Eye Quotes - Page 254

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I’m beginning to sense a theme,” Mircea said, tossing his suit coat over a buckskin-covered chair. A moose head with huge, outspread antlers loomed over it, its bright glass eyes looking oddly lifelike in the low light. Mircea took in the room, his expression slightly repulsed yet fascinated. “I believe there is only one thing to say at this point.” What’s that?” Yee haw,” he said gravely, and took me down like a rodeo calf.

He looked at her. She was pretty still, with thick hair and soft eyes, and she moved so gracefully that it almost seemed as though she were gliding. He'd seen beautiful women before, though, women who caught his eye, but to his mind, they usually lacked the traits he found most desirable. Traits like intelligence, confidence, strength of spirit, passion, traits that inspired others to greatness, traits he aspired to himself.

Bryce," she whispers. "What's wrong." I can barely breathe as I ask her, "Do you like him?" "Do I... you mean Jon?" "Yes!" "Well, sure. He's nice and -" "No, do you like him?" My heart was pounding through my chest as I took her other hand and waited. "Well, no. I mean, not like that...." No! She said no! I didn't care where I was, I didn't care who saw. I wanted, just had to kiss her. I leaned in, closed my eyes, and then...

Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun.... there are millions of suns left, You shall no longer take things at second or third hand.... nor look through the eyes of the dead.... nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from yourself.

To conclude this discussion, assessment of justice demands engagement with the 'eyes of mankind',first, because we may variously identify with the others elsewhere and not just with our local community;second, because our choices and actions may affect the lives of others far as well as near;and third,because what they see from their respective perspective of history and geography may help us to overcome our own parochialism.

I remember when I was a child, being taken to the celebrated Barnum's Circus, which contained an exhibition of freaks and monstrosities, but the exhibit on the program which I most desired to see was the one described as ‘The Boneless Wonder’. My parents judged that the spectacle would be too demoralizing and revolting for my youthful eye and I have waited fifty years, to see The Boneless Wonder sitting on the Treasury Bench.

There is something indefinably keen and wan about her anatomy, and she has a watchful way of looking out of the corners of her eyes without turning her head which could be pleasantly dispensed with, especially when she is in an ill humour and near knives. Through all the good taste of her dress and little adornments, these objections so express themselves that she seems to go about like a very neat she-wolf imperfectly tamed.

There are those who give with joy, and that joy is their reward. And there are those who give with pain, and that pain is their baptism. And there are those who give and know not pain in giving, nor do they seek joy, nor give with mindfulness of virtue; They give as in yonder valley the myrtle breathes its fragrance into space. Through the hands of such as these God speaks, and from behind their eyes he smiles upon the earth.

In the gospel of Jesus Christ you have help from both sides of the veil, and you must never forget that. When disappointment and discouragement strike--and they will--you remember and never forget that if our eyes could be opened we would see horses and chariots of fire as far as the eye can see riding at reckless speed to come to our protection. They will always be there, these armies of heaven, in defense of Abraham's seed.

Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The V motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down--from high flat temples--in a point on his forehead. He looked rather pleasantly like a blond Satan.

With non-fiction writing I feel like I'm confined and driven by what actually happened. That makes the "plot". So it's a process of getting all of my notes typed up, then scanning through the notes, trying to extract or find certain vignettes that seem like they might write well - that might have a potential for good energy, shape, etc. And then at some point I start stringing these together, keeping an eye on the word count.

When you're dying and your life is flashing before your eyes, you're gonna be thinking about the great things that you did, the horrible things that you did and the emotional impact that someone had on you and that you had on somebody else. Those are the things that are relevant. To have some sort of emotional impact that transcends your time, that's great. As long as you don't mess it up by being undignified when you're old.

And loneliness. I should say something of loneliness. The panic, the sweeping hysteria that comes not when you are without others, but when you are without yourself, adrift. I should describe the filthy province of mind, the blighted district inside, the place so crowded you cannot raise the eyelids of your eyes. Your shoulders are drawn and your head has fallen and your chest is bruised by the constant assault of your heart.

