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People get a little sidelined thinking that fame and fortune is going to bring them happiness, peace and contentment in their lives. Everyone thinks they want to be famous until the paparazzi are in their face, and then they're asking, 'Just give me some privacy.'
A lot of people are like, 'So you want to be famous.' And I'm like, 'No, I want to be good at my craft. I don't care about fame, I don't care if I even ever make it. As long as people know what I am as an actress in this business, I'm set for my career right now.'
At the final day, the Savior will not ask about the nature of our callings. He will not inquire about our material possessions or fame. He will ask if we ministered to the sick, gave food and drink to the hungry, visited those in prison, or gave succor to the weak.
I had an early taste of fame. I was 20, going out with TV presenter Dani Behr and we'd have paparazzi chasing us. I'm not comfortable being photographed, though I accept it is part of the job. I had to ask myself, 'What comes first, being a celebrity or footballer?'
It's very confusing when fame comes early on in your career. You get a little bit bent out of shape in terms of what's important. Fame is like the dessert that comes with your achievements - it's not an achievement in itself, but sometimes it can overpower the work.
You don't start a company because you want to be an entrepreneur or the fame and glory that comes along with it. You become an entrepreneur, and you create a company to solve a real problem. And by real problem, I mean a problem that is going to exist down the line.
Its such a paradox. You come from this place where you want fame; you dont want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
Complexity and profundity have been equated by the academic culture just as fame and significance have been conflated by the popular culture. Fame and significance have nothing to do with one another; and complexity and profundity have nothing to do with one another.
What surprised me most about fame is how unpleasant it can be. I used to think it was going to be so fun. I got excited about the parties. You don't anticipate friends being jealous of you and critics giving your music bad reviews. Media and rumors - that stuff hurts.
It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
I feel like it's big now with the passing of Mac Miller. Rest in peace, Mac Miller, who was a good friend of mine. That just showed people, like, it could happen to anybody. Just because you have fame or money, you're not immune to negativity and depression and stress.
I know some players like being the centre of attention and I admit that when I first became a player I liked fame, too. But that feeling lasted only for three months. Then I realised what it was really like to be the centre of attention all the time. It isn't all good.
I am a free man. I do not need to copy Petrarca or Boccaccio. My own genius is enough. Let others worry themselves about style, and so cease to be themselves. Without a master, without a model, without a guide, I go to work and earn my living, my well-being and my fame.
As an actor, you can't think about the end result or the fame; you just have to focus on the day you're in. You have no control over the finished product, what people will think of it, so all you have is the experience of making it, and you have to stay focused on that.
The money, the fame, if that comes, that's fantastic. But at the end of the day, my aim is to go to sleep at night content and have a purpose, and to know that I'm not swapping my life for money and some mind-numbing boring job, making easy money and protecting my brain.
One thing that people keep on saying to me is that the wealth and the fame must have made up for missing out on my childhood. But the idea of money - putting a price on your childhood - is ridiculous. You will never get those years back and you can't put a price on them.
I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
What fame does is there is an illusion of familiarity that is cast into the world. So it's about negotiating with that illusion because, oftentimes, you encounter people who have encountered you, but you haven't encountered them. It's a little weird to find your footing.
What's the reason I'm playing basketball? I do it because I love it, I do it because of my family, and that's it. I don't do it because of the money. I don't do it because of the fame. I just do it because I love it, and I do it for my family because my family enjoys it.
I don't ever want it to be about me. A friend of mine told me, 'The difference between fame and notoriety is fame is when people know you, and notoriety is when people know your work.' The first one is not respectable, but the second one is, because that leaves a legacy.
I'm never going to accomplish anything; that's perfectly clear to me. I'm never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don't do anything. Not one single thing. I used to bite my nails, but I don't even do that any more.
Some people can act Hollywood and others don't. I just try to live my life as a normal, everyday man. At times, fame does get to you. But you must stay positive and remember two things: It's easier to be happy, and without all those fans, life wouldn't be as good as it is.
Every musician, their goal in life is to play music that people love, and I've accomplished my goal. I was inducted into the Rock and Roll Hall of Fame and left that chapter of my life and those people in the past. Good and bad, I've loved and am thankful for that chapter.
To put it simply - you know, a lot of people believe that the benefit of this job is fame and fortune. I believe that you pay for the fortune through the fame. I don't buy into the notion that being famous is somehow a good thing, or an exciting thing, or a wonderful thing.
Dozens of America's wealthiest taxpayers - including hedge fund legend Michael Steinhardt, super trial lawyer Guy Saperstein, and Ben Cohen of Ben & Jerry's fame - have appealed to President Obama not to renew the Bush tax cuts for anyone earning more than $1 million a year.
To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
Success. Money. Fame. Whatever you're going after. You have one kick at the can, I always say. It's very rare that you have many kicks at the can. You're there at the right place at the right time, you have your shot, and it either works or it doesn't. And I've had many shots.
I'm born originally in Toronto, and I have what I call my 'Fame' story. I took a Greyhound bus and went to Alvin Ailey and received Dunham, Horton, Graham technique there, but I could never take my eyes off of Balanchine doing 'Nutcracker'; to me he's the best who ever did it.
