Quotes of All Topics . Occasions . Authors
All manners of freedom, including freedom of expression, freedom of conscious, freedom of thought...it accepts tolerance. But it is not an atheist society. Religion is the private affair of an individual...be present in the public domain, but state has to be clearly separated from religion. When I'm speaking, I'm speaking only for myself. At the same time, I know that these ideas have wide support among the Iranian population.
The notion of political correctness has ignited controversy across the land. And although the movement arises from the laudable desire to sweep away the debris of racism and sexism and hatred it replaces old prejudices with new one. It declares certain topics off-limits, certain expressions off-limits, even certain gestures off-limits. What began as a crusade for civility has soured into a cause of conflict and even censorship.
I would define love very simply: as a potent blend of openness and warmth, which allows us to make real contact, to take delight in and appreciate, and to be at one with--our selves, others, and life itself. Openness--the heart's pure, unconditional yes--is love's essence. And warmth is love's basic expression, arising as a natural extension of this yes--the desire to reach out and touch, connect with, and nourish what we love.
The function of State coercion is to override individual coercion, and, of course, coercion exercised by any association of individuals within the State. It is by this means that it maintains liberty of expression, security of person and property, genuine freedom of contract, the rights of public meeting and association, and finally its own power to carry out common objects undefeated by the recalcitrance of individual members.
Euphonic and harmonious expressions, forcible and just expressions, profound and comprehensive expressions, and especially apt and witty expressions, each have their specific influence upon different minds, and their common influence upon all minds.... It is therefore high time our most valuable aphorisms and paragraphs were put in order for frequent perusal, and for handy reference, as the circumstances of life call up subjects.
Every limited mind demands a certain freedom of expression, and the man who cannot express himself satisfactorily without the stimulation derived from the spirited mode of two centuries ago should certainly be permitted to follow without undue restraint a practice so harmless, so free from essential error, and so sanctioned by precedent, as that of employing in his poetical compositions the smooth and inoffensive allowable rhyme.
Judaism is not a passive religion, but an active life factor which has coalesced with the national consciousness into one organic whole. It is primarily the expression of a nationality whose history for thousands of years coincides with the history of the development of a humanity and the Jews are a nation which, having once acted as the leaven of the social world, is destined to be resurrected with the rest of civilized nations.
Donald Judd spoke of a 'neutral' surface, but what is meant? Neutrality must involve some relationship (to other ways of painting, thinking?) He would have to include these in his work to establish the neutrality of that surface. He also used 'non' or 'not' - expressive - this is an early problem - a negative solution or - expression of new sense - which can help one into - what one has not known. 'Neutral' expresses an intention.
I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
[As a kid] I felt it was really weird that music schools behaved like a conveyor belt to make performers for those symphony orchestras. If you were really good and practiced your violin for a few hours a day for ten years you might be invited to this VIP elite club. For me music was not about that. It is about freedom and expression and individuality and impulsiveness and spontaneity. It wasn't so Apollonian; it was more Dionysian.
When a language begins to teem with books, it is tending to refinement; as those who undertake to teach others must have undergone some labour in improving themselves, they set a proportionate value on their own thoughts, and wish to enforce them by efficacious expressions; speech becomes embodied and permanent; different modes and phrases are compared, and the best obtains an establishment. By degrees one age improves upon another.
The First Amendment guarantees liberty of human expression in order to preserve in our Nation what Mr. Justice Holmes called a "free trade in ideas." To that end, the Constitution protects more than just a man's freedom to say or write or publish what he wants. It secures as well the liberty of each man to decide for himself what he will read and to what he will listen. The Constitution guarantees, in short, a society of free choice.
Danger lurks when we divide ourselves with expressions such as "my private life," "my professional life," or even "my best behavior." Living life in separate compartments can lead to internal conflict and exhausting tension....Inner peace comes only as we maintain the integrity of truth in all aspects of our lives. When we covenant to follow the Lord and obey His commandments, we accept His standards in every thought, action, and deed.
Consciousness... does not appear to itself chopped up in bits. Such words as 'chain' or 'train' do not describe it fitly as it presents itself in the first instance. It is nothing jointed; it flows. A 'river' or a 'stream' are the metaphors by which it is most naturally described. In talking of it hereafter, let us call it the stream of thought, of consciousness, or of subjective life. Source of the expression 'stream of consciousness'.
….he grabs my wrists and pins my arms up above my head, locking them in one hand. "Are you mine?" he asks gruffly, as his hand returns between my thighs and briefly enters me. I gasp. Undone. Delirious. "I'm yours." His expression is tense, ravenous, so hot as he scrapes his finger deep into my channel. "Do you want me inside you?" My need clogs my windpipe as pleasure shoots down my legs. "I want you everywhere. All over me. Inside me.