That’s not the only reason I’m stayin’, chica. I can’t leave you any more than I could walk out that door right now while my leg is busted up. I was just thinkin’ . . . should we tell your parents now or later?” “Tell them what?” I ask, eyes wide. He kisses me softly, then says proudly, “That we’re in a serious, monogamous, committed relationship.” “We are?” “Sí. And when I get out of here, I’m gonna fix the door to your car.

Photography must seize upon this moment and hold immobile the equilibrium of it. The photographers eye is perpetually evaluating. A photographer can bring coincidence of line simply by moving his head a fraction of a millimeter. He can modify perspectives by a slight bending of the knees. By placing the camera closer to or farther from the subject, he draws a detail — and it can be subordinated, or he can be tyrannized by it.

So I was doing well academically, and I was a well-ranked tennis player and was the apple of my handsome father's eye-and then I would bring home a report card with a B-plus on it, and my parents would look at the report card as if I'd flunked. "Uh, honey?" one of them would ask, looking perplexed. "Now, this isn't a criticism but, if you could get a B-plus in philosophy, how much harder would it have been to get an A-minus?"

Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain which the reader throws away. He only is the master who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.

Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage.

The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.

Steven Meisel is completely consumed with what interests him. He does what he wants to do, and when something doesn't interest him, he's not afraid to say so. I think that's why you don't see his work all over the place as often as you might like to. Today he only photographs what he wants to photograph, what turns him on. He has an extraordinary eye, and his sophistication is limitless. This is a man who doesn't miss a beat.

See," he began, leaning back into the booth, "I was at this car dealership today, and I saw this girl. It was an across-a-crowded-room kind of thing. A real moment, you know?" I rolled my eyes. Chloe said, "And this would be Remy?" "Right. Remy," he said, repeating my name with a smile. Then, as if we were happy honeymooners recounting our story for strangers he added, "Do you want to tell the next part?" "No," I said flatly.

I'm extremely proud of what I have achieved. I've travelled around the world twice, went from rolling quarters for cigarettes, balling my eyes out, wondering what I was going to do after losing three million dollars, to being very financially comfortable, to buying a Mercedes G Wagon to being able to get whatever I want and living in a beautiful apartment in West Hollywood, furnished exactly how I want it. Life is incredible.

If I had a staff of even one person, or could tolerate a small amphetamine habit, or entertain the possibility of weekly blood transfusions, or had been married to Vera Nabokov, or had a housespouse of even minimal abilities, a literary life would be easier to bring about. (In my mind I see all your male readers rolling their eyes. But your female ones - what is that? Are they nodding in agreement? Are their fists in the air?)

There are actual communication systems being built to enable eye surgeons to get inside the eye, and vascular surgeons to get inside the arteries. You could see a social reaction in which people would want to regulate this technology because they are threatened by it, and thereby cause a lot of harm. There are several scenarios that are happening at once. The other scenario is that the Japanese are going for this in a big way.

You know, Qhuinn's an interesting character." Saxton reached out with an elegant hand and picked up his port. "He's one of my favorite cousins, actually. His nonconformity is admirable and he's survived things that would crush a lesser male. Don't know that being in love with him would be easy, however." Blay didn't go near that one. "So do you come here often?" Saxton laughed, his pale eyes glinting, "Not for discussion, huh.

I stared up in disbelief at the information my eyes fed my brain, and lost myself to the stars. For the first time in my life I had a greater idea of how infinitesimally small our planet really is and, furthermore, how tiny and insignificant I am in the grand scheme of the vast universe. I took a seat on a rock next to Lily and took in the moment to comprehend the vastness of everything else, and the incredible smallness of I.

So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.

It is the task of the scenarist to invent little pieces of business that are so characteristic and give so deep an insight into his creatures, that their personalities clearly and organically unfold before the eyes of the audience so that the latter feel that the actions of these people are contingent upon their characters, that there exists some kind of a logical fate, and that nothing is left to mere accident or coincidence.

