldn't do that."
Gail Anderson-Dargatz has a noticing eye, a voice as unique as the countryside she writes about, and a heart large enough to love her entire cast of distinct and memorable characters. In The Cure for Death by Lightning she fashions an irresistible song out of the joys and dangers of growing up, the mysteries and wonders of life on a farm, the thrilling terror of trying to outrun the awful unseen force that pursues a growing girl. This novel opens a door to a shining, surprising world.
When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.
I am excited by this collaboration: this is the first time H&M involves a Fashion Director in a special project. This is the sign of an important evolution in fashion, and I am both thrilled and humbled to be the one chosen to lead it. I wanted to create precious accessories that are impossible to find. As a stylist I know accessorization is essential: it is the personal touch to any outfit. With these pieces everybody can have fun, turning an ordinary day into a fantastic fashion day
Let us be today's Christians. Let us not take fright at the boldness of today's church. With Christ's light let us illuminate even the most hideous caverns of the human person: torture, jail, plunder, want, chronic illness. The oppressed must be saved, not with a revolutionary salvation, in mere human fashion, but with the holy revolution of the Son of Man, who dies on the cross to cleanse God's image, which is soiled in today's humanity, a humanity so enslaved, so selfish, so sinful.
One of the things I've probably absorbed when I was in business school - and didn't know I was learning it - was about life cycles, that things begin, and they peak, and then they decline. So whether you look at life cycles of fashion, or you look at life cycles of things that people buy, designs, everything is in a life cycle. Getting out of the apparel businesses and into beauty and lingerie, those were very big bets, but they were very deliberately thought about and tested over time.
There are exceptional loyalties and there are old fashion ideas about how you get loyalties, and after all the auditorium is full of people who have co-owned shares with the managers for many decades, and in many cases they co-invested when everyone was young and obscure. Also when you come back to a place like that you are celebrating old loyalties, and of course the basic idea behind so much of Berkshire is the old fashioned idea that the best way to get loyalty is to deserve loyalty.
On a global picture, if you look at the evolution of the shopping business model, many consumers tend to ask for faster shopping, which explains why e-commerce is so successful. I think the fashion clients will be more and more demanding of uniqueness and mix, match, and create-your-own-look silhouettes, as opposed to head-to-toe designers looks. Limited collections are very important, in my opinion. They put ready-to-wear at a different level, and they create pleasure and individuality.
The gays like 'Project Runway' because it's a fashion, and the gays are into fashion and into design. It's a creative industry, and most of the gays are pretty creative, in general. That's just like the culture. We're not all into politics necessarily. We're more into the creative environment. I also think Heidi is a big draw. The boys love Heidi and think she's so fabulous. I just think it's a glitzy, fun show, and there are also always lots of gay boys on it, and, you know, that's fun.
Terrorism is carried out purposefully, in a cold-blooded, calculated fashion. The declared goals of the terrorist may change from place to place. He supposedly fights to remedy wrongs -- social, religious, national, racial. But for all these problems his only solution is the demolition of the whole structure of society. No partial solution, not even the total redressing of the grievance he complains of, will satisfy him -- until our social system is destroyed or delivered into his hands.
Fashions fade, style is eternal. - Yves Saint-LaurentThe most important thing to remember is that you can wear all the greatest clothes and all the greatest shoes, but you've got to have a good spirit on the inside. That's what's really going to make you look like you're ready to rock the world. - Alicia KeysIt's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.
Today, there are those who say that marriage is out of fashion... They say that it is not worth making a life-long commitment, making a definitive decision, ‘for ever’, because we do not know what tomorrow will bring. I ask you, instead, to be revolutionaries, I ask you to swim against the tide; yes, I am asking you to rebel against this culture that sees everything as temporary and that ultimately believes you are incapable of responsibility, that believes you are incapable of true love.
Within the fashion industry, being on shoots and working with agencies and other models, it's never been an issue being anything other than straight. It's so accepted within this industry. Out of every community that I'm a part of, or have been in, the fashion industry has been the most accepting. To the point where it was celebrated. I'd be on set talking about my girlfriend and someone would say "Oh, you're a lesbian! That's amazing." It's such a warm, welcoming community in that sense.
