Fashion Quotes - Page 90

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There are so many fashion shows during fashion week, and the fashion show has almost become theater. It's all about the wow factor. And it's easy to make a name when you're shocking people all the time. But when you just make really, really great clothes, it can be difficult to get press and build a brand. What you do when you pare things back and make something timeless, though, is build a foundation to have a longer career and a stronger clientele.

I think the essence of fashion is lightness, frivolity, and I'm very nostalgic for the time when Bérard was doing the windows, Cocteau was writing a play, Chanel did the costumes, Bérard did the sets. I don't have to tell you this, because Colette was the first to have revived the Rue St.-Honoré by precisely doing windows that attract people. And I really like that spontaneous spirit. And so, you're lucky to be with Colette, because it's a magic word.

People complain that the religious ground is unsure who have never compelled themselves to examine it with a tithe of the care spent on a contract; but they have taken current suggestions in a dreamy and hypnotised way. They will not attend, they will not force themselves to attend, gravely to the gravest things.... they read everything in a vagrant, browsing fashion. They turn on the most serious subjects the holiday, seaside, newspaper habit of mind

The unwearable of high heels is self-evidently all around us, coming to a head at the average wedding reception, a uniformly high-heeled occasion. In our minds, we see it as a serene and elegant gathering of women in their finest, one of the big chances of the year to pretend you're at the Oscars, in your stilettos. In actuality of course, ... there are women staggering around in the unaccustomed vertical, foot-flesh spilling over tight, unkind satin.

As Indian citizens, we subsist on a regular diet of caste massacres and nuclear tests, mosque breakings and fashion shows, church burnings and expanding cell phone networks, bonded labor and the digital revolution, female infanticide and the NASDAQ crash, husbands who continue to burn their wives for dowry and our delectable stockpile of Miss Worlds. What's hard to reconcile oneself to, both personally and politically, is the schizophrenic nature of it.

Ideas about a person's place in society, his role, lifestyle, and ego qualities will lose their hold as the cohesive forces in society disintegrate. Subculture values will proliferate to such a bewildering extent that a whole new class of professionals will arise to control them. Such a Transmutation Technology will deal in fashions, in ways of being. Lifestyle consultants will become the new priests of our civilizations. They will be the new magicians.

I seen her in the subway, on my way to Brooklyn. "Hello, good lookin, is this seat tooken?" On the A Train, pickin at her brain, I couldn't get her number, I couldn't get her name. I said, "I still like your style and fashion, But I hate your hot sadiddy attitude wit a passion. Is it because brothers like to hawk a lot? Is it because your sign don't talk a lot?" She turned away, no play, I said, "OK, You don't really look good, I hope you have a bad day."

When I think back to my influences and icons musically, they were my icons musically because, for example, I would look at Rakim and be like man he said the freshest things and then I look at him and he would have on the pair of Nikes that I wanted and I'm like, "ma' please!" It was everything. Now, I sort of feel like if you are fresh then your music doesn't have to be that good because people are so keyed into the fashion. That's just the times I guess.

In a world rife with unsolicited messages, typography must often draw attention to itself before it will be read. Yet in order to be read, it must relinquish the attention it has drawn. Typography with anything to say therefore aspires to a kind of statuesque transparency. It's other traditional goal is durability: not immunity to change, but a clear superiority to fashion. Typography at its best is a visual form of language linking timelessness and time.

Senior executives can, after a fashion, get a portion of their pay tax-free. You defer part of your income and not have to pay taxes on it, and then when you retire you have the company buy a life insurance policy on you using that money. The company can deduct that money because it is a business expense, and the money will get paid out to your children or grandchildren when you die, so you have effectively given them your money and it's never been taxed.

The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you can spend on a script before it becomes so rehearsed that your performance becomes rigid and immovable on the day of, so one has to occupy one's time in some fashion. For me, those interim days are usually spent exercising, exploring, learning to cook something edible, and working on my own creative endeavors.

