Fall Quotes - Page 164

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Because they do burn leaves here, the older folks do, and I remember now that I love it and always have. The way fall feels at night because of it, because of the crackling sound and walking around the sidewalks, like when you're a kid, and kicking those soft piles, and seeing smoke from backyards and Mr. Kilstrap standing over the metal drum with the holes in the top, the sparking embers at his feet.

Fail is a verb not a noun, most people think that when they fail, they become a noun and call themselves failures. People have to learn from their mistakes just as children learn to ride bicycles by falling off bicycles. Mistakes can be priceless if we are willing to learn from them because the price to becoming rich is the willingness to make mistakes and learn from them without blaming or justifying

The idea of getting old and dying, falling apart, does not sound fun at all to me, but it's an observation that I'm sure I'm not the first one to express. There're thousands of year of history attest to the same thing. Maybe it's the way I'm personally dealing with that inevitable transition. So I'm making metaphors out of the work possibly to think about that and try to get comfortable with the idea.

The rules of the track work well for life. Roller derby is life in a tiny circle. You can only go forward, even if you find yourself turned around, facing the wrong way. There's speed, unpredictability, and danger. You can't be sure what's going to happen, you don't always know when you'll stop, and it appears most people are out to get you. You will fall. You will get hurt. But you will get up again.

North Korea's sin is that it refuses to surrender, to fall on its knees, to sacrifice its people. It refuses to become a slave. For centuries, European and later US colonialism punished such defiance in the most brutal ways. Western culture is, after all, based and built on slavery. It demands absolute compliance, unconditional submission. If North Korea is attacked, it should fight back! And it will.

But then fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you.

Concerning the prayer that mountains fall to crush and hide, Farrar , says: "These words of Christ met with a painfully literal illustration when hundreds of the unhappy Jews at the siege of Jerusalem hid themselves in the darkest and vilest subterranean recesses, and when, besides those who were hunted out, no less than two thousand were killed by being buried under the ruins of their hiding places."

I think the difference between Real Madrid and Barcelona against the rest of the league is always getting bigger. It's going to be a league of two and I'm not sure if Atletico Madrid are really going to be there, what they've done is amazing - reaching the Champions League final twice and winning the league - but I think they're starting to fall behind. For Zizou, winning La Liga is the real challenge.

Holly: Seriously, you don't like unicorns? What kind person doesn't like unicorns? Justine: What kind of a person doesn't like zombies? What have zombies ever done to you? Holly: Zombies shamble. I disapprove of shambling. And they have bits that fall off. You never see a unicorn behaving that way. Justine: I shamble. Bits fall off me all the time: hair, skin cells. Are you saying you disapprove of me?

Has it been found that bodies of men act with more rectitude or greater disinterestedness than individuals? The contrary of this has been inferred by all accurate observers of the conduct of mankind; and the inference is founded upon obvious reasons. Regard to reputation has a less active influence, when the infamy of a bad action is to be divided among a number than when it is to fall singly upon one.

Try the meditation of the trail, just walk along looking at the trail at your feet and don't look about and just fall into a trance as the ground zips by," Kerouac wrote. "Trails are like that: you're floating along in a Shakespearean Arden paradise and expect to see nymphs and fluteboys, then suddenly you're struggling in a hot broiling sun of hell in dust and nettles and poison oak... just like life.

When he held her that way, she felt so happy that it disturbed her. After he left, it would take her hours to fall asleep, and then when she woke up she would feel another onrush of agitated happiness, which was a lot like panic. She wished she could grab the happiness and mash it into a ball and hoard it and gloat over it, but she couldn't. It just ran around all over the place, disrupting everything.

Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers.

I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—' 'No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.' Best of the Greeks. 'Your honor could be darkened by it." 'Then it is darkened.' His jaw shot forward, stubborn. 'They are fools if they let my glory rise or fall on this.

Superhero creators who engage in deconstruction fall into two categories: There are the guys who do it because it's easy, because it gets an audience reaction if you point out that superheroes must be a bunch of psychotic nuts. And there are the guys who do it because they're actually interested, and they're trying to get at what's going on underneath. They're interested in the process and the results.

I look at some of the great novelists, and I think the reason they are great is that they're telling the truth. The fact is they're using made-up names, made-up people, made-up places, and made-up times, but they're telling the truth about the human being- what we are capable of, what makes us lose, laugh, weep, fall down, and gnash our teeth and wring our hands and kill each other and love each other.

And the same things look bent and straight when seen in water and out of it, and also both concave and convex, due to the sight's being mislead by the colors, and every sort of confusion of this kind is plainly in our soul. And, then, it is because they take advantage of this affection in our nature that shadow painting, and puppeteering, and many other tricks of the kind fall nothing short of wizardry.