Hollywood is great for entertaining people, it's a wonderful business but it's make-believe, you must remember that. That's one of the most important things to remember and the distinction in your own life, otherwise people get lost in their own fame, and it makes them unhappy.
I'm terrified of being too famous. What I'm really afraid of is that the audiences will go into the theater and not be able to forget that it's me, that fame will stand in the way of my acting. I want to keep being able to change into different shapes and different personalities.
Generally speaking, men are held in great esteem in all parts of the world, so why shouldn't women have their share? Soldiers and war heroes are honored and commemorated, explorers are granted immortal fame, martyrs are revered, but how many people look upon women too as soldiers?
Without a doubt in my mind, I should be in the Pro Football Hall of Fame. You look at my stats without my USFL stats, and I don't know how you can argue with that. Look at my combined yards. I'm not one to make excuses, so I'll play by their rules and not even count the USFL stats.
I imagine like most of us that I'd like obscene amounts of money but the people I met and worked with who have those obscene amounts of money and have obscene amounts of fame have awful lives. Really. I mean hideously compromised lives. And I can go anywhere. No one knows who I am.
When a story is flying along, and I'm so into it that my 'real' world goes away, it can feel magical. I cease to be, my desk and computer ceases to be, and I am my character in his world. Psychologists call this a 'flow state,' and it's better than publication, money, awards, fame.
When I first arrived in WWE after having a somewhat high profile on-air role in WCW, it was WrestleMania season. In a way, I was perceived to be the voice of WCW after the Ted Turner/TBS buyout of Jim Crockett Promotions. That 'claim to fame' did not endear me to many WWE personnel.
As far as friendships go, things change even without the fame. People start moving on. I have a few friends that are married and are starting to have kids and I'm like, 'Oh my goodness gracious - that's so insane.' I also have friends who are just doing their own thing, which is cool.
I grew up poor. I had no money. My family was poor. There's things I wanted to do and couldn't. I was an abused wife. Just - there's tons of things that I couldn't even mention. And for me to come up and to have all of this fame and fortune, it's just - it is a Cinderella story to me.
I love fame. I love being written about. I don't really mind if people think I'm a bad writer, if they don't understand my weird Instagram performance art or they find my long captions annoying. That's part of the package of being in the public eye, and honestly I find it exhilarating.
There was definitely a moment, a time after 'The Hand That Rocks the Cradle', when I did get offered a lot of women in jeopardy-type roles. But I couldn't do it, physically, I just couldn't. But now I know what I know, I wonder if I should have played the whole fame game a little more.
All my stepchildren carried the burden of my fame. Sometimes they would read terrible things about me, and I'd worry about whether it would hurt them. I would tell them: 'Don't hide these things from me. I'd rather you ask me these things straight out, and I'll answer all your questions.'
Being 36 years old changes you a lot, and so does eight years away from career, fame, needing attention, needing to be loved by strangers on some level. I was loving anonymity. I was loving the fact that I could meet a girl who didn't know who I was. I enjoyed it very much, I have to say.
With fame, you can't trust everybody. You can't depend on them being there for you as a person. They will only be there because of what you've got you as a person. They will only be there because of what you've got and what you can bring to their life. It's not a relationship-it's a leech.
Marlins Park is what I call my office in Miami, because I work for the Venezuelan Museum of Baseball and Hall of Fame. My job is to go to all the MLB stadiums and to talk to and collect articles from all the Venezuelan players in the big leagues and those Americans that played in Venezuela.
I sort of ride the fence on that whole steroid era issue. I don't have a definite opinion like some of my fellow Hall of Famers. Some of the guys were very, very adamant about a person being associated with steroids: 'They'll never be in the Hall of Fame. If they are, I'll never come back.'
One of the downsides of being famous is that folks pay far more attention to you than they should. American celebrities are constantly under surveillance, and every word they say is subject to scrutiny. So, be careful what you wish for if you desire fame. No human being should be a goldfish.
I started out on the stage, then I had a great career in television for quite a few years. The good news about a TV series is that they give you a certain amount of fame and money. The bad news is that you're in people's living rooms every week and get associated with a particular character.
Some people want fame, popularity and huge sales. I've always hoped to have a really long career. So I've tried to make each of my creative decisions and business decisions to allow for longevity. As a side effect I got really famous and really big. I didn't realize the two could go together.
I did Albert Hall, I got to play the Hall of Fame with Prince. So I've done that kind of stuff for ages. It wasn't until after we finished working on Brainwash, my dad's album after he died, then it was like 'That phase is over in my life now, now we can get on with our music, with our band.'
Fame is something that is tough when it comes. It's a weird thing to take on in real life. I was a little bit afraid and, as a result, kind of turned my back on it. You should embrace it because it's going to be a part of who you are, and it's going to be a part of what this business is about.
I think it's a shame when you come across young actors and musicians who haven't had the time to learn their craft. It doesn't matter if it's acting or music; you really have to learn how to do it from the bottom up because unless you have a great work ethic... fame is a terrible thing to have.