The Holy Spirit gives us joy. And he is joy. Joy is the gift in which all the other gifts are included. It is the expression of happiness, of being in harmony with ourselves, that which can only come from being in harmony with God and with his creation. It belongs to the nature of joy to be radiant; it must communicate itself. The missionary spirit of the Church is none other than the impulse to communicate the joy which has been given.
If you complain of people being shot down in the streets, of the absence of communication or social responsibility, of the rise of everyday violence which people have become accustomed to, and the dehumanization of feelings, then the ultimate development on an organized social level is the concentration camp... The concentration camp is the final expression of human separateness and its ultimate consequence. It is organized abandonment.
I think of moral beauty as what is the good and the just - terms perhaps best defined by their opposite: evil. Evil is the willingness to do damage to the other; its maximal expression is murder, but it includes a great deal of subtle and not-so-subtle injuries as it advances to that extreme. Evil acts reduce the other to an object, a being to its component parts, and obliterate subjectivity. Evil's breeding ground is a lack of empathy.
Technical advisor. Since you know our enemies so well, we’re going to pick your brain. (Jericho) I’ll tell you what you want to know. There's no need to torture me for it. (Asmodeus) Pick your brain is an idiomatic expression, Asmodeus. It means we’ll have you tell us things. We’re not actually going in there to mess with your head. (Delphine) Oh, thank the Source. I can’t stand it when someone opens my skull. It really hurts. (Asmodeus)
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
As for comics, one has only to turn to the characteristic output of Marvel Comics, for the period from about 1961 to about 1975, to find not an expression of base and cynical impulses but of good, old-fashioned liberal humanism of a kind that may strike us today, God help us, as quaint, but which nevertheless appealed, in story after story, to ideals such as tolerance, technological optimism, and self-sacrifice for the benefit of others.
Every child has a right to know how to achieve control of his body in order that he may use it to the limit of his ability for the expression of his own reactions to life. Even if he can never carry his efforts far enough to realize dance in its highest forms, he may experience the sheer joy of the rhythmic sense of free, controlled, and expressive movement, and through this know an addition to life to which every human being is entitled.
Hello, Harry!” she said. “Er — my name’s Barny,” said Harry, flummoxed. “Oh, have you changed that too?” she asked brightly. “How did you know — ?” “Oh, just your expression,” she said. Like her father, Luna was wearing bright yellow robes, which she had accessorized with a large sunflower in her hair. Once you got over the brightness of it all, the general effect was quite pleasant. At least there were no radishes dangling from her ears.
You're so kind, Kazuhiko. That's what I like about you." I like you, too. I love you so much." If he weren't so inarticulate, Kazuhiko could have said so much more. How much her expression, her gentle manner, her pure untainted soul meant to him. How important, in short, her existence was to him. But he wasn't able to put into words. He was only a third-year student in junior high, and worst yet, composition was one of his worst subjects.
Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren't a little flower somebody sewed on.
In the performance of an illocutionary act in the literal utterance of a sentence, the speaker intends to produce a certain effect by means of getting the hearer to recognize his intention to produce that effect; and furthermore, if he is using the words literally, he intends this recognition to be achieved in virtue of the fact that the rules for using the expressions he utters associate the expression with the production of that effect.
The modern world is reversing the old virtues of authority. They aimed deliberately to make men unworldly. They did not aim to found society on a full use of the earth's resources; they did not aim to use the whole nature of man; they did not intend him to think out the full expression of his desires. Democracy is a turning point upon those ideals in a pursuit, at first unconsciously, of the richest life that men can devise for themselves.
The hypothesis I wish to advance is thatthe language of morality is ingrave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have--very largely if not entirely--lost our comprehension, both theoretical and practical, of morality.
If you can't change everything all at once, then at least work on changing something each day. Become aggressive in your battle with the ego. You probably don't need all the things that it wants. You need hope, discipline, creative expression, love, and serenity-these are the important things. Remember, when you are balanced, one stepping stone will lead you to the next. But you will rarely see the whole journey or all the answers at once.
There are these rare moments when musicians together touch something sweeter than they've ever found before in rehearsals or performance, beyond the merely collaborative or technically proficient, when their expression becomes as easy and graceful as friendship or love. This is when they give us a glimpse of what we might be, of our best selves, and of an impossible world in which you give everything to others, but lose nothing of yourself.