Gossip, public, private, social - to fight against it either by word or pen seems, after all, like fighting with shadows. Everybody laughs at it, protests against it, blames and despises it; yet everybody does it, or at least encourages others in it: quite innocently, unconsciously, in such a small, harmless fashion - yet we do it. We must talk about something, and it is not all of us who can find a rational topic of conversation, or discuss it when found.

We're bombarded with liberal propaganda 24/7, from the early morning shows, Hollywood movies, documentaries and sitcoms, all major newspapers, fashion magazines, the sports pages, public schools, college professors and administrators, etcetera, etcetera, etcetera. Unless liberals specifically seek out Ann Coulter books and columns, which I highly recommend, or tune into Fox News or conservative talk radio, they have no idea what conservatives are thinking.

The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go.

When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence.

When the veil of fiction was rent, man shuddered before "Nature, red in tooth and claw." Nature had always been that and always will be, and the hands of man, even when he fashions and defends the noblest civilization, must forever be bloody hands, for this is a world in which only the strong and resolute nations survive, while the weak, especially the morally weak, who babble about brotherhood and peace, are biologically degenerate and doomed to extinction.

When it was reported to General Washington that the army was frequently indulging in swearing, he immediately sent out the following order: The general is sorry to be informed that the foolish and wicked practice of profane cursing and swearing - a vice little known heretofore in the American army - is growing into fashion. Let the men and officers reflect "that we can not hope for the blessing of heaven on our army if we insult it by our impiety and folly."

The truth is, everything we know about America, everything Americans come to know about being American, isn't from the news. I live there. We don't go home at the end of the day and think, "Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points." What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture.

Once leprosy had gone, and the figure of the leper was no more than a distant memory, these structures still remained. The game of exclusion would be played again, often in these same places, in an oddly similar fashion two or three centuries later. The role of the leper was to be played by the poor and by the vagrant, by prisoners and by the 'alienated', and the sort of salvation at stake for both parties in this game of exclusion is the matter of this study.

It is a fact that, in the West, we live in a capitalist society, but that does not mean that we cannot be guided by the idea of a social conscience in our work. Yes, fashion design requires consumers to consume, but we can do our bit for society by running our companies in a socially responsible way, and by creating products that promote respect for social and environmental issues. There is also the possibility for power and influence to be a force for change.

A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers." ~The Book of Laughter and Forgetting

Foreign policy always has more force and punch when the nation speaks with one voice. To remain secure, prosperous, and free, the United States must continue to lead. That leadership requires a president and Congress working together to fashion a foreign policy with broad, bipartisan support. A foreign policy of unity is essential if the United States is to promote its values and interests effectively and help to build a safer, freer, and more prosperous world.

One day, Sally Kirkland said to Diana Vreeland, who was the fashion editor of Harper's Bazaar at the time, "I have a young woman I want you to meet. She's very young, but I think you should meet her." When Sally Kirkland told me this, I said, "I can't possibly do that! I'm going to throw up! That's the scariest thing I've ever heard! I can't do that, Sally. I'm not ready to do that!" But Sally said, "You let them make that decision." I was absolutely terrified.

I think in L.A. everybody has a really cool flare, trendy style here. I think I kinda adapt be it I'm a little more trendy in L.A. Somewhere in New York, I could literally sit at a café and have a cappuccino and watch people walk by and it's like a fashion show to me. Compared to somewhere like Miami where I literally wear beachwear all day and I can walk around barefoot. My style is consistent. It may bend a little bit according to cities, but that's about it.

You always hear about fashion's success stories. How a starlet lost an earring one night and by the next morning, the entire country was wearing one earring. Or how sweaters made a comeback in a drugstore, or a First Lady influenced how we dressed during her reign. But what about the losers? The fashions that came and went out the same day? The hopes and dreams of designers that were shattered by the sound of fifty million women ... laughing themselves to death.

