Quotes of All Topics . Occasions . Authors
When you head on out to the Moon, in very short order, and you get a chance to look back at the Earth, that horizon slowly curves around in upon himself, and all of sudden you're looking at something that is very strange, but yet is very, very familiar, because you're beginning to see the Earth evolve.
I am trained, and I did do 'The Nutcracker' in its right form, but at the time, they told me I was black and I'd never be in 'Swan Lake.' I went through all those prejudices in the ballet community, and I still emerged wonderfully trained and found my way to Alvin Ailey where there were familiar faces.
I'm not familiar particularly with Hillary Clinton's neighborhood, but I wish people were a little bit more curious about what we call privilege and about why it's there. Black people in this country have no choice but to be curious. We have to know. I wish folks would do a little bit more investigation.
One of the things that 'Too Bright' refers to is how there's a lot of times where I see things that I could change that could make me more contented, but I usually just don't make those changes because they seem new and scary. I just stay where I'm at, even if I'm miserable, because I'm familiar with it.
Feature-length film comedy is harder to pull off than the episodic sitcom - it doesn't have the same factory machinery up and running, teams of writers putting familiar characters through permutations - but that doesn't explain the widening quality gap that makes movie humor look like a genetic defective.
Rules about public sanitation are a simple and familiar example. Without them, a city can't be a healthy place to live; but these rules don't just happen. The rules for a city are different from the ones for a village, but as a village slowly gets bigger, a city may be stuck with the rules of the village.
I wrote my first screenplay on a lark, because it was a storytelling format that felt like a familiar shorthand - we all watch movies, don't we? But even though I grew up in Los Angeles, my family was entirely unconnected with the movie industry, and I never truly believed that it would one day be my fate.
States that have experienced revolutions or have acquired their independence from empires - such as the U.S. or Australia - tend to celebrate their constitutional documents and put them on show in special galleries so that every citizen can become familiar with them. In the U.K., this is not properly done.
One of the things I've started doing lately is tracking my dreams. I feel like there's a lot of information there and you can really bring those emotions to the situations that may feel mundane or familiar. That gives them new life and gives you a new relationship with it - if that makes any sort of sense.
It's always fun to see faces that are either familiar or resemble yours. I was fascinated by movies like 'Big Trouble in Little China' growing up because there were so many Asian people in it! The same with 'Year of the Dragon' or 'The Last Emperor'. It was just so great to see so many Asian actors working.
'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.
I was influenced by many, many different people in my student years, and I was always, I guess, immersed in a Navy environment, and so, obviously, that had a big impact when I decided what I wanted to do was go and be a Navy pilot. I was very familiar with the Navy community and felt very comfortable with it.
I became more interested in the idea of being an immigrant and particularly of being in a country you're not familiar with. And so I began reading migrants' stories. The fact that my father is Chinese - he emigrated from Malaysia when he was about 20 - may have had some bearing on my attraction to the subject.
When I was young, I really wanted to be a part of the end-of-year awards shows, but now that I'm actually there, it feels weird. I used to go to church and ended the year with a prayer, but now I spend it with people I'm not very familiar with at an award show, and I wonder if it's something I should be doing.
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
The biggest thing I'm seeing - and I have to be careful what I say here - is that people are tired of the old guard and the familiar brands. They're looking for more individuality and creativity, and that's coming out of this whole new wave of younger brands: Thom Browne, Michael Bastian, Robert Geller, myself.
The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice.
Poetry itself is music. I'm just lucky that I can convert it into music. William Blake is my favorite poet of all time, and he said that he wasn't quite familiar with the sounds of music. If so, he would have been a musician. All of his poems are all like songs, and that's how I always try to start my thoughts.
It really is a fact that liberals are much higher than conservatives on a major personality trait called 'openness to experience.' People who are high on openness to experience just crave novelty, variety, diversity, new ideas, travel. People low on it like things that are familiar, that are safe and dependable.