Certain anthropologists hold that man, having discovered tools, ceased to evolve biologically. Animals, never having discovered them, continue to fashion drills out of their beaks, oars out of their hind feet, wings out of their forefeet, suits of armor out of their hides, levers out of their horns, saws out of their teeth. Whether this be true or not, all authorities agree that man is the tool-using animal. It sets him off from the rest of the animal kingdom as drastically as does speech.
Whatever you have in your show should be special, but not over the top to the point that it takes the focus away from the collection. After all, the clothes are the most important. But I don't see why I shouldn't do something that makes people smile: they are three weeks into fashion weeks, they are running all over the place, so there's no harm to coming to a show and being entertained. Of course, it has to work with the concept of the collection, it can be tricky but I know where to stop.
Now at this very moment I knew that the United States was in the war, up to the neck and in to the death. So we had won after all! ... How long the war would last or in what fashion it would end no man could tell, nor did I at this moment care ... We should not be wiped out. Our history would not come to an end ... Hitler's fate was sealed. Mussolini's fate was sealed. As for the Japanese, they would be ground to a powder. All the rest was merely the proper application of overwhelming force.
A shade of sorrow passed over Taliesin's face. 'There are those,' he said gently, 'who must first learn loss, despair, and grief. Of all paths to wisdom, this is the cruelest and longest. Are you one who must follow such a way? This even I cannot know. If you are, take heart nonetheless. Those who reach the end do more than gain wisdom. As rough wool becomes cloth, and crude clay a vessel, so do they change and fashion wisdom for others, and what they give back is greater than what they won.
I think that these are the kinds of things that we can debate vigorously. We don't have to ultimately divide over them and I think when we debate, we should do so in a collegial fashion, with a great deal of gentleness and humbleness, recognizing that we can learn from one another. Again, even with people who have moved over from the Kingdom of Christ to the kingdom of the cults, we need to treat them with love and with gentleness and with a heart to restore them to proper life and doctrine.
As a mode of public pedagogy, a state of permanent war needs willing subjects to abide by its values, ideology, and narratives of fear and violence. Such legitimation is largely provided through a market-driven culture addicted to the production of consumerism, militarism and organized violence, largely circulated through various registers of popular culture that extend from high fashion and Hollywood movies to the creation of violent video games and music concerts sponsored by the Pentagon.
If I never explore my limits, my bodymind will gradually tighten and become unconscious. If I regularly explore my limits in a caring and adventuresome fashion, I will expand and grow in a vital fashion. But if I try to push myself past where I am honestly able to go, I will no longer be practicing yoga but instead will be practicing greed, and I will probably be met by pain and disease. Stated simply, it is the difference between ignoring your self, making love to yourself, and raping yourself.
We can use our art to become political, to become something you want to talk about. We make clothes, but we have the chance to change a generation as well. We have to remember that fashion changed the roles of men and women: When Yves Saint Laurent was putting pants on a woman, he was not only doing that - he was assuming the fact that a woman can wear pants like a man. It's all the codes that I think fashion pushed so much to change the world, and today it's what I'm trying to do in my own way.
The need of an insecure psychiatrist to draw security from a virtuous adjustment to the conventionalities of his time and from a quest for approval from "the good and the great" may turn out to be another agent interfering with his ability to listen in a therapeutically valid fashion. This type of dependence gives rise to the danger that the psychiatrist may consider the changeable man-made standards of the society in which he lives to be eternal values to which he and his patients must conform.
There’s a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It’s like a dream. It shouldn’t always be practical and about real life. Sometimes you have to do a piece that has a bit more of a wow - almost like, "I don’t know who’s going to wear that. It’s almost too much." That’s a lot of what fashion is about. Even in an economy that isn’t strong and where it’s important to sell clothes, you have to make things that let people dream a little, you know?
There are two things. There was the moral responsibility, and that, first, is creating an atmosphere where the security forces can kill with impunity, where they can turn up at a place, shoot seven people - really at point-blank fashions - and then get away with it and be, in fact, promoted. And then there is the actual responsibility, the governmental responsibility. My aunt's government forbade us, initially, from filing a police report - which is every Pakistani citizen's right under the law.
The Tipping Point is the biography of an idea, and the idea is very simple. It is that the best way to understand the emergence of fashion trends, the ebb and flow of crime waves, or, for that matter, the transformation of unknown books into bestsellers, or the rise of teenage smoking, or the phenomena of word of mouth, or any number of the other mysterious changes that mark everyday life is to think of them as epidemics. Ideas and products and messages and behaviors spread just like viruses do.