While still sixteen I am put in charge of a class of forty children who are two, three or four years younger than I. I fall in love with them. They are my possession, my mob whose forty minds, under my flashy and domineering control, are to become one, a mind unsullied by errors, unmarked by blots, contaminated by misplaced originalities outside the curriculum, and as full of facts as a pomegranate seed.

I had so many other things I could fall back on as an entrepreneur (with multiple businesses). When I finally was true to myself and what I wanted to do - and acting was it - there was nothing else I could think of. I thought "If I fail, I'm falling hard (because) I don't have anything else to fall back on. Am I going to accept that?"...I never looked back. I never (let myself) put it in my mind to fail.

It is not like studying German, where you mull along, in a groping, uncertain way, for thirty years; and at last, just as you think you've got it, they spring the subjunctive on you, and there you are. No- and I see now plainly enough, that the great pity about the German language is, that you can't fall off it and hurt yourself. There is nothing like that feature to make you attend strictly to business.

Fall forward. Here's what I mean: Reggie Jackson struck out 2,600 times in his career - the most in the history of baseball. But you don't hear about the strikeouts. People remember the home runs. Fall forward. Thomas Edison conducted 1,000 failed experiments. Did you know that? I didn't either - because number 1,001 was the light bulb. Fall forward. Every failed experiment is one step closer to success.

Love is like grass. If you fall on it, it may leave a stain and some temporary pain. But you'll get over the pain, it will eventually stop hurting. Now maybe the stain ruined your favourite pair of jeans, or maybe it was nothing special that was ruined, but either way the stain remains there. And with time, it will begin to fade, but it will always be there, a permanent reminder that you, too, once fell.

The man who said 'I'd rather be lucky than good' saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net and for a split second it can either go forward or fall back. With a little luck it goes forward and you win. Or maybe it doesn't and you lose.

You can gain experience, if you are careful to avoid empty redundancy. Do not fall into the error of the artisan who boasts of twenty years experience in craft while in fact he has had only one year of experience–twenty times. And never resent the advantage of experience your elders have. Recall that they have paid for this experience in the coin of life, and have emptied a purse that cannot be refilled.

Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.

Every child needs a safe place to fall - a place where he or she can explore things without worrying about failure and judgment. A library is one of those places. In a library you can learn by following your own nose, which is very different from someone telling you what you should learn. Once a kid learns a library is hers, to use as she wants, the world opens up., I've seen it happen. It happened to me.

Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics.

I really started getting my body ready when I was a freshman in high school. I had just been skating so much, and just started getting so annoyed with leg hair and arm hair, because I was falling so much when I was learning. So I would get scabs on my legs, and the hair would get caught in it. It just became a nuisance. And from that point on, I continued to shave my arms and legs and tried to stay sleek.

The Doxology ... that testimonial to the Platonic Trinity, which divided the Roman Empire into at least eighteen quarreling sects, none of whom knew what they were fighting about, and which schisms contributed to the decline and fall of this greatest of states. Rome had thrived for one thousand years with pagan gods at the helm and expired after only one hundred and fifty years under the Christian banner.

Then, without any warning, we both straightened up, turned towards each other, and began to kiss. After that, it is difficult for me to speak of what happened. Such things have little to do with words, so little, in fact, that it seems almost pointless to try to express them. If anything, I would say that we were falling into each other, that we were falling so fast and so far that nothing could catch us.

There are no medium-sized trees in the deep forest. There are only the towering ones, whose canopy spreads across the sky. Below, in the gloom, there's light for nothing but mosses and ferns. But when a giant falls, leaving a little space ... then there's a race - between the trees on either side, who want to spread out, and the seedlings below, who race to grow up. Sometimes, you can make your own space.

You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.

I knew that when the great guiding spirit cleaves humanity into two antagonistic halves, I would be with the people. I know this, I see it printed in the night sky that I, eclectic dissembler of doctrine and psychoanalyst of dogma, howling like one possessed, will assault the barricades or the trenches , will take my bloodstained weapon, and consumed with fury, slaughter any enemy who falls into my hands.

When this crisis began, crucial decisions about what would happen to some of the world's biggest companies - companies employing tens of thousands of people and holding trillions of dollars in assets - took place in hurried discussions in the middle of the night. We should not be forced to choose between allowing a company to fall into a rapid and chaotic dissolution or forcing taxpayers to foot the bill.

When love first happens, the individuals are giving each other energy unconsciously and both people feel buoyant and elated. That's the incredible high we call being ‘in love.’ Unfortunately, once they expect this feeling to come from another person, they cut themselves off from the energy in the universe and begin to rely even more on the energy from each other - only now there doesn’t seem to be enough.

