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What the Greeks and Romans considered myths, we consider fairy tales. We can see how very clearly the myths, which emanated from all cultures, had a huge influence on the development of the modern fairy tale.
What I like about fairy tales is that they highlight the emotions within a story. The situations aren't real, with falling stars and pirates. But what you do relate to is the emotions that the characters feel.
The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It's a really interesting mythology when you dig into it.
I am 39. I am single. I am a black woman. I have too many advanced degrees. Many a news story tells me finding true love is likely a hopeless proposition. Now is the time when I need to believe in fairy tales.
'Snow White' is an old fairy tale, so obviously the idea of vanity and obsession with youth is long-standing. With today's science, people have become crazy with trying to move their face around. It's bizarre.
Kids delight in 'magical thinking', whether in the form of the Tooth Fairy or the saints: whether you see these as comforting lies or eternal verities, they are part of how we help kids make sense of the world.
I think that true love, fairy tales, the positive messages of positive stories - I don't think those ever die. Sometimes we like to hide them in sarcasm or irony, but they are still there, and they still move us.
I love the stories of changelings and the thought that the Fey were these ancient, capricious creatures who were tricky and dangerous. I've always preferred the Brothers Grimm faery tales to the Disney fairy tales.
I will always have a soft spot for 'East of the Sun, West of the Moon,' which I discovered just at the age when I was beginning to enjoy the darkness in fairy tales but still wanted a story where the good guys win.
And I thought, when I have kids, that's the sort of well told, silly, and fun fairy tale that I would want to take them to. But it was an amazing experience. And I think Shrek is a real classic, a fairy tale classic.
Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof.
The narrative of so many fairy tales are timeless in so many different cultures, and they have been since the dawn of man. They represent escapism, but they all feature themes that have such poignancy in a modern world.
With 'Grimm,' it's a lot of fun for me to be able to play within the familiar world of fairy tales. As for satisfying my inner fantasy geek, anything that would have me wielding a sword or shooting a bow would be a dream.
'Once Upon a Time', 'Mirror Mirror' - those shows and films focus on women and their conflict with one another. What the heck is going on in contemporary fairy tales? Women are not dominating the world; they are not evil.
The surprise is on the far side." "You're sure?" "Positive." "It better not be another fairy," Seth said. "What's the matter with fairies?" "I've already seen about a billion of them and also they turned me into a walrus.
I was a captive and a slave. I loved Dora Spenlow to distraction! She was more than human to me. She was a Fairy, a Sylph, I dont know what she was--anything that no one ever saw, and everything that everybody ever wanted.
The forest has always been a place, in fairy tales and in Shakespeare, where you go and discover who you are. You get stripped of everything you thought you were, some type of ordeal takes place, and you come out stronger.
Well the wedding in the words of the Archbishop of Canterbury was a fairy tale and there was a huge public impress, investment of goodwill, affection and indeed money in this Institution. It was a huge success at the time.
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm.
I am completely fascinated by the differences and comparisons between real life and fairy tales because we're raised as little girls to think that we're a princess and that Prince Charming is going to sweep us off our feet.
From as far back as I can remember, I always loved the King Arthur stories, fairy tales, mythology - things like that. So it was very natural for me when I came to write the 'Prydain' books to sort of follow that direction.
Fairy tales, because they have a very clear structure, are easier to interfere with. Also they have this really weird logic: the kind of logic that you only really experience when you're not feeling very well, or as a child.
It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.
Our show is less about a girl who is doing miracles and more about the domino effect of this girl's life, and how everyone else is affected. Our show seems to be a questioning show as opposed to an action sort of fairy tale.
I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
I don't know that I think women have to throw out the fairy tale ending. I just think they have to decide what their fairy tale ending is - and not go with the standard one that everyone's told them they're supposed to have.
Naming a fairy is notoriously difficult, because they don't particularly like to be named. There are so many of them, and humans have always wanted to categorize them. In that way, we think we can have more control over them.
The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.
My youngest son becomes an award-winning nature photographer, and I cannot resist writing poems to his pictures. My daughter loves to cook, though I do not. Yet together, we write a cookbook with fairy tales. And now a second.
There are people in the world who have skills and strength and talent that I will never have. Never. These notions that you can 'be whatever you want to be as long as you want it bad enough' are not true. They are fairy tales.
Mr. Robinson was a polished sort of person. He was so clean and healthy and pleased about everything that he positively shone - which is only to be expected in a fairy or an angel, but is somewhat disconcerting in an attorney.
It's funny. I don't really think of us as TV presenters. I think of TV presenters as responsible people who show children what to do with empty fairy liquid bottles. Not a couple of blokes who don't mind telling kids to shut up.
I can easily be lying in the gutter with someone kicking mud in my face tomorrow as easily as I can float in the clouds with angels sprinkling fairy dust in my hair. So, I make an effort to treat both success and failure equally.
I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.
I have a daughter, Hanna, and I never read fairy tales to her. But I did tell her bedtime tales and made up many tales involving 'Gory the Goblin' and other creatures that I borrowed from the Grimms' tales and other tales I knew.
It has been a fairy tale for an outsider, bouncing from one film set to another, choosing my films as assertively as those films chose me. And through this journey I have not once faced the dreaded syndrome of the 'casting couch.'
I like that 'once upon a time' quality, where the telling of a tale has an elevated sense of story. There's a whimsical quality to it. Sometimes in fairy tales more things seem possible, even though often they're real world based.
You can get this feeling of the English or Scottish or Irish or Welsh fairy, but it is by nature very elusive. It would be possible to pin down a German fairy, but the English one just vanishes, becomes the shadow under the trees.
Do we believe that there is equal economic opportunity out there in the real world, right now, for each and every one of these groups? If we believed in the tooth fairy, if we believed in the Easter Bunny, we might well believe that.
But I don't know if people are meant to be together. You have to have a lot in common, choose well and be really fortunate. It's not like you're sprinkled with fairy dust. You have to believe that love will be there when you need it.
One musical that deeply influenced me - and continues to do so - is the 1997 ABC TV movie of Rodgers and Hammerstein's 'Cinderella,' starring Brandy, with Whitney Houston as the Fairy Godmother and Whoopi Goldberg as the prince's mom.
My parents were working performers, so obviously I saw that there wasn't a lot of fairy tale going on there. It was a precarious world. One that they were deeply committed to and deeply loved, but one that required a lot of hard work.
When I was a little kid, I used to spend a lot of time thinking about what I'd wish for if a magic fairy gave me three wishes. First, I wanted to be loved. Then, I wanted to be beautiful. And, finally, I'd wish for a million more wishes.
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
I never thought I'd have children; I never thought I'd be in love, I never thought I'd meet the right person. Having come from a broken home - you kind of accept that certain things feel like a fairy tale, and you just don't look for them.
I couldn't stand it. It was what I thought I always wanted. I was there every day in the trenches, and I hated everything about that job. But what I loved - and what I got from 'The Tooth Fairy' - was to see how studio movies were released.
My relationship with Wilhelm and Jacob Grimm reaches far back into my childhood. I grew up with Grimm's fairy tales. I even saw a theater production of 'Tom Thumb' during Advent at the State Theater in Danzig, which my mother took me to see.
What you hear and what the research shows is that gentlemen negotiate for their first job. Women do not negotiate from their first job and on. And I tell women there is no H.R. fairy godmother. There might be, but you better not count on it.
I don't think one should incentivise the losing of teeth. I find the idea of a child getting an iPad, or a £20 note, for losing a tooth, utterly abhorrent. Fifty pence, or a pound at most, is what my children can expect from the Tooth Fairy.