It is my contention that an agent ideal to the use of the scientific militarist, for both the air raid and the long distance bombardment is now in the process of development; that its eventual perfection is but a matter of time; and its use in warfare is certain to occur. I refer to the rocket. The perfection of the rocket in my opinion will give to future warfare the horror unknown in previous conflicts and will make possible destruction of nations, in a cool, passionless and scientific fashion.
Love is the expansion of two natures in such fashion that each include the other, each is enriched by the other. Love is an echo in the feelings of a unity subsisting between two persons which is founded both on likeness and on complementary differences. Without the likeness there would be no attraction; without the challenge of the complementary differences there could not be the closer interweaving and the inextinguishable mutual interest which is the characteristic of all deeper relationships.
It is unacceptable that the way we have treated people who have become addicted in the past is by throwing them in prison. It's appropriate that we're responding now by trying to get people the treatment they so desperately need. The racial divide here is absolutely unacceptable, and we have to do much better for all people who are addicted whether they are white, black, brown, any race - the humane way to respond to addiction is in a public health fashion and by getting people the help they need.
I think this kind of bohemianism doesn't really exist in the New York city anymore - the bohemianism that I was trying to record in Carnegie Hall that completely defined our culture. The people who lived and worked in Carnegie Hall studios, they defined our culture in music, dance, theater, fashion, illustration. It wasn't so much nostalgic as a celebration of that and an acknowledgment of that and saying that it's really important. And it's actually something that is a loss for the city, I think.
Here’s a secret intel bulletin for all y’all who’ve never left Yoknapatawpha County and imagine the United States is constantly on the precipice of enemy invasion—the only way this country is ever going to surrender its liberty to a foreign power is if it keeps electing corrupt officials who auction it away to multinational corporations and overseas government interests in exactly the fashion that southern star chambers have been doing to their own people throughout their entire dyspeptic history.
It is tempting to call for better leadership, but we probably expect too much from the leaders of the nations. Those nations are too big, the connections not strong enough, the commitment to the future not long enough. It is better to look smaller, to our now-smaller organisations, to local communities and cities, to families and clusters of friends, to small networks of portfolio people with time to give to something bigger than themselves. We have to fashion our own directions in our own places.
Fashion is not style. Nay, we can say more: Fashion is instead of style. Style is an idiom springing spontaneously from the personality but deliberately maintained. If you have no personality, you may be able to save your face and, possibly, your entire anatomy by following the current fashion, but all we shall know about you, when we see you coming down the street, is that you had enough money to buy a glossy magazine and were sufficiently cunning to work out the cut of the garments shown therein.
Those East Coast rich kids are a different breed, on a fast track to nowhere. Your friends in Seattle are downright Canadian in their niceness. None of you has a cell phone. The girls wear hoodies and big cotton underpants and walk around with tangled hair and smiling, adorned backpacks. Do you know how absolutely exotic it is that you haven’t been corrupted by fashion and pop culture? A month ago I mentioned Ben Stiller, and do you remember how you responded? ‘Who’s that?’ I loved you all over again.
I think that the lack of intuition in fashion today is one of the most dangerous things. My fear is that our business is turning into a bag business, and it's all about the bag. But it's not only about the bag. It's about the women. And it's not about a bag or a shoe or the jewelry. It's only about women. . . . Being almost politically correct and doing only what you expect without the ability to make mistakes is very dangerous to fashion. We have to go with our heart. We have to go with our intuition.
I'm hugely inspired by music. I am a big listener of 60's and 70's classic rock. And i really just love the overall freedom of that time, of the late 60's and 70's. I love that you had so many different ways of expressing yourself, fashion was really one of them, the idea of clashing didn't exist, and people were using clothes as an opportunity to express who they were. That is inspiring to me - you could mix textiles, fabrics, you were 100% who you were, and that's where my main inspiration comes from.
Hijras earn a living by egging, sex work, badhai or blessing. There are now transgenders in social work, the fashion industry, who have PhDs. I say, "Study, study, study." You need not wear a sari, and even our ancestors said you need not wear feminine attire to be part of the third gender. When I started bar dancing, nobody else was doing it. When I joined the social sector in 1999, there were no nonprofit organizations working for the rights of hijras in India. But I had to do it, I wanted my dignity.
By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.
I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.
Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge.