And my daughter said, 'Why are you yelling at us?' and I said, 'I'm trying to discipline you!' And then she looked up at me with her tear-stained eyes and said, 'This is how you teach children, by making them cry.' And it was such a clenching reminder - she won not only the argument, but she won life with that statement. I just burst out laughing, and I think they were so surprised that I burst out laughing, that they did too.

Muscular dystrophy ... was never seen until Duchenne described it in the 1850s. By 1860, after his original description, many hundreds of cases had been recognised and described, so much so that Charcot said: 'How is it that a disease so common, so widespread, and so recognisable at a glance - a disease which has doubtless always existed - how is it that it is recognised only now? Why did we need M. Duchenne to open our eyes?'

Repentance can become a very, very deep phenomenon in you if you understand the responsibility. Then even a small thing, if it becomes a repentance-- not just verbal, not just on the surface; if it goes deep to the roots, if you repent from the roots; if your whole being shakes and trembles and cries, and tears come out; not only out of your eyes but out of every cell of your body, then repentance can become a transfiguration.

I squeezed my eyes shut and took several deep breaths, trying not to smell Jace in front of me, not to taste him on my lips. But it was useless. In that moment, Jace was everywhere. He was in my mind, he was in my heart, and he was in my memory. He smelled good. He tasted good. And the blissful aftershock still throbbing in my most sensitive places felt wonderful, when everything else in my life was an obstacle to be overcome.

Milk-livered man, That bear'st a cheek for blows, a head for wrongs; Who hast not in thy brows an eye discerning Thine honor from thy suffering; [that not know'st Fools do those villains pity who are punished Ere they have done their mischief. Where's thy drum? France spreads his banners in our noiseless land, With plumed helm thy state begins to threat, Whilst thou, a moral fool, sits still and cries 'Alack, why does he so?']

in most important ways, leaders of the future will need the traits and capabilities of leaders throughout history: an eye for change and a steadying hand to provide both vision and reassurance that change can be mastered, a voice that articulates the will of the group and shapes it to constructive ends, and an ability to inspire by force of personality while making others feel empowered to increase and use their own abilities.

Well...what did you promise exactly? Not to tell anyone that Eric Dragomir had a mistress and baby?" Sonya nodded. "And not to tell who they were?" Sonya nodded again. Sydney gave Sonya the warmest, friendliest smile i'd ever seen on the Alchemist. "Did you promise not to tell anyone where they are?" Sonya nodded, and Sydney's smile faltered a little. Then her eyes lit up. "Did you promise not to LEAD anyone to where they are?

Our lips met hungrily, and his clever artistic hands wrapped around my hips. A sudden buzz from my regular cell phone startled me from the kissing. "Don't," said Adrian, his eyes ablaze and breathing ragged. "What if there's a crisis at school?" I asked. "What if Angeline 'accidentally' stole one of the campus buses and drove it into the library?" "Why would she do that?" "Are you saying she wouldn't?" He sighed. "Go check it.

Today's Gypsies, who have lived in Prague for only two generations, light a ritual fire wherever they work, a nomads' fire crackling only for the joy of it, a blaze of roughhewn wood like a child's laugh, a symbol of the eternity that preceded human thought, a free fire, a gift from heaven, a living sign of the elements unnoticed by the world-weary pedestrian, a fire in the ditches of Prague warming the wanderer's eye and soul.

Each in the most hidden sack kept the lost jewels of memory, intense love, secret nights and permanent kisses, the fragment of public or private happiness. A few, the wolves, collected thighs, other men loved the dawn scratching mountain ranges or ice floes, locomotives, numbers. For me happiness was to share singing, praising, cursing, crying with a thousand eyes. I ask forgiveness for my bad ways: my life had no use on earth.

America, in the eyes of the world, typifies above all else this quality of initiative. The greatest successes are nearly all the fruit of initiative. Why do we hold in such high esteem the achievements of the Wright brothers? Because they were illustrious examples of initiative and tenacity. And ideas are born of initiative, the children of men and women of initiative. Advancement is applied initiative. Don't imitate. Initiate.

