Quotes of All Topics . Occasions . Authors
To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
In all professions each affects a look and an exterior to appear what he wishes the world to believe that he is. Thus we may say that the whole world is made up of appearances.
They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
I could never ever say enough about Matt Amato. He has an indescribable presence; this warm, loving, serene calm with intense interest and excitement bubbling beneath his exterior.
Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times.
A tender beef roast with a well-browned exterior is about as easy to pair with wine as a dish can be. You have your pick of just about any medium- to full-bodied red wine, from any place.
I really like the idea of being a bit unpredictable. I'm known for being a nice, easy-going person with a straightforward exterior. So I think a bit of me wants to be sort of sly and devious.
One of the things that's been really fun about my run on 'Swamp Thing' is putting him in all kinds of different locations around the world, and seeing how his exterior foliage changes based on his location.
No one finds it interesting to look at the person who is perfect all the time. They have no flaws. Flaws are what open us up to another person to show that we are not having a veneer, a fake sort of exterior.
I viewed black musicals before 'Jelly' as a form of cultural strip mining. The exterior remained, but all the culture that signified where the people had come from and their connection to the earth was absent.
The pleasure that I take in writing gets me interested in writing a poem. It's not a statement about what I think anybody else should be doing. For me, it's an interesting tension between interior and exterior.
Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.
One of the joys about my job is that I've been able to constantly move and keep changing. The whole point of being an actor is you change your exterior everytime you do a new job and that's what keeps it exciting.
Being a man repeller becomes a process of elimination. If a guy is only really into your outfit and won't date you because of what you're wearing, they are too driven by the female exterior and don't care about your intellect.
Even if you sulk after a failure, you have to put on that exterior that you are fine. You could be going through a series of nonsense in your personal life or failure in your professional life, but you have to put on that exterior.
As an actor, some of my favorite things to work on are night exterior scenes. Any time that we're on location and shooting at night, it's just magic. I got to do that so many times working on 'Vampire Diaries' that it filled my hat.
Skin is not only an envelope protecting the inner body, or a membrane that allows exchange between exterior and interior of the body. It also serves as a mingling point between the outer world and inner self, and between body and soul.
In addition to the wishes of the client, the position, orientation, and size of the plot also play an important role in determining the final plan of the house. The 'where' and 'how' of the exterior then follows naturally from all of that.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
Some of the best actors in the world are very exterior actors, Anthony Hopkins being one of them. He knows exactly how to turn his face to get a certain expression. He knows exactly what to do with eyes, and with his voice. It's very exterior.
The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.
I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
Acting tough is all about developing an attitude and a persona that says, 'Look at how great I am.' But often, that tough exterior is meant to hide self-doubt. Mentally strong people invest more energy into working on their weaknesses rather than trying to cover them up.
For a rapper as well-known as Drake, there remains an essential element of mystery about him. For one so open, there's a distance, and he prefers it that way. But then there's something beneath the exterior that reveals itself with urgency in conversation: Drake's raw ambition.
The Eisenhower Building - the furniture is mismatched; everything is just bad decor and bad quality. Everybody's looking down at their Blackberry. It's a really frantic, mismatched environment. But on the exterior, it's this whitewashed, gorgeous building. It's a fascinating contrast.
Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.
I just like watching people who really are not self-conscious, who aren't aware, because I fear that one could become too self-conscious, too artful, as an actor. Sometimes if you look at somebody, you can extrapolate from their exterior what might be happening in their interior. I'm nosy.
Most of the time my own family feels like I don't need anything, I'm tough as nails and I don't have any feelings about anything. They really think that I'm this super tough person. I have a tough exterior, but I get upset. I have feelings and all those things. I wear my heart on my sleeve.
I vividly remember my sixth-grade classroom. I remember what it smelled like, where I sat, what I could see out the window, and how I felt about things. Peel away my decrepit middle-aged exterior, and an important part of me is still twelve years old. It helps me when I sit down to write stories for kids.
I initially became a trainer in 2002 to help people shape their bodies, to help them look the way they wanted to look. This would reflect the way I was living. I was focusing on the exterior. Then in 2003/4, I had a paradigm shift. I started a business for bariatric patients, pre- and post-gastric bypass.
To me, it really seems visible today that ethics is not something exterior to the economy, which, as technical matter, could function on its own; rather, ethics is an interior principle of the economy itself, which cannot function if it does not take account of the human values of solidarity and reciprocal responsibility.
In its exterior relations - abroad - this government is the sole and exclusive representative of the united majesty, sovereignty, and power of the States, constituting this great and glorious Union. To the rest of the world, we are one. Neither State nor State government is known beyond our borders. Within, it is different.
If taking one-self seriously as a woman means committing to a life of grooming, pumicing, pruning and polishing one's exterior for the benefit of onlookers, then I may as well leave my unwieldy rucksack to the top of a bleak Scottish hill and make my home there under a stone, where I'll fashion shoes out of mud and clothes out of leaves.
There is a very definite Russian heart in me; that never dies. I think you're born and you live your life with it and you die with it. I'm very much an American - my books tend to be about American things, but inside there's that sort of tortured, long-suffering, aching, constantly analysing Russian soul underneath the happy American exterior.
