Of course there is a lot of fluidity now between art, architecture and fashion - a lot more cross-pollination in the disciplines, but this isn't about competition, it's about collaboration and what these practices and processes can contribute to one another.

There's this idea that it's all natural, but everything's been staged to look natural. It is also an invention. It's just that my inventions are different. I often get asked about my artifice, but isn't fashion based on the idea that we can create a fantasy?

I feel that people who understand the horrible things that young emaciated models go through really champion the cause of realistic standards in fashion.You only have to see one person suffering to understand how truly horrible the industry is to these girls.

I'm going to be a fashion icon in a minute. I'm not going to do it in a corny manner. I have a voice that speaks for a whole other market - not just black people, but high fashion urban people. I mix street wear with high fashion. It's never been seen before.

Depending on who I am talking about or who's talking through me - if the person is a kind of hip-hop, or rhythm and blues person, or if the person is a kind of old-fashion gothic, meaning gothic attitude, then that will determine what form the poem will take.

There is nothing "useful" about fashion, which is why it is fashion and not clothes. My personal opinion about the runway is that it should be used to whisk the audience off to a fantasy world that is possible, but not probably. It should delight and inspire.

We are now welcoming a world where fashion is not bogged down by binary gender norms. The trend is moving beyond symbolizing its wearers' identity or gender. It's now being accepted by the mainstream as more of a look, both on the catwalk and the high street.

Elegance is usually confused with superficiality, fashion, lack of depth. This is a serious mistake: human beings need to have elegance in their actions and in their posture because this word is synonymous with good taste, amiability, equilibrium and harmony.

I think the challenge is, in fashion everybody wants to get rich and famous and it's easy to get rich and famous by being a bad person. But the challenge is to achieve your goals-whatever they are-while staying a decent human being. That's where it came from.

I'm always shocked that gay marriage is such a big deal. You have to realize how precious human life is, when there are tsunamis and mudslides, when there are armies and terrorists - at any moment, you could be gone, and potentially in the most brutal fashion.

You know, I used to not understand fashion, a lot of it, but I completely understood being a playwright or a screenwriter and suddenly having an actor say your words and making them come to life. That I can understand. Finally, I'm starting to understand this.

This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.

Everybody's talking about the new democratic world and whether high fashion is relevant. But without high there is no low. I don't like to intellectualize. I've always said fashion is like roast chicken: You don't have to think about it to know it's delicious.

I like playing with fashion and bending the "rules," or what was "rules" - there are no rules anymore, you know? Fashion is way bigger than that and it's about wearing what you want and wearing what makes you feel comfortable and what makes you feel confident.

The fall couture presentations in Paris are usually my favorite moment on the fashion calendar: beautiful weather, a busy rather than manic schedule, and, let's face it, seeing the artistry, the embroidery, and handmade magnificence that goes into every dress.

I don't know if it's a movement, but the only thing new that's happening is that I think music and art and video and fashion are all kind of thrown into one big ball that's on television, and people see that all the time - you see a fusion of all those things.

I really learned a lot from collecting clothes because I got to go back into the history of fashion and fashion photography and jewelry. It changed how I felt about fashion and about what I did forever because I used to look a little bit down on myself for it.

I only like luxury fashion. You have to decide where you stand. I like well-made, authentic clothes, well-crafted tailoring. I also like the dream and fantasy of luxury, the exception and rarity of it. I have no interest at all in fast retail. It is ambiguous.

I've always described my taste in fashion and music as being very eclectic and uniquely based off my feelings that day. That's the wonderful thing about style. You can be whatever you want to be. You can describe yourself however you want to describe yourself.

I thought to be feminine was to give in to straight culture, or the beauty standard, but in my heart I had a flair for fashion and style. They were passions I kept secret because I didn't understand I could love clothes and hair and makeup and still like girls.

I'm quite ignorant about fashion and I'm colourblind, so it's all a tad tricky. My only knowledge of that world comes through Christopher Bailey, whom I first met in 2008 when I did a campaign for Burberry that featured musicians, artists, actors and sportsmen.

A man of fashion never has recourse to proverbs, and vulgar aphorisms; uses neither favourite words nor hard words, but takes great care to speak very correctly and grammatically, and to pronounce properly; that is, according to the usage of the best companies.

Fashions change, and with the new psychoanalytical perspective of the postwar period [WWII], child rearing became enshrined as thespecial responsibility of mothersany shortcoming in adult life was now seen as rooted in the failure of mothering during childhood.

My only bookings this week came from within my friends. Trans people have been central to New York’s art and fashion scene for nearly as long as those ‘scenes’ have existed as we know them. It’s about time that this reality was represented on the city’s runways.

