Quotes of All Topics . Occasions . Authors
I have been told by persons of experience in matters of taste, that the fashions follow a law of gradation, and are never arbitrary. The new mode is always only a step onward in the same direction as the last mode; and a cultivated eye is prepared for and predicts the new fashion.
But I was always much more interested in reading fashion magazines than I was music magazines when I was a teenager. Just that sense of romanticism and escapism and the dream of it has always been quite alluring to me, as well as that sense of becoming a character through clothes.
I think that we are in a very strange time, when everybody is thinking about what is going to happen, and everybody is kind of cleaning house a little bit. In the fashion world, we are doing something similar. We are taking the fake out and being a little bit more real and simple.
I worked at a hot dog place, a bagel place, the Jersey Store and the hottest fashion joint around. I was getting too famous to work there anymore. I was almost showing up as a joke. I made $2,000 on my show the previous night and I'm going to go shopping during my five-hour shift.
There are social and environmental impacts. You might be working with a factory that underpays its staff or mistreats its workers, or mishandles the dyes. I think that conscious fashion, fashion for our soul, needs to keep pushing that needle towards being better and more mindful.
The whole scale and scope of the decorating and fashion business in this country are incomparably grander than in London. Whats thrilling about America in general, and the New York fashion scene in particular, is its optimism. It makes the whole experience energizing and uplifting.
O good old man, how well in thee appears The constant service of the antique world, When service sweat for duty, not for meed! Thou art not for the fashion of these times, Where none will sweat but for promotion, And having that do choke their service up Even with the having. . . .
The most important thing, in order to forge one's own creative personality, is to travel, to see different environments, different cultures. I wanted to try to imagine a new kind of structure in architecture. In general, architects follow fashions. They're neoclassical, postmodern.
The Master said, "To study, and then in a timely fashion to practice what you have learned - is this not satisfying? To have companions arrive from afar - is this not a joy? To remain unrecognized by others and yet remain free of resentment - is this not the mark of the gentleman?"
Art is like an avalanche being poured down your throat. You know it's going to crack, eventually it's going to go out of fashion. I wish there was much less happening. I wish there were fewer art dealers. I wish there were fewer auctions. I wish there were just two auctions a year.
The old beliefs, of course, and the rational approach, are everywhere reinforced, and so it does have a great weight. The magical approach has far greater weight, if you use it and allow yourselves to operate in that fashion, for it has the weight of your basic natural orientation.
I feel like a lot of my fans hold high expectations of me when it comes to inside the Octagon - not so much outside of the Octagon - but I feel like most of my performances are pretty dominant, so I don't feel like I have the luxury to not perform in an extremely impressive fashion.
I think people should have fun with fashion, should enjoy wearing beautiful clothes--but also not save everything for the best. Fashion is there to be enjoyed, to be indulged--to wow in. Don't save it for Sunday best only. Get it out of the tissue paper and be sensational every day.
Fashion is temporary; fashion is a race. What it's doing is giving you something that you say, "This is the outer wrapping of me." Style is something else. It's not quantifiable. Fashion is about selling. Fashion is about what's in. Style is independent of that; style is individual.
Ralph Lauren has always stood for providing quality products, creating worlds and inviting people to take part in our dream. We were the innovators of lifestyle advertisements that tell a story and the first to create stores that encourage customers to participate in that lifestyle.
You never know how [Donald Trump] is going to react. When he learned for example that he'd lost the election by about three million votes, his instant reaction was insanity; you know, three to five million illegal immigrants somehow were organized in some incredible fashion to vote.
If you want to be in fashion you have to absolutely love what you do, because it's more than a job - it's your life. This is a very intense and hard business. But don't worry, trust life. Anything you want, you are capable of getting, it just takes a combination of effort and grace.
As the older ones, to understand that it is a different time, and young people look at fashion in a different way . . . It's just different. If we harp on about it, they'll feel like we're just old fuddy-duddies, so I just kind of get on with it. I still feel I've got things to say.
I talk to fashion designers and say I want some money to save the rainforest, and they say, 'Oh, I agree with you completely Vivienne. Yes, climate change, it's definitely happening,' but they don't feel that they can do anything about it; they don't even think 'Well let's stop it!'
Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.
I love watching Rihanna in fashion. I like to see her take chances and risks. I like seeing Naomi Campbell in the forefront. They're both women who stand out and use their bodies as canvases to introduce this functional art to the world. They carry it in a way that is very inspiring.
My main focus off the court is to be humble. My mom always told me to be a presentable young man. I'm not going to pretend to be something that I'm not and act a certain way for people. I plan on being myself. I like having a good time, but I still carry myself in an orderly fashion.
I like things that are hand made - but personally for a man, I'm not interested in fashion that evolves with time. I like things to be the same. For a woman I think it's fantastic to have things that are different - it's like a flower where every season there's some new exotic bloom.
Whatever I design, it has to please my eye. If I go to work on an office block, I'll draw the office that I want to walk into. If it's a piece of crystal, it must feel the way I want it to feel in my hand. If it's women's wear, it must be something I'd like to see my wife dressed in.
You see people - maybe in a frustrating fashion - that don't get embraced, when they should. You get some people who get embraced too early, and they tend to flame out, but it's really rare that someone gets lucky. It's usually a combination of a lot of talent and a lot of hard work.
