Quotes of All Topics . Occasions . Authors
When I started out as a model, I took things for granted. Because I bagged work thanks to my looks, I didn't give my body any importance. I was a couch potato who'd eat anything. Then, in 2005, a tabloid ran a story calling me fat. I thought, 'I'm famous. How can I be fat?' It was a slap. I decided to get fit.
Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses... that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.
The name Muhammad is the most common name in the world. In all the countries around the world - Pakistan, Saudi Arabia, Morocco, Turkey, Syria, Lebanon - there are more Muhammads than anything else. When I joined the Nation of Islam and became a Muslim, they gave me the most famous name because I was the champ.
This whole celebrity racket, it's not really my bag. I don't really do that stuff, and I am not looking to get famous myself. I would love it if my characters get famous, my work was well known and appreciated. But I'm an actor, not a spokes model or a celebrity or whatever that is. I don't know how to be that.
Fame is really strange. One day you're not famous, and then the next day you are, and the odd thing is that you know intellectually that nothing in the world is different. What mattered to you yesterday are the same things that matter today, and the rules all still apply - yet everyone looks at you differently.
Sometimes I get a little exhausted by shows or movies that are constantly throwing famous people on. And I find it so much more exciting to not have that when I'm watching something. I think it allows you to get more lost in something and also to bring more attention to more unknown or less recognizable people.
One of the interesting things about Twitter is looking how famous people choose to use it. Take someone like Steve Martin, who I follow: it's all sorts of comic gems, nothing private, nothing personal - all jokes. Other celebrities are overtly personal - like Charlie Sheen. I do a mix of observations and updates.
I remember from my school days Archimedes jumping into his bath and displacing water and coming up with his famous principle, and of course Isaac Newton being hit on the head with an apple. In other words, this realm of human knowledge - which is mathematical, essentially - can have a playful visual element to it.
A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations. As you become more famous, people come and expect to hear something extraordinary, so you don't want to disappoint them. I feel this sense of responsibility.
I don't know if this is the kind of retrospective analysis that people are fond of applying to their work or actions, but it feels like I knew I was going to be famous and I knew that an element of that would be traumatic, so that if I could make myself something big and otherworldly, it would be a kind of defence.
I remember debating the finer points of flaky pastry with my chicken-pot-pie-obsessed American dad. I remember the divine mix of Thai food, TV dinners, and hearty, homemade goodness that have shaped this palate of mine to this day. I remember all this, but I still Google my husband's birthday. Thank God he's famous.
I will tell you what, the Rock was my nemesis. We did enough for each other; we put each other over to be famous. If we didn't have that feud with each other, we wouldn't have had the success we both had in pro wrestling. We really did build each other. I'm very thankful we had those opportunities and those matches.
Pleasure without God, without the sacred boundaries, will actually leave you emptier than before. And this is biblical truth, this is experiential truth. The loneliest people in the world are amongst the wealthiest and most famous who found no boundaries within which to live. That is a fact I've seen again and again.
There's this famous observation that I totally believe: Great startup ideas are the ones that lie in the intersection of the Venn diagram of 'is a good idea' and 'looks like a bad idea.' So you want most people to think it's a bad idea and thus not compete with you until you get giant. But for it to secretly be good.
I don't think people get the pressure of becoming famous and what it does for an artist. What does that for your creative self. And what that can do for your mental health. And I would say, from year two to year six or eight of 'Grey's,' it was extremely difficult and very stressful and traumatic, if I'm being honest.
My mother is an actress, and my aunt Margaux was a model. And it's funny, as much as I'm all about I'm my own person, and I'm making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it's easy to become the socialite and be famous for that.
In a strange way, Louise Erdrich is perhaps our least famous great American writer; she is not reclusive, but she is reticent, and her public appearances give the impression of a carefully controlled performance. But Erdrich has also shared many of her most intimate emotions and experiences, in some form, in her novels.
There is no fulfillment in things whatsoever. And I think one of the reasons that depression reigns supreme amongst the rich and famous is some of them thought that maybe those things would bring them happiness. But what, in fact, does is having a cause, having a passion. And that's really what gives life's true meaning.
I think a lot of people, when they start to become famous, they don't necessarily have the mental equipment to deal with it yet, so they try to keep it at arm's length and try to avoid it, which is fine for a while, but you can't keep pursuing a career in acting and that remain your attitude towards fame and recognition.
How did females become 'guys?' How did everyone become 'guys?' Remember, too, that a male guy was something of a scoundrel. And a wise guy was a fresh kid, a whippersnapper. In its most other famous evocation, men in Brooklyn said 'youse guys.' Damon Runyon referred to hustlers, gamblers, and other nefarious types as guys.
I seldom read anything that is not of a factual nature because I want to invest my time wisely in the things that will improve my life. Don't misunderstand; there is nothing wrong with reading purely for the joy of it. Novels have their place, but biographies of famous men and women contain information that can change lives.
I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?
I once did a radio program with a famous materialist, that is to say a scientist who believed that absolutely everything was physical and that all emotions were reductive to little electrical impulses in your neurons. And I found that I didn't believe that. But what the emotions really are, I don't have an alternative theory.
