Quotes of All Topics . Occasions . Authors
When I first started modeling, I realised I was very different from many of my colleagues, but I welcomed the opportunities my career in fashion offered me and the support from many inspiring individuals in the fashion industry.
One cabbie chastened me by saying that the fashion industry was doing harm to young people, who are trying to live up to an unrealistic ideal. It prompted me to make body image and diversity key issues on 'The Business of Fashion.'
Obama was 200 percent advertising. I promote myself to sell my brands. Because now I am a kind of celeb. I am in a different world than the fashion industry. I am with Mick Jagger, Michael Jackson, Madonna. I build me as a celebrity.
Thierry Mugler is about the power of glamour and walking straight into the future. He's been a god for successive generations in the fashion industry. He fused pop and high fashion, told a story in style and combined fantasy with reality.
A lot of people, when they look at the whole trans thing, they think,'Oh, you're transgender, and in the fashion industry, which is very pro-LGBT, so you don't have any problems because it's a progressive place.' But that's not the reality.
I have a great support network - my family, my model agency Storm, and people I work with in the fashion industry. And, of course, there are all my followers on Twitter who stop me from feeling lonely; I love them all. They keep me grounded.
Pretending that the fashion industry isn't in part based on leather would be quite stupid of me, but at the same time, there is another way of doing things - even outside of leather. I don't use PVC either, for example, because it is harmful.
I originally went to Edinburgh for Latin, which I love and the literature is incredible, but then I suddenly realised that languages are so crucial for working in the fashion industry and it is wonderful when you can communicate with everyone.
I think the fashion industry and the media industry in general have a responsibility to make sure that they celebrate the rich differences in all our backgrounds to make sure we don't fall into the trap of reducing beauty to one specific mold.
I didn't know anything about the fashion industry until I met the stylist Simon Foxton on a Tube. I was 16, on my way to Kingsway College, and then my whole world opened up. Before that, like in every African family, you are meant to be a lawyer.
Because I would be around so many people in the fashion industry, there's this kind of dialogue. People would always say, 'Oh your daughter is so beautiful. Is she a model?' And it was so strange for me to hear because I felt so not beautiful inside.
No, I'm not the first or last model of my type in this industry. You can make up all the reasons you think I am where I am, but really, I'm a hard worker that's confident in myself - one that came at a time where the fashion industry was ready for a change.
For so long, the fashion industry has designed almost exclusively for a particular woman with particular measurements, and they've never really been challenged on it. We're all consumers, yet we're rarely given a voice within this industry that dictates what we wear.
As a group, the fashion industry has been one of the strongest in the effort to fight HIV and AIDS. There are many groups dedicated to fighting this disease; GMHC's Fashion Forward is just one of them. But I think everyone in this industry fights it in their own way.
I'm lucky that I'm inside the fashion industry and see clothes from a different perspective than the traditional consumer. Being able to curate, edit, and style product to make my own look is a privilege, but something I think men are becoming more aware of how to do.
Men are taught they are going to make a lot less in the fashion industry, so they don't bank their entire lives on it. They're very supportive. Women, on the other hand, are more competitive. They always assume I'm trans and say, 'How did they make clothing in your size?'
The New York world is definitely geared toward fashion. So many people work in the fashion industry, photography, all sorts of satellite businesses that have to do with it, so there's no way that it can't affect you, and it just kind of makes you think with more of a fashion edge.
Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.
The fashion industry isn't merely content to encase my meaty flanks in skintight denim. Oh, no! That denim also has to be white, a color that attracts ketchup, wine, garlic aioli, and any other foodstuffs I might otherwise be able to enjoy if I wasn't wearing ridiculously tight pants.
'The September Issue' is really a film about Anna Wintour's relationship with long time 'Vogue' Creative Director Grace Coddington. The two of them have been working together for two decades, and the extraordinary symbiosis between them has left an indelible mark on the fashion industry.
I think the reality is that there's a role for everybody to play in the work of social justice and that we have to organize everybody. That means that Silicon Valley has to be organized, the fashion industry has to be organized, the formerly incarcerated have to be organized, the teachers.
I have 18 tattoos. My tattoos have kind of become their own person. Everybody does stories on them. It is risky to be successful in the fashion industry and to tat your body up, but I figured, the way that I made my career and the way that I am successful is because I have always been myself.
I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.
There are a bunch of different ways to look at the fashion industry. Is it shallow to work in fashion? Yes, it can be. But does fashion transform a woman who might feel like nothing and unimportant to glamorous and gorgeous? Yes, it does. Does it employ a huge sector of America? Yes, it does.
