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I've always loved silent movies. I recently saw 'Tilly's Punctured Romance' at the Academy, which is the first comedy made with Charlie Chaplin in 1914, and I sat there, and I couldn't believe that the entire audience of 2,000 people were laughing that hard from a movie made in 1914 - and there were no words; it was all faces.
Each sector of the border faces unique geographical, cultural and technological challenges that would be best addressed with a flexible, sector-by-sector approach that empowers the Border Patrol agents on the ground with the resources they need. What you need in San Diego is very different from what you need in Eagle Pass, Tex.
What I've learned by going out and playing smaller venues and being more in touch with people is getting feedback, just by virtue of being able to watch the crowd react and watch their faces instead of being blinded by 3,000 spotlights. I've realized that you can quickly get out of touch with your audience if you're not careful.
I couldn't tell you my wedding anniversary (although I seem to remember it was in June. Or maybe July. Definitely a month beginning with a 'J,' anyhow. But not January. Um. I think) and people I went to school with get extremely fed up with me when I bump into them in the street and have absolutely no recollection of their faces.
There is no reason why a guitar player makes the guitar-playing faces. It doesn't help you play guitar. You've not improved your skills. It's because you're up onstage, and the natural inclination is to put on a show. The rock guy faces are just as much of a front or a show as us wearing crazy makeup. It's just a different scale.
You can always spot a 'television personality', even when they aren't actually on television, because they carry their 'made-up' persona in front of them, like some sort of baffler, or Ready Brek force field. Their reach for notoriety predicated on that fulsome mediocrity of talent detailed above has become frozen in their faces.
I'm just a country boy from north Georgia, and I have three children and a wonderful wife. And when I look at my three children, who are 8, 11, and 12, and they really represent the faces and the future of the children all across my congressional district, and what the Tea Party stands for is not extremism; it's about their future.
We need to play like somebody took our lunch money, like somebody disrespected your mother. I think that's the type of anger you need have and the aggression you need to have on the court. That doesn't mean making mad faces or mean faces but it means attacking the glass, strongly attacking the rim when you have the ball on offense.
One of the challenges of any second-term administration is you always lose a certain amount of identification with the Congress, because everybody in the Congress in the first term knows you'll be out there in the next campaign with them, .. Your motives are always a little more suspect when you don't have to face the voters again.
To hold happiness is to hold the understanding that the world passes away from us, that the petals fall and the beloved dies. No amount of mockery, no amount of fashionable scowling will keep any of us from knowing and savoring the pleasure of the sun on our faces or save us from the adult understanding that it cannot last forever.
When you find out who you are, you will no longer be innocent. That will be sad for others to see. All that knowledge will show on your face and change it. But sad only for others, not for yourself. You will feel you have a kind of wisdom, very mistaken, but a mistake of some power to you and so you will sadly treasure it and grow it.
I think one of the main challenges that the World Bank faces is creating an organizational structure that doesn't get in the way of its staff. We have fantastic staff. People told me as I was coming into the organization that the greatest asset of the World Bank Group is its staff, and I think there's no question that that's the case.
The largest fear in the world is to speak in public. We fear of stumbling, or public humiliation, and so we're fearing a face-to-face rejection. So, we'll say things in a text or e-mail that we would never say face-to-face. So, relationships are coming together faster and breaking apart faster, and they're a little bit more disposable.
When you see the same familiar faces, it's nice when you get a chance to play with the same musicians. You start to develop this shorthand so everybody knows where you're at and where you're going, but then again, there are always surprises. But the more people are comfortable with the material, the more free you can be with the music.
I challenged Coleman and he accepted, he said he'd fight me. I pointed at Baroni and challenged him too, he looked at me with a bewildered look on his face and asked: "Me?", I said "Thats right, You!!" I also challenged Quinton Jackson and he looked at me and said "Me too?", and I responded. If you want some, there is some for you too!
I have this horrific thing where I'm really bad with names and faces. I have an appalling memory. Someone will come up to me in the street and go, 'Eddie!', and I'll try and give myself time by going into overdrive, 'Hey, hi! Nice to see you!' and start a whole conversation because I can't distinguish between who I know and who I don't.
You're weird," Nick grumbled, but he turned his face back to critically examine the new hand. "You're weird," Jamie returned. "As soon as this whole magical war is over, I'm going to make us some friendship bracelets, and we will wear them everywhere because we are best friends." "Drop dead," said Nick, and Jamie looked serenely pleased.
