Quotes of All Topics . Occasions . Authors
Even if 'going retrograde' or 'moving into Aquarius' were real phenomena, something that planets actually do, what influence could they possibly have on human events? A planet is so far away that its gravitational pull on a new-born baby would be swamped by the gravitational pull of the doctor's paunch.
Every congresswoman surely endures the same strains that drive some of her male colleagues to have affairs: lots of travel, families far away, heady work that makes a domestic routine seem distant and boring. But the stakes are much higher for women, because they are still judged by a different standard.
There is something about musical narrative and Australians. If you want to do something, you kind of have to do it at a level - because we're so far away from everywhere else - that exceeds what is just normal if you want to convince people that some guy from Australia is worth backing for an original musical.
I guess there's something about you don't know why you're attracted to a character, but you're attracted to them enough to want to - it's like when a song comes on, and you feel like dancing. You don't know why; you just want to dance. It's hard to analyze that feeling, and if you do, you get far away from it.
I felt like this is a story in 'Life', that does not go too far away from the feeling that something like this could really happen - it's part of what makes you connect and stay with the story. The feeling of "all is good and calm" in the beginning really sets you up for when things start to go "not so good..."
Obviously, there are moments that you look back at and cringe - things in the past involving violence or disrespect to women or disrespect to other people that are so far away from what I want to put out there now. But it's actually a privilege to be able to change and be making records that reflect that change.
If you were to stand on an asteroid in the main belt of asteroids between Mars and Jupiter in our solar system, you might be able to see one or two asteroids in the sky, but they would be very far away and very, very small. So you wouldn't have this 'dodging through tons of rocks' business you get in the movies.
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
If the cosmos isn't finite, then far, far away, floating duplicates of your brain - with all its experiences, thoughts, and emotions - are occasionally (and temporarily) thrown together by the random combining of atoms. Such 'Boltzmann brains,' as they're called, are a disturbing consequence of an unlimited universe.
There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.
In a gas, motion has the upper hand; the atoms are moving so fast that they have no time to enter into any sort of combination with each other: occasionally, atom must meet atom and, so to speak, each hold out vain hands to the other, but the pace is too great and, in a moment, they are far away from each other again.
I went to the library and learned how checks work. I found out that routing numbers are like zip codes: the checks are sent to the bank that correlates to the routing number. If I manipulate those numbers to a bank far away, it would take longer to get back to the bank, which gave me more time to write more bad checks.
As a young boy growing up in rural India, most of what I knew of the world was what I could see around me. But each night, I would look at the Moon - it was impossibly far away, yet it held a special attraction because it allowed me to dream beyond my village and country, and think about the rest of the world and space.
My father and mother are both very smart people and I always felt I was a little short of the mark. So I would compensate with a character like Logan Cale. He's wearing glasses, he's in a wheelchair, he's a computer genius. He's very far away from who I am, but I really wanted to play roles where I'd be taken seriously.
Oh, I think country has changed tremendously. I think country has totally changed. Country music when I was a kid was Hank Williams. If you put Hank and Elvis together, there wasn't that musical difference. But as the Beatles showed up and the English invasion, I think country music got pretty far away from rock n' roll.
One consequence of racism and segregation is that many American whites know little or nothing about the daily lives of African Americans. Black America's least-understood communities are those poor, hyper-segregated places we once called ghettos. These neighborhoods are not far away, but they might as well be on the moon.
If your loved ones are far away, and they're uploading pictures, you feel like that's enough: these loose strands through email, through social media, are going to supply this connection you have with that person. And I think that's keeping us isolated and lonely in a way that's very dangerous because we're unaware of it.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation. This is what I try to tell my students: this is one great thing that literature can do - it can make us identify with situations and people far away.
I think there is a problem in France that anyone who is not European, you want to know where they come from and why do they come from somewhere or why they speak English or why they are human. That's the big barrier for all of us that are coming from some far, far away countries. But at the end of the day, we are all artists.
I made a real specific decision when I came out of school and most artists were writing about home - if you were a woman, you were writing about being a woman - and I decided not to do that, write about what you know. That's not what I do. I went as far away from home as possible in terms of the development of my imagination.
There's a national ambition, a collective, in a sense, political ambition, which I think is the thing we see from far away. That's the fact that China's building roads and airports and extending its reaches out into the East China Sea and the South China Sea, and in a way that's putting it into some tension with its neighbors.
When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.
It is really something, the extent to which we allow ourselves to live without thinking of things that we know, in the abstract, are bad, and are going on right now, somewhere far away. We think, "Well, what are you gonna do?" In a way, that little instinct, that "What are you gonna do?" is the most dangerous thing in the world.
When I was a little child, my parents taught me by example to pray. I began with a picture in my mind of Heavenly Father being far away. As I have matured, my experience with prayer has changed. The picture in my mind has become one of a Heavenly Father who is close by, who is bathed in a bright light, and who knows me perfectly.
Everyone saying, 'She'll bring back women's skating. This will be the one to watch at the Olympics.' And they say things that are so far away, but really, you have to bring it back in and look at the next competition, the next day, what you want to accomplish because if you get too far ahead of yourself, you can trip yourself up.
Scientists normally like to do experiments. You know, they like to mix this with that and see what happens. They like to take this thing and poke it and see how it reacts. In astronomy, we can't do that. The stars, the planets, the galaxies, are so far away that we just look at them, and we have to learn things by looking at them.
When I was a kid, I got caught shoplifting by a store security guard in Ellensburg. The next time I saw that store guard was when I got thrown in jail again - this time for not paying court fees. The guy happened to be in jail, too, right next to me. That's what Eastern Washington is like - you never get too far away from anybody.
I'm more frightened than interested by artificial intelligence - in fact, perhaps fright and interest are not far away from one another. Things can become real in your mind, you can be tricked, and you believe things you wouldn't ordinarily. A world run by automatons doesn't seem completely unrealistic any more. It's a bit chilling.
Practices such as arranged marriages and restrictions on girls attending school have deep roots, and changing them is a gradual process. Sometimes these problems seem very far away from us here in the United States. But let's remember that even into the 20th century, an American woman could not own property or vote in national elections.
I tell my students, it's not difficult to identify with somebody like yourself, somebody next door who looks like you. What's more difficult is to identify with someone you don't see, who's very far away, who's a different color, who eats a different kind of food. When you begin to do that then literature is really performing its wonders.
I really want to have a possibility of going into the Hall of Fame one day. I think that's huge with a lot of baseball writers and old school guys. Of course, that's not the main goal - the main goal is winning a World Series. Hall of Fame is so far away. It's just something I've always thought about doing. I want to be as clean as I can.
To the former child migrants, who came to Australia from a home far away, led to believe this land would be a new beginning, when only to find it was not a beginning, but an end, an end of innocence - we apologise and we are sorry. To the mothers who lost the maternal right to love and care for their child - we apologise, and we are sorry.
We put on shows at Golden Gate Park with the Dead and Jefferson Airplane, and the groups were part of the community they emerged out of, not some superstars. We had multiple stages, diversions, communal entertainment. There is something slightly fascistic about sitting in a huge auditorium focusing all the energy on one group far away on stage.
The Coen brothers: Of all the directors I've worked with, they're the only ones who have given me the storyboards attached to the script. It was very cool for me, because I knew when I was in close-up or if it was far away, and it also made me know that anything that happened in the edit wasn't personal. Because they edit their own movies, so they were editing it as they went.