Think then what it is to live on here eternally and yet be human; toage in soul and see our beloved die and pass to lands whither we maynot hope to follow; to wait while drop by drop the curse of the longcenturies falls upon our imperishable being, like water slow drippingon a diamond that it cannot wear, till they be born anew forgetful ofus, and again sink from our helpless arms into the void unknowable.

God has always been in my life and his little voice in me that lets me know when I'm falling a little too far left or right, up or down you know. I know because there is a little voice that starts saying, 'damn it, what are you doing? You need to slow down with that' or I might not be a good person to hang around you know... So God will do this to me in some sort of way. Or something bad will happen to me.

I know this is going to sound cheesy and like I'm trying to be Miss America, but the most important responsibility a celebrity has is to set an example and be a role model. I want to make sure that no matter how long I go through this, I don't fall into the trap of changing and modifying how I do things that aren't a positive example. I want to remain somebody that the entire family can listen to or watch.

It wasn't just that Lucy wanted to help him. She wasn't as selfless as that. She was madly attracted to him. She was attracted to all of the normal things and the weird things, too, like the back of his neck and his thumbs on the edge of his desk and the way his hair stuck out on one side like a little wing over his ear. She caught his smell once, and it made her dizzy. She couldn't fall asleep that night.

Consider the different narrative styles within the story, and the glee with which the "moralistic narrator" celebrates Aschenbach's fall - maybe, then, this is a hostile verdict and the international fame is warranted after all (given that Mann modeled his protagonist so closely on himself, it would be quite odd if he had intended Aschenbach's literary inferiority to be a fixed part of the interpretation).

I will not die an unlived life. I will not live in fear of falling or catching fire. I choose to inhabit my days, to allow my living to open me, to make me less afraid, more accessible; to loosen my heart until it becomes a wing, a torch, a promise. I choose to risk my significance, to live so that which came to me as seed goes to the next as blossom, and that which came to me as blossom, goes on as fruit.

It means a lot to me that people appreciate what I do. That's why I give a lot of importance to my fans and I like to maintain a certain proximity to them. I already feel very thankful that people enjoy my work so much, and becoming famous is not my ultimate goal. I think it's important to keep a good balance between what I want to do and what people want to hear; otherwise I might fall into the dark side.

Because I'm on the phone, Mom!" "Fooling around with your friends again! Who is that?" "Ahmadinejad." "Oh, my goodness! What is he saying?" "That he wants to see Jeezy at the Beacon tonight. Putin's going too. He scalped a ticket from Kim Jong Il. All tha gangstas are going." "Don't be so fresh, young man!" "Gotta go," he says to me. "Enemy forces have dropped a Momshell." "Fall back, solider. Over and out.

Devil does not bring sinners to Hell with their eyes open: he first blinds them with the malice of their own sins. He thus leads them to eternal perdition. Before we fall into sin, the enemy labours to blind us, that we may not see the evil we do, and the ruin we bring upon ourselves by offending God. After we commit sin, he seeks to make us dumb, that, through shame, we may conceal our guilt in confession.

I started a writing class, not in service of writing a script or writing anything specific. I've just really been enjoying that, and oddly the group, not by design, but it just happened to be all women, and there were three women who gave birth this fall while we were all in class, and there's just something really great about getting to know these women through their stories and what they're writing about.

Nothing is more despicable than the old age of a passionate man. When the vigour of youth fails him, and his amusements pall with frequent repetition, his occasional rage sinks by decay of strength into peevishness; that peevishness, for want of novelty and variety, becomes habitual; the world falls off from around him, and he is left, as Homer expresses it, to devour his own heart in solitude and contempt.

I believe our task is to develop a moral and aesthetic imagination deep enough and wide enough to encompass the contradictions of our time and history, the tremendous loss and tragedy as well as greatness and nobility, an imagination capable of recognizing that where there is light there is shadow, that out of hubris and fall can come moral regeneration, out of suffering and death, resurrection and rebirth.

As I stood alone and forsaken, and the power of the sea and the battle of the elements reminded me of my own nothingness, and on the other hand, the sure flight of the birds recalled the words spoken by Christ: Not a sparrow shall fall on the ground without your Father: then, all at once, I felt how great and how small I was; then did those two mighty forces, pride and humility, happily unite in friendship.

If Thought is capable of being classed with Electricity, or Will with chemical affinity, as a mode of motion, it seems necessary to fall at once under the second law of thermodynamics as one of the energies which most easily degrades itself, and, if not carefully guarded, returns bodily to the cheaper form called Heat. Of all possible theories, this is likely to prove the most fatal to Professors of History.

Anarchy is all around us. Without it, our world would fall apart. All progress is due to it. All order extends from it. All blessed things that rise above the state of nature are owned to it. The human race thrives only because of the lack of control, not because of it. I’m saying that we need ever more absence of control to make the world a more beautiful place. It is a paradox that we must forever explain.

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