How do you know if the next act you are about to do is the right one or the wrong one? Consider the face of the poorest and most vulnerable human being that you have ever chanced upon, and ask yourself if the act that you contemplate will be of benefit to that person; and if it will be, it's the right thing to do, and if not, rethink it.
It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form, as the trees and hills, and as our faces are.
My hair was so much a part of my personality and all my photo shoots. I hid behind my hair. And then, I just decided I was okay with myself. To have short hair and really show my face is even more revealing than anything. It's a statement - not to everyone else, more to myself. I'm just ready to get out from behind my hair and be myself.
There are always things I find difficult - being in crowds, remembering faces. I do like routines. I always travel with someone. My life in Avignon is a very quiet one. I have an apartment that looks over the whole city. I can drop into town, but a lot of the time I write from home. In some respects I still live a very quiet, simple life.
In the context of Russia's invasion of Ukraine and a still-stagnant economy, President Barack Obama faces two important questions on energy transmission: a decision on the construction of the Keystone XL oil pipeline and the question of increasing American natural gas exports. These are choices that will resonate from Crimea to Cove Point.
Remember the movie 'The Matrix,' where virtual information popped up to help inform physical day-to-day reality? Such things won't always be the stuff of Hollywood. If the Internet is accessible via contact lenses, biographies will appear next to the faces of the people we talk to, and we will see subtitles if they speak a foreign language.
The recent upsurge of public concern over environmental questions reflects a belated recognition that man has been too cavalier in his relations with nature. Unless we arrest the depredations that have been inflicted so carelessly on our natural systems-which exist in an intricate set of balances-we face the prospect of ecological disaster.
Experience has taught me that I connect best with others when I connect with the core of myself. When I allow God to liberate me from unhealthy dependence on people, I listen more attentively, love more unselfishly, and am more compassionate and playful. I take myself less seriously, become aware that the breath of the Father is on my face.
I tend to pick objectives that I feel are safe because I know that, in the moment, I always go for it. I have some rules for myself, though: Look for the rock faces without a lot of loose rock. Always rope up on glaciers where there is even a slight chance of falling into a crevasse. No pure free soloing. Never climb below hanging glaciers.
There they lay, but not in the forgetfulness of the previous night. She was seeking and he was seeking, they raged and contorted their faces and bored their heads into each others bosom in the urgency of seeking something, and their embraces and their tossing limbs did not avail to make them forget, but only reminded them of what they sought
There is no such thing as originality. It has all been said before, suffered before. If a person knows that, is it any wonder love becomes mechanical and death just a scene to be shunned? There is no absolute knowledge to be gained from either. Just another ride on the merry-go-round, another blurred scene of faces smiling and faces grieved.
The emotion is the execution of a very complex program of actions. Some actions that are actually movements, like movement that you can do, change your face for example, in fear, or movements that are internal, that happen in your heart or in your gut, and movements that are actually not muscular movements, but rather, releases of molecules.
Odisha faces natural calamities almost every year. The assistance we get from the Centre is mostly for temporary restoration of infrastructure. We have to spend a lot from state's own funds to work for the long-term. This puts too much stress on our finances. Precisely for this reason, Odisha should be considered for special category status.
We hear the stories every day now: the father who puts on a suit every morning and leaves the house so his daughter doesn't know he lost his job, the recent college grad facing up to the painful reality that the only door that's open to her after four years of study and a pile of debt is her parents'. These are the faces of the Obama economy.
She wanted to leave, she wanted to lie alone face down on her bed and savor the vile piquancy of the moment, and go back down the lines of branching consequences to the point before the destruction began. She needed to contemplate with eyes closed the full richness of what she had lost, what she had given away, and to anticipate the new regime.
What wasdat, sir? What wazzat sir? What wassat, sir?” “Wayne, what are you babbling about?” Waxillium asked. “Practicing my pretzel guy,” Wayne said. “He had a great accent...” Waxillium glanced at him. "That hat looks ridiculous.” “Fortunately, I can change hats,” Wayne said in the pretzel-guy accent, “while you, sir, are stuck with that face.