What I can't completely understand is most other people's fascination with what the famous among us do with their lips and the rest of their bodies. Why do ordinary people become the target of this curiosity simply by virtue of the fact that other people recognise their names and faces but know almost nothing else about them?
With high fashion, it's a performance. You're trying to interpret a fantasy in a very physical way, and you really are playing a character. I've played men, dead people, famous people, historical icons, and it's no mean feat. It's quite an insular experience even though the crowd is in front of you and there's an expectation.
I think my most famous was 'Poco's Legend.' It's a white album with a simple line drawing of a horse. It almost has a Picasso feel to it. I remember that Rusty Young, the lead singer of the band, said, 'I want you to draw a horse for the song 'Legend,' which is about a phantom spirit horse. I want you to do it in several lines.'
I got obsessed with impersonations: impersonating people that I knew - people, not famous people but people like my family. At first, it was just fun; it's always been just fun. But I sort of got to a point in maybe seventh or eighth grade where I started getting heavily involved in drama programs via programs in my high school.
The Obama administration has turned a blind eye to radical Islam since before they came to office. If you look at everything that's transpired since the famous Cairo speech in 2009, it's all been an embrace of those who are the most radical elements in that part of the world. That is not a good sign for America's foreign policy.
The cultural center of Asia Minor, Pergamon boasted a vast library of 200,000 scrolls, a spectacular 10,000-seat theater, and a monumental Great Altar decorated with sculptures of the Olympian gods defeating the Giants. People came from all around the Mediterranean seeking cures at the famous Temple of Asclepius, god of medicine.
Before I got famous, I was like a rake. When I was a teenager, I lived on nervous energy. And I always forgot to eat. It was not something I was obsessed with. And then suddenly I got famous, people started taking me out to fancy joints. And the pounds pile on. So I'm much more conscious now about when I eat. How I eat. What I eat.
I knew what I was getting into when I chose golf. Hell, I knew I'd never get rich and famous. All the discrimination, the not being able to play where I deserved and wanted to play - in the end, I didn't give a damn. I was made for a tough life because I'm a tough man. And in the end, I won: I got a lot of black people playing golf.
Edgar Degas's famous sculpture, 'Little Dancer Aged Fourteen,' served as my muse for 'The Painted Girls.' I came upon a television documentary on the work, and as someone who held the sculpture in high esteem and who largely considered ballet to be the high-minded pursuit of privileged young girls, I was struck by what I would learn.
Famous people are deceptive. Deep down, they're just regular people. Like Larry King. We've been friends for forty years. He's one of the few guys I know who's really famous. One minute he's talking to the president on his cell phone, and then the next minute he's saying to me, 'Do you think we ought to give the waiter another dollar?'
I just turned 40, and I look at so many performers and so many people who are actually always on time and always have an album out. They don't have actual lives, in my opinion. I feel like I'm so much more than being famous and meeting a musical quota. And I don't know, just the weight of the scrutiny and attention is too weird for me.
I think Dutch people are very sober. I don't know if it's the right word. Like, you have the most famous person walk by some Dutch people, and they're like, 'Oh, hello.' And they maybe take a photo, but most of the time, they'll respect you and leave you alone. And if you go to some other countries they will literally mob you, go crazy.
Why should it matter to us when wrestlers are found dead in their beds or seen limping around on two fake hips? Why should it matter to us that there's a list of modern wrestlers who died before the age of 50 - many of them famous - and that the list is more than 70 names long? Hey, there's always another wave of guys on the way. Always.
Neil Armstrong was no Christopher Columbus. In most respects, he was better. Unlike the famous fifteenth century seafarer, Armstrong knew where he landed. He also spent his time in public service, not in jail, and his passing was marked by world-wide encomiums. He ended his days as a celebrated explorer rather than a royal inconvenience.
I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.
Mum worked as a secretary for Orson Welles for what sounded like a very miserable year. Her brother was the actor Jeremy Brett, who became famous for playing Sherlock Holmes. He was an absolutely lovely man. Very exciting and glamorous, he'd always make me feel amazing and full of confidence, like I'd picked the right thing to do in life.
In the future we will all be famous for 15 minutes. It will be on a daytime magazine programme and we will each wear a tasteful shirt and slacks combination. We'll be interviewed by a soothing voice under a clock that's permanently set to 4pm. We will talk about the weather. We will record for months to get 15 minutes they can use in the edit.
Peter Fleming was a famous English traveler, explorer and adventurer, whose non-fiction books were hugely successful. My father owned signed copies of all of them - he and Peter Fleming had become acquainted over some detail of set design at the Korda film studio in Shepperton - and I had read each of them with breathless adolescent excitement.
I'm not very interested in fame or notoriety at all - in fact, I'd be pretty bummed out if I woke up one day and I was, like, super, super famous. But the flipside of that is that I'm really passionate about my music, I'm really proud of it and I want it to be heard by as many people as possible, and I'm willing to embrace whatever comes with that.