Things go wrong for me all the time with technology. I'm not familiar enough with it, and I'm too old-school a brain to be able to figure it out. I'm dumb. Anything that I have to attack with my thumbs, for any period of time, makes me feel stupid. So, I try to avoid it, as much as possible, to protect my thumbs.
Everything I write doesn't appear to be biography until later. I often say that I've never written about anything I've experienced. Of course, that's not true. But it doesn't appear familiar to me at all. And maybe that's because I have to be in a kind of coma in order to write. If it appeared familiar, I wouldn't.
I'm familiar with that magical mindset during sporting competition where one feels completely zoned in on what's happening. There are occasional nights in poker when the mists have cleared, and I just know what my opponents' cards are. Everything at the table is slow, loud, and easy. The rest of the world is silent.
It's easy to look at the vampires as a metaphor for any feared or misunderstood group. It's also easy to look at them as a metaphor for a shadow organization that says one thing and has a completely different agenda on their mind, and anybody who gets in their way, they just get rid of them. Does that sound familiar?
Before my husband deploys, he has a ritual that is familiar to many service members. He sits down with a generously poured bourbon, and he writes letters. One for his adult daughter, Rosalind. One for each of our little boys, Teddy and Antonio. One for his grandma, who raised him, and his family in Texas. One for me.
I think all people are familiar with thinking about their death and trying to come to terms with the fact that we will, at some point, no longer exist. The loss of one's ego is very tough to reconcile with; you really have to do a lot of mental gymnastics to wrap your head around the idea of just not existing anymore.
I think 'The Musketeers' is probably the Dumas novel people are most familiar with, or if not that, it's 'The Count Of Monte Cristo'. I've always been a big fan of Dumas because, on the one hand, he writes a lot about revenge, but he also writes about the cost of it to the revenger - I'd always had an interest in that.
I grew up in Muenchen where my father has been a professor for pharmaceutic chemistry at the university. He had studied chemistry and medicine, having been a research student in Leipzig with Wilhelm Ostwald, the Nobel Laureate 1909. So I became familiar with the life of a scientist in a chemical laboratory quite early.
In whatever guise - our own daily nightmares of war, intolerance, inhumanity or the struggles of an Assistant Pig-Keeper against the Lord of Death - the problems are agonizingly familiar. And an openness to compassion, love, and mercy is as essential to us here and now as it is to any inhabitant of an imaginary kingdom.
My husband and I have known each other since kindergarten. I had a crush on him in school, but we never dated. Then we saw each other again after high school, and there was something instantly familiar about him. I'm a very shy person and was very closed off. But he allowed me to be myself. And there's a safety in that.
My father came from Germany. My mom came from Venezuela. My father's culturally German, but his father was Japanese. I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I'm not very familiar with Mississippi.
Use the word 'zeitgeist' as often as possible. Ideally, you want to find words that sound familiar but people don't really know their definitions: 'zeitgeist,' 'bildungsroman,' 'doppelganger' - better yet, anything Latin. But avoid 'paradigm.' It's so 1994. If you say the word 'paradigm,' everybody knows you're a poser.
In the voyeurism of Reality TV, the viewer's passivity is kept intact, pampered and massaged and force-fed Chicken McNuggets of carefully edited snippets that permit him or her to sit in easy judgment and feel superior at watching familiar strangers make fools of themselves. Reality TV looks in only one direction: down.
The old process of social assimilation used to be mainly about English new money - generated in London, the mucky, brassy North or the colonies - buying those houses and restoring them, and doing the three-generation thing, mouldering into the landscape, and the 'community,' identifying with the place in a familiar way.
The appearance of aged persons is too well known to make detailed description necessary. The skin of the face is dry and wrinkled and generally pale. The hairs on the head and the body are white. The back is bent, and the gait is slow and laborious, whilst the memory is weak. Such are the most familiar traits of old age.
