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I'm not into those shows like "hey everybody, gather round the TV, let's watch The Simpsons!" I'm not one of those guys: "I gotta get home, man, Family Guy's on! I gotta race to my TV before I miss the episode of Family Guy!" I'm not one of those guys.
Guys can look like pigs. The girl always has to be a looker. Look at most TV shows: According To Jim - pig and a looker. Still Standing - pig and a looker. Ralph Kramden [on The Honeymooners] - pig and a looker. Family Guy - pig and a looker. It's a theme.
Our public portrayal of fathers has shifted during my life. TV fathers have 'evolved' from real people like Sheriff Andy Taylor, Beaver's dad Ward Cleaver and Heathcliff 'Cliff' Huxtable, to cartoon dads like Homer Simpson and Seth MacFarlane's caricatures in 'American Dad!' and 'Family Guy.'
This sounds crazy, I know, but you can make a billion dollars - very few people do - but you can make a billion dollars on a product. It can be "Lion King," it can be "Simpsons," it can be "Family Guy," who knows what it is. Or you can make zero. But you can't make a billion dollars if you don't own it.
Maybe the bar is low, but most of the strips that are 50, 60, 70 years old that are on their second or third generation of artists, the humor is pretty bland. There are others by people that were raised on 'Family Guy' or 'South Park' that are edgier. Mine's not as edgy as those, but it's edgier than 'Beetle Bailey.'
There was a time when I was offered two episodes of 'Alias,' that show with Jennifer Garner which J.J. Abrams did back before he became the mega producer and super successful director. I instead decided I wanted to play this family guy on a short-lived UPN 'Second Time Around.' It starred Boris Kodjoe and Nicole Ari Parker.
The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
I always thought it would be funny to have the Parents Television Council write an episode of 'Family Guy' and give them full creative control. Then see how good the episode is. That's something we've actually discussed in the writers' room. We haven't proposed it yet, but if somebody from the PTC reads this, it might be worth discussing.
One of the most gratifying, rewarding things is when people come up, and they tell you how the show influenced their lives in a very positive way. When I do these things like Comic Con, I get people who are lawyers, judges, plumbers, carpenters, and entire families, and it's mostly for 'Batman.' But now, amazingly, it's also for 'Family Guy.'