Thus the State never intentionally confronts a man's sense, intellectual or moral, but only his body, his senses. It is not armed with superior wit or honesty, but with superior physical strength. I was not born to be forced. I will breathe after my own fashion.

I'm really interested in the idea of anomynity and familiarity. And sunglasses, you know, are so indicatitve of that. I mean, they're worn by some people to hide themselves. But they're also a fashion statement, meant to be noticed. So there's a dichotomy there.

I create the concept, which for me is about deciding upon the right girl and the right 'spirit', and thinking of all the things that visually describe her. It's just like putting together a fashion show; for me, that starts with the spirit and the girls as well.

The way men are seen in photography, in fashion, and the way that men look at pictures of themselves has changed in recent years. It is a subject that has come into focus: The masculine image, a man's personal style, changing attitudes to the male face and body.

In most cases I start off with a sketch. But I'm also thinking about real images: out of National Geographic, out of fashion magazines, out of The Economist, out of Time. I'm making a sketch, but I'm using the existing images that have been put out in the world.

Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.

All stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you. Especially do all stories of monogamy end in death, and your man who is monogamous while he often lives most happily, dies in the most lonely fashion.

I considered myself liberated long before it became the fashion. First I liberated myself from debilitating habits, and went on to free myself of combative, aggressive thoughts. I have also cast aside any unnecessary possessions. This, I feel, is true liberation.

If I wasn't even famous or had any success, I would still wake up and put tons of make-up on, and put on a cool outfit. That's always been who I've been my whole life, so that's never gonna change. I love fashion. I love getting dressed up. I love Halloween, too.

I am a fashion designer. I'm not an environmentalist. When I get up in the morning, number one I'm a mother and a wife, and number two I design clothes. So the main thing I need to do is create, hopefully, exquisitely beautiful, desirable objects for my customer.

If you start to give of yourself, be it ever so simple a fashion, the world will observe your spirit and show you many needs that you can supply. There are a hundred ways of giving away little margins of time you will never miss, which could be riches to someone.

There are certainly numberless women of fashion who consider it perfectly natural to go miles down Fifth Avenue, or Madison Avenue, yet for whom a voyage of half a dozen blocks to east or west would be an adventure, almost a dangerous impairment of good breeding.

I never had worked in high fashion before, had never experienced it when I was a model before. I appreciate it, being able to work with such talented people; it feels like a gift now. I think for everyone everything happens at the right time, and this is my time.

I'm obsessed with the customer. I am the customer. I really don't think you can go wrong if you don't take your eye off of that. Serving the customer. How does she feel? I feel like the fashion industry has cared a lot about how we look but not about how we feel.

The reason I do this job is because I started to be a painter. Making money in art was difficult. The easiest way to make money was to use art for some other reason. One of the easiest and most interesting from an economic point of view was fashion. Fashion pays.

Raise your standards for the one thing over which you have complete control--yourse lf. It means you're committed to being intelligent, flexible, and creative enough to consistently find a way to look at your life in a fashion that makes any experience enriching.

Fashion, in a way, has become like pop culture today. With all of the communications and the Internet and the designers doing lines with big brands, it's more popular than it's ever been, but everything is all mixed together. It's become like television or music.

Custom is the law of one description of fools, and fashion of another; but the two parties often clash--for precedent is the legislator of the first, and novelty of the last. Custom, therefore, looks to things that are past, and fashion to things that are present.

I'm back in fashion again for a while now. But I imagine that three or four years from now I'll be out again. And in another fifteen years I'll be back. If you try to write to stay in fashion, if you try to write to be the critics' darling, you become an employee.

True merit does not depend on the times or on fashion. Those who have no other advantage than courtly manners lose it when they are away from court. But good sense, knowledge, and wisdom make their possessors knowledgeable and beloved in all ages and in all times.

Fashion has become a joke. The designers have forgotten that there are women inside the dresses. Most women dress for men and want to be admired. But they must also be able to move, to get into a car without bursting their seams! Clothes must have a natural shape.

I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.

When primeval man first used flint stones for any purpose, he would have accidentally splintered them, and would then have used the sharp fragments. From this step it would be a small one to break the flints on purpose and not a very wide step to fashion them rudely.

Being nerdy just means being passionate about something, including everyone - the coolest people on Earth are passionate and therefore nerdy about something whatever it is, whether it's sports, or gaming, or technology, or fashion, or beauty, or food, or whatever.

Now, I'm not saying I'm fashionable, but there are sociological interests that matter to me, things that are theoretical, political, intellectual and also concerned with vanity and beauty that we all think about but that I try to mix up and translate into fashion.

We all fight over what the label 'feminism' means but for me it's about empowerment. It's not about being more powerful than men - it's about having equal rights with protection, support, justice. It's about very basic things. It's not a badge like a fashion item.

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