I think people try to make the most of their time on earth and also to fix their time on earth. They try to fix external verities, things that are true for all time, ideas that are true for all time: Rome will last forever! America will last forever! Beauty, as defined by the fashion industry, is one of those things—this is beautiful. This will always be beautiful—and hold it in a way that has some sense of permanence about it, and absoluteness. And yet it’s not.

For all the feminist jabber about women being victimized by fashion, it is men who most suffer from conventions of dress. Every day, a woman can choose from an army of personae, femme to butch, and can cut or curl her hair or adorn herself with a staggering variety of artistic aids. But despite the Sixties experiments in peacock dress, no man can rise in the corporate world today, outside the entertainment industry, with long hair or makeup or purple velvet suits.

The thought that, insignificant as she was, she yet might do some good, made her very careful of her acts and words, and so anxious to keep head contented and face happy, that she forgot her clothes, and made others do the same. She did not know it, but that good old fashion of simplicity made the plain gowns pretty, and the grace of unconsciousness beautified their little wearer with the charm that makes girlhood sweetest to those who truly love and reverence it.

The changing styles are the expression of a restless search for something which shall commend itself to our aesthetic sense; but as each innovation is subject to the selective action of the norm of conspicuous waste, the range within which innovation can take place is somewhat restricted. The innovation must not only be more beautiful, or perhaps oftener less offensive, than that which it displaces, but it must also come up to the accepted standard of expensiveness.

There's this great fashion among writers, especially those who follow the transnational conservatives like V.S. Naipaul, to disavow one's place in the world as a sort of box that has sprung you but is only worthy of your scorn, because it once contained you. And I've been tempted to say foolish things, like "I am an American writer" or "I belong nowhere," but the truth is I'm perfectly proud of identifying as an Indian writer, even if that might hurt my bottom line.

I am a big believer that you can have a successful business and give back; it's just about the intention behind starting your business. Of course, your margins aren't going to be as good as they would be if you were just a straight consumer goods fashion company, but obviously the purpose is so much greater. It takes some balancing to figure out how much you can afford to give, but it's definitely possible - and all the more meaningful, if you can strike that balance.

I know perfectly well that only in happy instants am I lucky enough to lose myself in my work. The painter-poet feels that his true immutable essence comes from that invisible realm that offers him an image of reality....I feel that I do not exist in time, but that time exists in me. I can also realize that it is not given to me to solve the mystery of art in an absolute fashion. Nonetheless, I am almost brought to believe that I am about to get my hands on the divine.

You will find men like him in all of the world's religions. They know that we represent reason and science, and, however confident they may be in their beliefs, they fear that we will overthrow their gods. Not necessarily through any deliberate act, but in a subtler fashion. Science can destroy a religion by ignoring it as well as by disproving its tenets. No one ever demonstrated, so far as I am aware, the nonexistance of Zeus or Thor, but they have few followers now.

Today it's not strange to see an artist 30 years old having her first retrospective! Different time, different speed. After having been the key point of recognition for an artist, the museum today is just another place to experiment and work, like we can do in any art fair. The king or queen of the moment is completely ignored and replaced by the new one a few years later. Contemporary novelty in art disappears faster than the seasonable changes of the fashion designs.

I was this young boy and I saw this man with his hands round my sister's neck, I was just standing there with her two children beside me... Everything I've done since then was for the purpose of making women look stronger, not naïve. And so, when everyone started saying I was a misogynist, that really freaked me out. They didn't know me. They didn't know what I had seen in my life. That was the first part of fashion that I hated - people labeling me without knowing me.

I do plead with the mothers of Zion to undertake modesty in dress. We may like to follow the fashion, but let us follow it in modesty. The most precious thing that a girl has is her modesty and if she preserves this in dress, in speech, in action, it will arm, and protect her as nothing else will. But let her lose her modesty, and she becomes a victim of those who pursue her, as the hare is of the hound; and she will not be able to stand unless she preserves her modesty.

I recalled how much time i had spent fighting for something i didn't even want. maybe because i had been too lazy to think of other avenues to follow. maybe because i had been afraid of what others would think. maybe because it was hard work to be different. perhaps, because a human being is condemned to repeat the steps taken by the previous generation until a certain number of people begin to behave in a different fashion. then the world changes, and we change with it.