Thomas A. Edison was once reluctantly persuaded by his wife to attend one of the big social functions of the season in New York. At last the inventor managed to escape the crowd of people vying for his attention, and sat alone unnoticed in a corner. Edison kept looking at his watch with a resigned expression on his face. A friend edged near to him unnoticed and heard the inventor mutter to himself with a sigh, "If there were only a dog here!"
The more authentic you become, the more genuine in your expression, particularly regarding personal experiences and even self-doubts, the more people can relate to your expression and the safer it makes them feel to express themselves. That expression, in turn, feeds on the other person's spirit, and genuine creative empathy takes place, producing new insights and learnings and a sense of excitement and adventure that keeps the process going.
When you look back on a lifetime and think of what has been given to the world by your presence, your fugitive presence, inevitably you think of your art, whatever it may be, as the gift you have made to the world in acknowledgment of the gift you have been given, which is the life itself... That work is not an expression of the desire for praise or recognition, or prizes, but the deepest manifestation of your gratitiude for the gift of life.
I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam.
There are moments in our lives, there are moments in a day, when we seem to see beyond the usual- become clairvoyant. We reach then into reality. Such are the moments of our greatest happiness. Such are the moments of our greatest wisdom. It is in the nature of all people to have these experiences; but in our time and under the conditions of our lives, it is only a rare few who are able to continue in the experience and find expression for it.
Socialism may be worthless as a scheme, but it is not meaningless as a symptom. Rousseau's theory of the origin of society, of the social contract, and of a cure for all the social evils by a return to a state of nature, had, as we all know now, no more relation to fact than the dreams of an illiterate drunkard; but they were not without value as a vague and symbolical expression of certain evils from which the France of his day was suffering.
Consider the word “time.” We use so many phrases with it. Pass time. Waste time. Kill time. Lose time. In good time. About time. Take your time. Save time. A long time. Right on time. Out of time. Mind the time. Be on time. Spare time. Keep time. Stall for time. There are as many expressions with “time” as there are minutes in a day. But once, there was no word for it at all. Because no one was counting. Then Dor began. And everything changed.
Is there anyone’s life story you don’t want to know?” “Not really.” His expression was unexpectedly serious. “Because people make a story of their lives. Gains, losses, tragedy and triumph—you can tell a lot about someone simply by what they put into each category. You can learn a lot about what you put into each category by your reaction to them. They teach you about yourself without ever intending to do it—and they teach you a lot about life.
Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
There is nothing as dreamy and poetic, nothing as radical, subversive, and psychedelic, as mathematics. It is every bit as mind blowing as cosmology or physics (mathematicians conceived of black holes long before astronomers actually found any), and allows more freedom of expression than poetry, art, or music (which depends heavily on properties of the physical universe). Mathematics is the purest of the arts, as well as the most misunderstood.
Look, we're trying to explore other options to your retirement," the whitecoat said. "You might be useful to us in other ways." Because we're not that useful dead,"Nudge said thoughtfully. No," I agreed. "Well, maybe as doorstops." The whitecat made an "eew" expression. Or those things in a parking lot that show where the cars should stop," suggested Iggy. He closed his eyes and went stiff, to demonstrate what it would look like. Also an option.
It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.
There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"
Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness,to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.
In fact, on one occasion, a rather pedantic experimental psychologist was telling him about a long, complicated experiment he had done, incorporating all the proper controls and using considerable technical virtuosity. When he saw Crick's exasperated expression he said, "but Dr. Crick, we have got it right - we know it's right," Crick's response was, "The point is not whether it's right. The point is: does it even matter whether its right or wrong?"
No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyze vitality. All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be Effort, and the law of human judgment, Mercy.
There had been observed in this country certain streams of influence which are causing a marked deterioration in our literature, amusements, and social conduct...a nasty Orientalism which had insidiously affected every channel of expression...The fact that these influences are all traceable to one racial source [Judaism] is something to be reckoned with...Our opposition is only in ideas, false ideas, which are sapping the moral stamina of the people.
I'd done all my research and seen that Booker and Gadson had worked with giant folks and little peanuts, too. That just showed me that they're musicians. They're not just interested in doing the big ones, they're interested in doing stuff that - pardon the expression - gives them a boner. I'm like that, too. I don't want to just do easy stuff. I want to keep myself freaked out all the time. Hence the title of the record, I Like To Keep Myself in Pain.
Education without social action is a one-sided value because it has no true power potential. Social action without education is a weak expression of pure energy. Deeds uninformed by educated thought can take false directions. When we go into action and confront our adversaries, we must be as armed with knowledge as they. Our policies should have the strength of deep analysis beneath them to be able to challenge the clever sophistries of our opponents.