Quotes of All Topics . Occasions . Authors
Being on a television show and having so many fans is something that I've never experienced before, and it's really neat when they come up to you and are like, 'That storyline is amazing and really spoke to me in my life,' and it's really cool. I really enjoy it.
I have never been a fan of science fiction. For me, fiction has to explore the combinatorial possibilities of people interacting under the constraints imposed by our biology and history. When an author is free to suspend the constraints, it's tennis without a net.
I don't begrudge anyone else for anything, but to me, I think the fans deserve to have a studio put money behind their product because when the fans put money into a project and it makes any sort of money, it goes back to the studio. I think that's a little shady.
Nicholas Hytner, who directed Center Stage, is a huge ballet fan. He was completely open, as was Bruce Beresford, to get our perspective. "No, we wouldn't do this. Yes, we would do that. That's not realistic." So, I feel like Center Stage did well in that respect.
I grew up in a rural area called Vega Baja and I'm the first of so many talented people in this area to make it out. I take great pride to represent where I come from and I am able to show my fans, and everyone who listens and watches me, that anything is possible.
The materialism, the brashness, the misogyny - everything in hip-hop is amplified. Misogyny is a good example of something that is completely amplified in hip-hop. I do think there is more than enough of a balance, though, for fans who are willing to search it out.
I wasn't a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
I understand that some people might think differently, but my duty is to take confidence from playing well. And I'm convinced that with my attitude and ability, everything will go back to being the way it was before. That's what we all want. The Madrid fans and me.
I'm a huge fan of good, procedural-type shows on television... there are a lot of roles for women. But there aren't a lot of great network television roles for girls that will let you start a character in one place and finish up with her in a totally different one.
Well, I was a big fan of the book and therein a huge fan of the girl Precious. And so I felt like I knew this girl. I felt like I'd grown up alongside her. I felt like she was in my family. She was my friend and she was like people I didn't want to be friends with.
You get weird, funny requests on Twitter. With our fan club, I was seeing a lot of fans were having some issue with the way the fan club tickets were being handled in one of the shows. So I was able to correspond with that fan, and be like, 'Listen, we'll be on it.'
The power of podcasting is pretty remarkable. It is such an amazing way to mobilize fans. It's almost like they're part of your family. They probably listen to you more than they listen to their own families. I know that's true for me. So there is a real bond there.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
City came in strongly for me, put their cards on the table, and what I have found out since is that every game in England is a privilege - the atmosphere, the fans, the interest that surrounds it. Every time I go out on the pitch, I know I've made the right decision.
When I'm writing, I'm constantly thinking about myself, because it's the only experience I have to draw on. And I don't see an exact reflection of myself in every face in the audience, but I know that my songs have validity to them, and that's why the fans are there.
The fans have access to the show and the creators, even if it's not direct. I don't know any television creators that don't follow the message boards. The feedback is so immediate, to see what is working and what isn't, and what's working better than you anticipated.
When I was younger, I felt pressure to become someone else once I became successful. But it's the intention of the work that's changed. I have fans now. I have a new purpose: to remind them that I am one of them, that we are one another. My consciousness has changed.
I have to give this comment about the American people - they are very good fans. But they are very protective. I think they would prefer it if their great stars are born in America. They are the ones that only stay in the hearts of the fans. And that's understandable.
Most of what I want to try to do is continue to go places with fiction that I've never gone before, and tell stories I've never told before, and one of the problems you rapidly discover about fans is what fans want is the last thing they liked. They want more of that.
I think what's so great about TV is I don't know if all these things were planned at first, or if they see the fans' reactions to things. They really do listen to what the fans want, and feel strongly about, and push for, so all these things are happening organically.
Everyone has a breaking point, turning point, stress point, the game is permeated with it. The fans don't see it because we make it look so efficient. But internally, for a guy to be successful, you have to be like a clock spring, wound but not loose at the same time.
I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien,' 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.
There's no doubt in my mind that I wouldn't be in the position that I am if I didn't have my 'One Tree Hill' fans. They're the most dedicated, devoted fans. They're behind you no matter what. If one person says one bad thing about me on Twitter, they're fighting back!
When I hear him sing and see what he can do, though, it's always a reminder of why I look up to Usher as my mentor and why I will always be an Usher fan to my core. But I'm lucky to say that he's an even better friend to me than he's a mentor. He's truly the real deal.
For 'The Anthem,' a lot of my fans were like 'Oh, man, he's getting lazy making just, like, a pop format tune that everyone's doing these days.' But on this album, I wanted to write songs with vocals that would get stuck in my head, not just movements of instrumentals.
The View' was so much fun. So much fun because the audience was 85-percent fans that wanted to be there celebrating 'One Life to Live' and the other 15 percent were crew members from 'One Life to Live'. It was just really, really wonderful and the clips were wonderful.
