Something new always slowly changes right in front of your eyes - it just happens.

I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can't. My attitude is always 'let it keep rolling.'

Watch how you communicate with a woman. Because you're always communicating, even when you're not talking - with your body language, your facial expressions, your eyes.

I heard that your subconscious is on the right side. I always shut my right eye when I play, or both eyes. I feel like you go to a deeper place in your subconscious, and you tell the stories that are more deeply within you.

I'm always much more inspired by random people on the street. I live down by NYU and The New School, and I'd almost say close your eyes and pull a student out, and they're gonna be a little bit cooler than the average celebrity.

Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.

I was always curious about the anxiety a person would feel when you open your mouth and you have an accent. You could have a Ph.D. or be a lawyer, but as soon as you say something, you may be diminished in the eyes of someone else.

When in doubt, always opt for going naturel rather than hiding your skin under foundation and such. Line your eyes with kohl and mascara, put on some bright lip gloss and pinch your cheeks a little bit to get them all flushed and bright!

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