Granted, it's a long time ago, it's in the 1940s, and, granted, it's warfare that we hopefully will not conduct in a similar fashion ever again, but it is crucially important. And that act, the storming of the Normandy beaches, coupled with the Battle of the Bulge, ending the spread of Nazism throughout Europe, saved the world and it saved the world for freedom. And it was the United States that did it. And it was a bunch of 19- and 20- and 21-year-old people who did it.

If she replaces her eyebrows with a Machiavellian triangle, paints her fingernails blue, and dyes her hair some color you'd see in a comic book it's not too attractive to me-because it's too familiar. Extremes aren't necessary. Even 'high fashion' frightens most men. When I have to wait in the dentist's office, I sometimes look at fashion magazines. To me, most of the models look like they have rickets or scoliosis of the spine. They look less like woman than caricatures.

If you have that spark that inspires other people, if you have a spark that gives resources to other people, that shares in really collaborative fashion, a spark of wit that kind of tells a story that gives people novel perspective of something, that's the kind of charisma that really leads to lasting power. It's not the kind of charisma that's seductive and self-aggrandizing. It's really a sort of a kind of social energy that really brings about the best in other people.

Facion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.

If, in looking at the lives of princes, courtiers, men of rank and fashion, we must perforce depict them as idle, profligate, and criminal, we must make allowances for the rich men's failings, and recollect that we, too, were very likely indolent and voluptuous, had we no motive for work, a mortal's natural taste for pleasure, and the daily temptation of a large income. What could a great peer, with a great castle and park, and a great fortune, do but be splendid and idle?

The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.

Fashion is the most intense expression of the phenomenon of neomania, which has grown ever since the birth of capitalism. Neomania assumes that purchasing the new is the same as acquiring value... If the purchase of a new garment coincides with the wearing out of an old one, then obviously there is no fashion. If a garment is worn beyond the moment of its natural replacement, there is pauperization. Fashion flourishes on surplus, when someone buys more than he or she needs.

The capacity to see the big picture is perhaps the most important as an antidote to the variety of psychic woes brought forth by the remarkable prosperity and plentitude of our times. Many of us are crunched for time, deluged by information, and paralyzed by the weight of too many choices. The best prescription for these modern maladies may be to approach one's own life in a contextual, big picture fashion - to distinguish between what really matters and what merely annoys.

We cut the throat of a calf and hang it up by the heels to bleed to death so that our veal cutlet may be white; we nail geese to a board and cram them with food because we like the taste of liver disease; we tear birds to pieces to decorate our women's hats; we mutilate domestic animals for no reason at all except to follow an instinctively cruel fashion; and we connive at the most abominable tortures in the hope of discovering some magical cure for our own diseases by them.

In a world where concepts are so often deployed in an ad hoc fashion, half explored before being displaced by others, it is immensely refreshing to encounter such serious and sustained attention to the building blocks of inquiry—and to the responsibilities thereby incurred. Designs on the Contemporary is a work of profound importance to the philosophy of anthropology. In conjunction with Rabinow’s other works, it creates a nonpareil, a configuration of thought with no equal.

I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.

When government does, occasionally, work, it works in an elitist fashion. That is, government is most easily manipulated by people who have money and power already. This is why government benefits usually go to people who don't need benefits from government. Government may make some environmental improvements, but these will be improvements for rich bird-watchers. And no one in government will remember that when poor people go bird-watching they do it at Kentucky Fried Chicken.

I've been realizing lately how horribly vain I am. I do believe that if I'm successful, it's because of my talent and intelligence, but there's pretty privilege in the world - that's a reality. When I was a kid, in middle school, I started going to thrift stores and dressing myself. It was about announcing to the world who I was. That's what fashion was for me, as a kid. You might have an idea of who you think I am, but I'm going to tell you through my fashion choices who I am.

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