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Actually," Clary said, "I think he stayed because of me." Jace's glaze flicked up to hers with a flash of gold. "Because of you? Hoping for another hot date, was he?" Clary felt herself flush. "No. And our date wasn't hot. In fact, it wasn't even a date. Anyway, that's not the point. When he came into the Hall, he kept trying to get me to go outside with him so we could talk. He wanted something from me. I just don't know what." "Or maybe he just wanted you," Jace said. Seeing Clary's expression, he added, "Not that way. I mean maybe he wanted to bring you to Valentine.
Cliche refers to words, commonplace to ideas. Cliche describes the form or the letter, commonplace the substance or spirit. To confuse them is to confuse the thought with the expression of the thought. The cliche is immediately perceivable; the commonplace very often escapes notice if decked out in original dress. There are few examples, in any literature, of new ideas expressed in original form. The most critical mind must often be content with one or the other of these pleasures, only too happy when it is not deprived of both at once, which is not too rarely the case.
Many expressions that are in common usage, and sometimes the structure of language itself, reveal the fact that people don't know who they are. You say: "He lost his life" or "my life," as if life were something that you can possess or lose. The truth is: you don't have a life, you are life. The One Life, the one consciousness that pervades the entire universe and takes temporary form to experience itself as a stone or blade of grass, as an animal, a person, a star or a galaxy. Can you sense deep within that you already know that? Can you sense that you already are That?
Photography is unlike any other art form. In the other arts there is always a continuous interplay between the artist and his art. He has the painting or sculpture before him. What we have tried to do is to provide a medium for "artistic expression" to anyone with only a reasonable amount of time. By giving him a camera system with which he need only control his selection of focus, composition and lighting, we free him to select the moment and to criticize immediately what he has done. We enable him to see what else he wants to do on the basis of what he has just learned.
But you go to a great school, not for knowledge so much as for arts and habits; for the habit of attention, for the art of expression, for the art of assuming at a moment's notice a new intellectual posture, for the art of entering quickly into another person's thoughts, for the habit of submitting to censure and refutation, for the art of indicating assent or dissent in graduated terms, for the habit of regarding minute points of accuracy, for the habit of working out what is possible in a given time, for taste, for discrimination, for mental courage and mental soberness.
You go to a lot of small communities in rural Alberta and you'll find a degree of diversity that probably hasn't existed in terms of immigration for a century - you'll find the Filipino grocery store, and the African Pentecostal church and maybe a mosque. Albertans are pro-immigration; they're also pro-integration. In my years in this province I cannot recall more than a handful of expressions of xenophobia or nativism that I've encountered. It's the land of new beginnings and fresh starts - it is rare Albertans who trace their roots here back more than a generation or two.
Power always acts destructively, for its possessors are ever striving to lace all phenomena of social life into a corset of their laws to give them a definite shape. Its mental expression is dead dogma; its physical manifestation of life, brute force. This lack of intelligence in its endeavours leaves its imprint likewise on the persons of its representatives, gradually making them mentally inferior and brutal, even though they were originally excellently endowed. Nothing dulls the mind and soul of man as does the eternal monotony of routine, and power is essentially routine.
We often say, and you have heard the expression as it has already been referred to in this conference, that "as man now is, God once was, and as God now is, man may become." The only way man may become as God now is, is through fulfilling the laws of celestial marriage and the laws of the gospel, as I have just read to you the word of the Lord from the D&C. Can we afford to overlook such opportunities for exaltation? Temple marriage is not just another form of church wedding; it is a divine covenant with the Lord that if we are faithful to the end, we may become as God now is.
The object of your training in drawing should be to develop to the uttermost the observation of form and all that it signifies, and your powers of accurately portraying this on paper. Let painstaking accuracy be your aim for a long time. When your eye and hand have acquired the power of seeing and expressing on paper with some degree of accuracy what you see, you will find facility and quickness of execution will come of their own accord. Unflinching honesty must be observed in all your studies. It is only then that the ‘you’ in you will eventually find expression in your work.
The ideas of the ruling class are in every epoch the ruling ideas, i.e. the class which is the ruling material force of society, is at the same time its ruling intellectual force. The class which has the means of material production at its disposal, has control at the same time over the means of mental production, so that thereby, generally speaking, the ideas of those who lack the means of mental production are subject to it. The ruling ideas are nothing more than the ideal expression of the dominant material relationships, the dominant material relationships grasped as ideas.
We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.
The universe must be experienced as the Great Self. Each is fulfilled in the other: the Great Self is fulfilled in the individual self, the individual self is fulfilled in the Great Self. Alienation is overcome as soon as we experience this surge of energy from the source that has brought the universe through the centuries. New fields of energy become available to support the human venture. These new energies find expression and support in celebration. For in the end the universe can only be explained in terms of celebration. It is all an exuberant expression of existence itself.
Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision--he cried out twice, a cry that was no more than a breath: The horror! The horror!
She glanced up at him, and in that moment he pulled his wet shirt over his head. She forced her mind blank. Blank as a new sheet of paper, blank as a starless sky. He came to the fire and crouched before it. He rubbed the water from his bare arms and flicked it in the flames. She stared at the goose and sliced his drumstick carefully and thought of the blankest expression on the blankest face she could possibly imagine. It was a chilly evening; she thought about that. The goose would be delicious, they must eat as much of it as possible, they must not waste it; she thought about that.
The Analytical Engine might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine… Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.
You don't believe it because you don't understand," he said hoarsely. "Prosper was different. He wasn't like other people. He might have hated me, but he loved me too. In his own way. He couldn't help it; not after raising me for all those years." When no one responded – when he saw nothing but expressions of disbelief on the faces around him – Cadel wailed, "He did! He did! I know he did! He only wanted to wreck my life because he wasn't a part of it!" And as sympathetic hands reached out towards him from every corner of the car, Cadel began to cry like someone whose heart was breaking.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
Where these reduced (operational - E.W.) concepts govern the analysis of the human reality, individual or social, mental or material, they arrive at a false concreteness - a concreteness isolated from the conditions which constitute its reality. In this context, the operational treatment of the concept assumes a political function. The individual and his behavior are analyzed in a therapeutic sense - adjustment to his society. Thought and expression, theory and practice are to be brought in line with the facts of his existence without leaving room for the conceptual critique of these facts.
Marriage means handing over yourself, your body, your future, your keeping to the one whom you dearly love, although this person may, in many ways, remain a stranger. This tremendous act of faith is something that can unlock in each lover powers of compassion, generosity, joy, passion, fidelity and hope that no one guessed was even there. That is why the confidence of young lovers is not foolish or arrogant, but an expression of a basic fact in human experience that the greatest of human gifts are set to work only when people are prepared to risk everything and first you risk it before God.
Who ... is not familiar with Maxwell's memoirs on his dynamical theory of gases? ... from one side enter the equations of state; from the other side, the equations of motion in a central field. Ever higher soars the chaos of formulae. Suddenly we hear, as from kettle drums, the four beats 'put n=5.' The evil spirit v vanishes; and ... that which had seemed insuperable has been overcome as if by a stroke of magic ... One result after another follows in quick succession till at last ... we arrive at the conditions for thermal equilibrium together with expressions for the transport coefficients.