Style is timeless. It transcends generations - it's enduring. If you're thinking about fashion, it's of the moment. And that doesn't mean that it's not important at times to embrace trends and that type of thing, but style is less about trends than it is about how you carry yourself.
I am sure that one secret of a successful teacher is that he has formulated quite clearly in his mind what the pupil has got to know in precise fashion. He will then cease from half-hearted attempts to worry his pupils with memorizing a lot of irrelevant stuff of inferior importance.
I'm good at my job for a midwestern American. Maybe it's because people in fashion often mistake common sense for genius. I mean, some model walks down the runway in an impossible outfit, and I state the obvious ? no one is going to wear that ? and people are like, you're brilliant!.
There are fashions in reading, even in thinking. You don't have to follow them unless you want to. On the other hand, watch out. Don't stick too closely to your favorite subject. That would keep you from adventuring into other fields. It's silly to build a wall around your interests.
Color is very important in my work. That comes from style. My mother was a fashion model and an interior decorator, so that was me imitating her. My closest friend's mother was the same way, and her taste rubbed off on me, too. It's a domino effect of taste permeating through people.
Bend words. Stretch them, squash them, mash them up, fold them. Turn them over or swing them upside down. Make up new words. Leave a place for the strange and downright impossible ones. Use ancient words. Hold on to the gangly, silly, slippy, truthful, dangerous, out-of-fashion ones.
I enjoy fashion and taking the effort to present myself well, and I'm glad that a lot of people refer to me as a 'Hijabster'. I'm not the greatest fan of the term, but I think girls everywhere should be confident in their own skin and be inspired to look and feel good inside and out.
The natural principle of sowing and reaping is always at work. Whatever you plant , whether physical, spiritual, mental, financial, relational, or emotional, will grow and someday return to you in a multiplied fashion. It can be incredibly good or terribly bad, depending on your seed.
Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.
Of old, the demagogue was also a general, and then democracies changed into tyrannies. Most of the ancient tyrants were originally demagogues. They are not so now, but they were then; and the reason is that they were generals and not orators, for oratory had not yet come into fashion.
In 1993, I had my Super Show in Red Square, Moscow. No one before me had ever gotten permission to use that location and my show included fashion, fireworks, and dancing. I felt like it really communicated my heartfelt belief that all human beings are wonderful and unique individuals.
I saw my potential as artistic director, which is very different from designer. Fashion companies might have $200 million to $300 million in annual sales - Hugo Boss has €2.5 billion. I have to create a world that is believable and also relevant in 7,000 sales points around the world.
We profess to be strangers and pilgrims, seeking after a country of our own, yet we settle down in the most un-stranger-like fashion, exactly as if we were quite at home and meant to stay as long as we could. I don't wonder apostolic miracles have died. Apostolic living certainly has.
My mother only had a third grade education, was illiterate, worked as a domestic 2 to 3 jobs at a time, because she didn't want to be on welfare, because she never saw people who went on welfare come off of welfare, and she just didn't want to have her life controlled in that fashion.
I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
Looking at acting, in the movies or the theater, and the way I like to look at it, it’s just an extension of childhood play… Kids play and imagine in a very intense fashion and they don’t need any director telling them “You really have to believe in it.” They believe in it completely.
The fashion industry isn't merely content to encase my meaty flanks in skintight denim. Oh, no! That denim also has to be white, a color that attracts ketchup, wine, garlic aioli, and any other foodstuffs I might otherwise be able to enjoy if I wasn't wearing ridiculously tight pants.
Nowadays New-York is not the exciting place it used to be. It still has great energy; I still put my finger in the socket. But it doesn't feel alive, cracking with that synergy between the art world and music world and fashion world that was happening in the 80s. A lot of people died.
I could never be in a cult. For starters, they never accessorize properly. David Koresh had no fashion sense, Jim Jones wore leisure suits, and I don't care how charismatic Osama bin Laden was, an AK-47 and an insulin drip do not take the place of drop earrings or a well-placed brooch.
My belief, for what it is worth, is that city dwellers cannot understand the world. Insulated from reality by complex and expert systems of provision and police, baffled by fashion and spectacle, city dwellers can distinguish neither the sources of their existence nor the consequences.
Being in the public eye is part of what I do, and taking on a multitude of different projects - television, radio, fashion, writing or deep-sea diving - is a blessing. It is also how I pay my bills and fund my own skating, as I don't have a sponsor or financial help from my federation.
Things are moving quicker and quicker. The internet age has made everything so immediate that what you're doing can start to feel outdated. That's probably the single thing that will most affect the fashion system in the near future. Time is the biggest subject matter in fashion today.
I find my dress sense tends to be a bit of a mixture between high fashion and unique vintage pieces with a little bit of street trends. For example, I might find a really nice, suede dinner jacket that I'd wear with a basic plain white shirt and some chinos and a pair of Nike trainers.
I still feel like I'm really into fashion. I even think sneakers are a fashion item as well. I'm still into sneakers and clothes. Even though I don't wear or buy those things, I find that I'm still like looking for them. I can't wear it, but I still think it's interesting when I see it.
These systems attempt to box God into a government confined within the perspective of man. Yet when humanity is used as the starting point for interpreting and interacting with God's creation, faulty theology and sociology emerge as mankind attempts to fashion God into the image of man.