I was a fan of Hitchcock, but more importantly than that, he is such an inscrutable man, and a very carefully inscrutable man. He apparently was blank-faced with a calm and controlled presence. I was immediately anxious and thought, 'How am I going to get behind that?'
When I was a kid I was the black sheep of the family because all my uncles and cousins were big Inter fans while I've always been Juve. In fact when I'm injured or suspended I'll be in the stands behind the goal when we're playing - in with the fans where I'm happiest.
I don't even call them fans. I don't like that. They're literally just a part of my life; they're a part of my family. I don't think of them as on a lower level than me. I don't think I'm anything but equal to all of them. So yeah, they're basically all of my siblings.
Montreal is my home town - I love it to death - but Toronto, I think, might have to be the best market in Canada. From a numbers perspective, it definitely is. The fans are incredible, and every time we go there, it sells out. It's awesome, and the fans are incredible.
Sometimes it takes a while to find that perfect balance between knowing who you are, what your sound is, and building the right team to make that happen. Once it all really comes together and it makes sense, both for the audience and your fans, there's no stopping you.
I'm not a big fan of psychoanalysis: I think if you have mental problems what you need are good pills. But I do think that if you have thinks that bother you, things that are unresolved, the more that you talk about them, write about them, the less serious they become.
I want to let my fans get to know a little about me. I'm very thankful for everything they've done for me so, of course, I'm going to let them into my world a bit. But I really am a very private person, and I love kepping my life to myself - that's how I've always been.
I hate to toot my own horn but I just feel that I know people and I know fans and I don't feel there is that Angelina Jolie/Brad Pitt barrier with me. I've always felt from everyone I talk to that the fans feel like I'm tangible and they can talk to me and they know me.
If you want to be an entertainer, then go be an entertainer and give people what they want. If you want to be an artist, then you have to be true to yourself, and you have to be prepared to confront expectations - and you have to be prepared to disappoint your fans, too.
With Twitter and Instagram and all of these vehicles where fans can directly interact with you and get your attention, there's a little bit of an entitlement. Like, "Why won't you follow me or write me back?" Well, if I write you back, then I have to write everyone back.
Hanson has rapid female fans, which I’m completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There’s younger fans. More and more guys are Hanson fans [but they’re] musicians or kind of guys who were into a Beatles record.
We believe a large-scale, next-generation venue will not only become a premier destination, but also drive growth in London's overall music and entertainment market, benefiting artists and fans, and serving as a long-term investment in the future of this incredible city.
Most of the fans of Calpurnia are 'Stranger Things' fans, which is not a big deal at all. They're super loyal and incredible, and really do like the music. It's the people who aren't fans of the music and are just there because of 'Stranger Things' that really bother me.
Part of being a pop star is image. I'm told by many of my female fans that I was the poster on their bedroom walls. But if I only had that - the image and the beauty and the curly locks - I would have been a 'normal' pop star, one who comes and goes after one hit record.
There is no time and space in the digital world. People chat and collaborate through social networks. Cultural icons garner millions of fans online in locations they have often never been themselves. The boundary between public and private life is now everyone's business.
Over the years, I have attended comic book conventions and met people that are die-hard fans; they'll come up and say, 'Clue' is my favorite movie of all time.' It has definitely resonated in some way with people and just continued to build up over the years considerably.
I suppose a lot of people don't understand that one of the things that drew me to hunting was the peace and the solitude, the mushy spiritual stuff, strangely enough. The quiet away from 75,000 roaring fans. The fans, that's very wonderful - I get a great charge from that.
I think, having done 'The Princess Diaries,' it was a fun experience, and it's cool to have made fans that are now into all this music. That movie is still so relevant to our culture. It's always on. It's kind of a rare, nostalgic thing. I get tweets all the time about it.
I wanted to develop a hypnosis show that no-one had ever seen before, so I made it very topical and interesting. I've created a UFC fight night every night on stage, where I hypnotise twenty people into thinking they're mad, crazed UFC fans, and the energy is unbelievable.
I started using Twitter a lot and realized I had a lot of fans. Then I saw that I can share my music on Twitter and share my YouTube videos on Twitter. That's how I knew social media was going to be a platform to show my music. That's how I started. I started with Twitter.
A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.
A great deal of my mail comes from fans of the 'Oz' picture - fans of all ages. The scholarly, the curious, the disbelievers write and ask how? why? when? what for? did you fly? melt? scream? cackle? appear? disappear? produce? sky-write? deal with monkeys? etc., etc., etc.
I find it's too much for me to read endless critiques, even if we're being well-defended, of exactly what we're doing. When someone tells us something we're doing wrong on the boards, we try to respond, we try to be responsive to the fan boards, but yeah, I can't read them.
I just consider Boston and New England incredible sports fans. If they give me trouble, think I'm rooting for other side, it's mainly because they're living and dying with every pitch and every play and think I'm rooting for the other side. I'd much rather that than apathy.