My daughter loves to be surprised. And she loves to surprise me. She loves to create games where either one or both of us are surprised, or go away, and then come back. And she loves to play them over and over, and over again. The combo is familiar. Go away. Come back. Surprise! She is only two. I better get used to this.
So for everybody who allows themselves to be separated from me because I said 'African' instead of 'Nubian' or 'Black' or 'Kemet' or 'original' or 'Israelite,' don't be so foolish. I say 'African' because the continent of Africa is the land from which we all originate. It is the word that we are most familiar with right now.
I particularly enjoy cello music because our daughter plays the cello. I have listened to her practice for so many hours that I am familiar with the music written for that instrument. I am also fond of the popular music of the 1930s because my future husband and I danced to it so many Saturday nights when we were in college.
Past middle age, some friends suggested that I should have my eyebags removed, the deepening creases on my face stretched. I often examined my face in the mirror, imagining how I'd look if I followed the suggestion. I decided to retain the old mug. I was too familiar and comfortable with it. And the final hindrance: the cost.
For people familiar with Eastern Europe, Marci Shore's 'The Taste of Ashes' is, in spite of its subject matter, delicious. A professor at Yale with much experience in Eastern Europe, she writes with great sureness of touch, weaving personal recollections with intellectual commentary and ideas with emotions, including her own.
I spend several days at a time without enough sleep. At first, normal activities become annoying. When you are too tired to eat, you really need some sleep. A few days later, things become strange. Loud noises become louder and more startling, familiar sounds become unfamiliar, and life reinvents itself as a surrealist dream.
Meat-fetishiser that I was, I used to find willed vegetarianism inexplicable. It was one thing to be a vegetarian because of religious and caste reasons - something I was familiar with because of my Indian upbringing - but to choose to be a vegetarian when you could eat meat for every meal every day? That seemed madness to me.
When we first started 'The Breakfast Club,' we wanted to have a video person dedicated to filming our interviews and sending out content. I think having video clips that could go viral, or get picked up by media outlets, helped us get syndicated, because people in other cities were familiar with us from having seen our videos.
It is against the spirit of our non-discriminating times to openly prefer one sort of music to another, so let's just say that hearing grand orchestral music in a public place is exhilarating in a way that hearing popular music never can be, if only because, in a popular music age, a full orchestra is less familiar to our ears.
The painter who is familiar with the nature of the sinews, muscles, and tendons, will know very well, in giving movement to a limb, how many and which sinews cause it; and which muscle, by swelling, causes the contraction of that sinew; and which sinews, expanded into the thinnest cartilage, surround and support the said muscle.
In the case of health information, I spent twenty-five years practicing medicine, and I was all too familiar with the fact that information wasn't properly shared, so I wouldn't know exactly what was in the hospital records; patients would be lost. Computerization gives the opportunity to actually get the information much better.
I decided to host my show 'Kiss and Cry' hoping that people actually want to participate and feel more familiar with figure skating. When I see these people enjoying themselves, it's a great joy to me. Although some of them get hurt once in a while, they enjoy it a lot, and I hope the show makes the viewers want to give it a try.
Millions of us track ourselves all the time. We step on a scale and record our weight. We balance a checkbook. We count calories. But when the familiar pen-and-paper methods of self-analysis are enhanced by sensors that monitor our behavior automatically, the process of self-tracking becomes both more alluring and more meaningful.
One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable blue sky, the familiar world returning - I could think of no other way to express my relief than through poetry. I made a decision there and then that it was what I wanted to do. Every time I pulled a wishbone, it was what I asked for.
The first time I went to the Planning Commission was when it was under KC Pant, a long time ago. Since then I have been back there many, many times to the point where the many people who seem to spend their lives sitting outside the various offices and even the patches of grime in the hallways and stairwells began to look familiar.
I've always been intellectually restless, but it is the building part of it that most interests me. It is the constructing of the team that is my favorite part. Anyone who is familiar with the history of the A's franchise, even dating back to Philadelphia, knows that every five or 10 years, you have to tear it apart and rebuild it.