I don't really have a style icon but I really admire the way people dress like Gaga, Rihanna and Gwen Stefani. It's good to be inspired by singers who write music and dress incredibly - rather than models and people in the fashion industry who dress immaculately anyway because it's their style.
Fashion is an industry to make money. It plays into human psychology. We want to belong, we want to be loved. I'm not trying to demonize the fashion industry - I love the fashion industry - but style is about taking the control out of the industry's hand and having you decide what works for you.
If people decide thin is out, the fashion industry won't have thin models anymore. Have you spent time with fashion people? They are ruthless. They want money. And the one thing they know is people want clothes to cover their bodies. Unfortunately, most people aren't comfortable with their bodies.
Our cultural discussion of fat bodies and how we clothe them has nothing to do with health concerns, the obesity epidemic, or the comfort of fat people. It has everything to do with what we expect from women, what we've been told by the fashion industry, and the value we place on 'perfect' bodies.
Whether an economic boom is fueled by the fashion industry or technology innovations, it needs a brick-and-mortar foundation. This is not only true in New York and San Francisco; wherever you live, you can find a local hotspot positioned to attract interest from businesses, consumers and investors.
Dear London, British fashion is a serious business. The British fashion industry is worth £21bn to the U.K. economy and employs 819,000 people across the country. With your help, we would like to see these numbers rise for the good of our industry, our talented designers, and our reputation worldwide.
I hope to show people everywhere that you can be unapologetically you and still succeed. I also hope that by using more diverse models, brands can see that there is power in diversity, and not shy away from doing something new for fear of failure. The effects are bigger than just the fashion industry.
Digital has really made the fashion industry a lot more transparent. So people can see and understand how the industry really works, and participate in an industry that was very inaccessible to people. The only thing that people used to see before was the end product. Anyone can participate in it now.
But as an adult working in the fashion industry, I struggle with materialism. And I'm one of the least materialistic people that exist, because material possessions don't mean much to me. They're beautiful, I enjoy them, they can enhance your life to a certain degree, but they're ultimately not important.
I invited a group of students to my studio to expose them to both the creative and business sides of the fashion industry. It was fun because the group was so bright and full of curiosity. They asked really challenging questions about all aspects of the business and absorbed so much information so quickly.
You do not need to go to journalism school if you want to work in the fashion industry. I think high schools condition you to think this way: If you want to be a fashion editor, go to fashion school. If you want to be a writer, you should study journalism. I think that the best school in life is experience.
I think fashion is repulsive. The whole idea that someone else can make clothing that is supposed to be in style and make other people look good is ridiculous. It sickens me to think that there is an industry that plays to the low self-esteem of the general public. I would like the fashion industry to collapse.
I wasn't scouted in the mall as a kid; it just kinda happened naturally 'cause of Instagram and New York and being visible, which is cool. Things just started rolling in. Timing was in my favour 'cause the Internet acted as a catalyst for the fashion industry to change and be more open 'cause people demanded it.
Amplifying body-image issues, profiting from anxiety, and employing virtual slaves in sweatshops are bad enough, but the fashion industry is also actively hastening the destruction of the very Earth we walk on. It insists on launching fresh collections each season, declaring yesterday's range obsolete on a whim.
That is something that my mother instilled in me at a very young age - to know my self-worth. And I have had times again and again in the fashion industry where all of that was tested and I rose to the occasion because I was told that I am worthy and I should be able to walk away from something that is not worthy of me.
The Model Sanctuary is not about self-indulgence - it's about reminding and allowing them to become self-sufficient human beings. I wanted to alert people to the fact that we're not the victims, but nor are we the villains. We want fair practice and positive, sustainable change, working with the fashion industry, not against it.
There is a tendency to feature more actresses on covers, but I'm a big model lover. I grew up watching these models, and they gave me the wish, the need, to work in the fashion industry. I loved watching them - their beauty, the way they worked in front of the camera and that power of transformation, especially in the Seventies.
The fashion industry is often charged with having kept its blinders on as one Seventh Avenue company after another lost employees to AIDS. Consumers, it was feared, would shun the racks of designers whose names were associated with the disease. And to stand up against AIDS would, in many minds, confirm the business's stereotypical image.
I've helped some of my classmates on how to strategize to get to the next level of their businesses. And it's interesting, because here I am sitting there from the entertainment industry and the fashion industry, and I'm giving a billionaire that has a business that's been in his family for 300 years - I'm giving him advice about strategy!