I think about going to the lake, but I'm so weak that I barely make it to my meeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me. Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pair of lips.

Cry your grief to God. Howl to the heavens. Tear your shirt. Your hair. Your flesh. Gouge out your eyes. Carve out your heart. And what will you get from Him? Only silence. Indifference. But merely stand looking at the playbills, sighing because your name is not on them, and the devil himself appears at your elbow full of sympathy and suggestions. And that's why I did it....Because God loves us, but the devil takes an interest.

"Oh, you want too much!" she cried to Gatsby. "I love you now - isn't that enough? I can't help what's past." She began to sob helplessly. "I did love him once-but I loved you too." Gatsby's eyes opened and closed. "You loved me too?" he repeated. "Even that's a lie," said Tom savagely. "She didn't know you were alive. Why - there're things between Daisy and me that you'll never know, things that neither of us can ever forget."

For it is not the bare Words, but the Scope of the writer that giveth true light, by which any writing is to bee interpreted; and they that insist upon single Texts, without considering the main Designe, can derive no thing from them clearly; but rather by casting atomes of Scripture, as dust before mens eyes, make everything more obscure than it is; an ordinary artifice of those who seek not the truth, but their own advantage.

Iʹve seen you too. Ozera. Crispin, right?ʺ ʺChristian,ʺ corrected Lissa. ʺRight.ʺ .... ʺSo what brings you and Christopher here?ʺ asked Blake. He finished a glass of something amber colored and set it down beside the new drink. ʺChristian,ʺ said Christian. .... Blake gave her puppy-dog eyes. ʺBut you just got here! I was hoping we could get to know each other.ʺ It went without saying what he meant by that. ʺOh. And Kreskin too.

I sat up and the blankets fell away.I looked down and found I was wearing pokemon pajamas. "Sadie,"I said,"I'm going to kill you." She batted her eyes innocently."But the street merchant gave us a very good deal on those.Walt said they would fit you." Walt raised his hand."Don't blame me,man.I tried to stick up for you." Bes snorted,then did a pretty good imitation of Walt's voice:"At least get the extra-large ones with Pikachu.

Everybody deserves fair treatment, equal treatment in the eyes of the law and the state. And that includes gays, lesbians, transgender persons. I am not a fan of discrimination and bullying of anybody on the basis of race, on the basis of religion, on the basis of sexual orientation or gender. This is actually part and parcel of the agenda that's also going to be front and centre, and that is how are we treating women and girls.

Among the myrtles the mantids moved, lightly, carefully, swaying slightly, the quintessence of evil. They were lank and green, with chinless faces and monstrous globular eyes, frosty gold, with an expression of intense, predatory madness in them. The crooked arms, with their fringes of sharp teeth, would be raised in mock supplication to the insect world, so humble, so fervent, trembling slightly when a butterfly flew too close.

All the lessons learned, unlearned; The young, who learned to read, now blind, Their eyes with an archaic film; The peasant relapses to a stumbling tune, Following the donkey's bray; These only remember to forget. But somewhere some word presses, On the high door of a skull and in some corner, Of an irrefrangible eye, Some old man memory jumps to a child - Spark from the days of energy. And the child hoards it like a bitter toy.

A few days ago Tan Casipo said to me, 'Some people come here with so much dust in their eyes it's unbearable to talk to them.' What does that say about the monkhood? He can't tolerate people with 'dust in their eyes.' All that these monks have developed here is a safe little self-centred world which they call holy because villagers bow down to them. Living in a forest and wearing a robe doesn't make you better than anybody else.

I have seen an entire family lifted out of poverty and into affluence by the simple boon of a broken leg. I have had people come to me on crutches, with tears in their eyes, to bless this beneficient institution. In all my experiences of life, I have seen nothing so seraphic as the look that comes into a freshly mutilated man's face when he feels in his vest pocket with his remaining hand and finds his accident ticket all right.

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