If you recall, we have a huge list of celebrities who had announced they'd leave the country if Trump won. It probably seemed like a safe play for attention at the time, but now they've got egg on their faces, because, of course, none of them are actually leaving. Some of them have gone silent, while others, like Amy Schumer, say it was a joke.
Let's face it, the human body is like a condominium apartment. The thing that keeps you really enjoying it is the maintenance. There's a tremendous amount of daily, weekly, monthly and yearly work that has to be done. From showering to open heart surgery, we're always doing something to ourselves. If your body was a used car, you wouldn't buy it.
Fires in California and Oregon are incinerating homes, businesses, schools, power lines, and roads. Hurricanes in the Gulf Coast are swamping mobile homes and carrying away cars and livestock. The United States faces the potential task of relocating towns and cities and fortifying others, trapped in an endless cycle of destruction and rebuilding.
Television and movies were our biggest teachers. When we came to the United States, the Vietnam War was just ratcheting up. And so the Asian faces that I saw on the news, they were the face of the enemy. Asian men, particularly, were either small, ineffective, or they were evil. And those messages were deeply, deeply embedded in me for many years.
As I was looking through a book about German Expressionist films and their stars, it all came together because of the extreme way actors made their faces up in those early day of film in order to pop out in the black-and-white. I just wanted to use makeup in the same way, partly perhaps because as women get older, they're told to wear less makeup.
I do think it's getting better, but I have noticed that Asians are not well represented in awards shows, and not a ton of Asian faces on the big screen either. Perhaps some of the young Asian actors who are on TV series now will be seen in upcoming movies in the near future - Jamie Chung, Constance Wu, Suzy Nakamura, to name a few. Fingers crossed.
I'm not so interested in perfect, plastic beauty, and I think it translates in the girls I've shot over the years for Nars, from Guinevere to Iris to Mariacarla. I love those girls. I love the more interesting faces, with maybe a strange nose, not just the Texan blonde. By picking those girls, I think it's changed what I've seen in other campaigns.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
How easy it is to call rogue and villain, and that wittily! But how hard to make a man appear a fool, a blockhead, or a knave, without using any of those opprobrious terms! Tosparethegrossness ofthenames, and to dothe thing yet moreseverely, isto drawa full face, and tomake the nose and cheeks stand out, and yet not to employ any depth of shadowing.
"Be grateful to everyone" is about making peace with the aspects of ourselves that we have rejected... If we were to make a list of people we don't like - people we find obnoxious, threatening, or worthy of contempt - we would discover much about those aspects of ourselves that we can't face... other people trigger the karma that we haven't worked out.
I was approached by Avon which took me by surprise, cause I thought "why me?" I thought it would be Olga, but they wanted me to be the face of their fragrance and since filming Bond I have recorded an ad that looks great and obviously the stills. It's brilliant because I never thought I would get to do anything like that and it is a lovely opportunity.
This singularity of meaning--I was my face, I was ugliness--though sometimes unbearable, also offered a possible point of escape. It became the launching pad from which to lift off, the one immediately recognizable place to point to when asked what was wrong with my life. Everything led to it, everything receded from it--my face as personal vanishing point.
Why do you hunger for length of days? The point of life is to follow reason and the divine spirit and to accept whatever nature sends you. To live in this way is not to fear death, but to hold it in contempt. Death is only a thing of terror for those unable to live in the present. Pass on your way, then, with a smiling face, under the smile of him who bids you go
God is not only the God of the sufferers but the God who suffers. ... It is said of God that no one can behold his face and live. I always thought this meant that no one could see his splendor and live. A friend said perhaps it meant that no one could see his sorrow and live. Or perhaps his sorrow is splendor. ... Instead of explaining our suffering God shares it.
If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither "number" nor "size", but always form. And among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other and continues to fascinate me, is the structure hidden in mathematical things.
Who was this women?' asked Harry. 'I dunno, some Ministry hag.' Mundungus considered for a moment, brow wrinkled. 'Little women. Bow on top of er' head.' He frowned and then added, 'Looked like a toad.' Harry dropped his wand. Harry looked up and saw his own shock reflected in Ron and Hermione's faces. The scars on the back of right hand seemed to be tingling again.
Even to this day it is easier than it ought to be for me to get a rise out of an American by telling him something about himself which is equally true about every human being on the face of the globe. He at once resents this as a disparagement and an assertion on my part that people in other parts of the globe are not like that, and are loftily superior to such weaknesses.