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Our whole energy remains blocked either in the past or in the future. When you withdraw all your energy from past and future a tremendous explosion happens.
Much like every artist or every creator, I got into comics as a kid, and the most important thing was the 'bang zoom' of it. As many explosions as possible.
You see. No shock. No engulfment. No tearing assunder. What you feared would come like an explosion is like a whisper. What you thought was the end is the beginning.
John Woo is a very nice and kind person; he gives almost no direction at all, trusting me to come up with the character. But when I think of him, I think of explosions!
For a lot of explosions and stuff like that [in Transformers] you're harnessed to something getting swung in the air or dragged onto something or thrown onto something.
We have repeatedly issued warnings, over a number of years. Following these warnings and these calls, anti-American explosions took place in a number of Islamic countries.
I mean, movies are all geared to be basically under 25, and they're all tentpoles, explosions, excitement and all that - they take advantage of the big screen, which is great.
Rather than highlighting music's differences, Kids & Explosions' Josh Raskin mixes songs together based on their surprising common ground, making them blend rhythmically and melodically.
I don't like the clean-shaven boy with the necktie and the good job. I like desperate men, men with broken teeth and broken minds and broken ways. They interest me. They are full of surprises and explosions.
Irene Diamond's Fertile Ground is a provocative book. It stirs me to vigorous assent. It also triggers wide-eyed disbelief. . . . As it prods me to explosions of disagreement, it also provokes useful thought.
I come from a family that has been here for almost 200 years. My ancestors started a very dangerous gunpowder business in 1802, and my great- grandfather and his father were both killed in gunpowder explosions.
I became almost immediately fascinated by the possibilities of trying out all conceivable reactions with them, some leading to explosions, others to unbearable poisoning of the air in our house, frightening my parents.
Of thousands of others, nearer the centre of the explosion, there was no trace. They vanished. The theory in Hiroshima is that the atomic heat was so great that they burned instantly to ashes - except that there were no ashes.
I was a student at Peking University for close to a decade, while a so-called 'knowledge explosion' was rapidly expanding. I was searching for not just knowledge, but also to mold a temperament, to cultivate a scholarly outlook.
A lot of my work has been about stuff I've been frightened of: cliffs, explosions, meteorites, that kind of stuff. I would have been this trembling blob of fear if I hadn't got into making art, which is a good way of deferring it.
There is no natural phenomenon that is comparable with the sudden and apparently accidentally timed development of science, except perhaps the condensation of a super-saturated gas or the explosion of some unpredictable explosives.
It's something that I am going over in my head about the whole video game thing, and whether you support violence by being in a film like this. I mean, to me, it's incredibly unreal and it's all about the action, and just explosions.
In 'Sisters of War,' I got to do one of my own stunts. Running out of the building because the Japanese were firing, with all these little spark plugs are going off, looking like explosions and bullets flying down. That was really fun.
My hearing loss was essentially due to noise exposure during my military service. I was on an anti-submarine sub-chaser in WWII, and we had lots of depth charges going off all around us. There were plenty of explosions, and they were loud!
I really love a challenge, but in 'Downton' it was really hard going because there's no CGI - what you see is what you get. These were real explosions right in front of our faces, and you just had to make sure that you cleared out of the way.
What I would love is a crossover between 'Royal Pains' and 'Burn Notice,' that we could be involved in some sort of gun play intrigue. I would really love that because we have no guns. We have nowhere near enough explosions and guns on the set.
Why if I had half a chance, I could make an entire movie using this stock footage. The story opens on these mysterious explosions. Nobody knows what's causing them, but it's upsetting all the buffalo. So, the military are called in to solve the mystery.
The 'Agent X' set was never boring. During the first few days, I had to adjust to the loud noise on set, which included gun shots and explosions. After we finished filming the season, I realized I missed hearing all the noise and driving on empty freeways.
Because we are in a war situation, this can sometimes be dangerous work. But guys like A.D. Flowers and his technicians just take it in stride and get on with the job. In four years, we've never had a serious accident or injury working with all the explosions.
Temptation, if it is not to conquer, must not fall like a bomb against another bomb of instantaneous moral explosions, but against the strong walls of an impregnable fortress strongly built up, stone by stone, beginning at that distant day when the foundations were first laid.
Everyone remembers the pop-quiz hotshot bit from 'Speed' because it's extremely funny, and it's really smart and really witty. And the notion that action movies can have dialogue that pops just as well as the explosions is something that I hope more people continue to remember.
During my first open ocean dive, I went down to 800 feet and turned out the lights. I knew I would see bioluminescence, but I was totally unprepared for how much. It was incredible! There were explosions of light everywhere, like being in the middle of a silent fireworks display.
I'd always wanted to be an action heroine. That's a chick dream, getting to wear a leather bodysuit and be blonde and kick ass. But, what really attracted me to 'Dredd' was the script. It was fantastic! It was about people and characters, and not just about explosions and fighting.
It was at the beginning of 1934 while working on the emission of these positive electrons that we noticed a fundamental difference between that transmutation and all the others so far produced; all the reactions of nuclear chemistry induced were instantaneous phenomena, explosions.
I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'
Teenagers are like atoms when they're moving at hundreds of miles an hour and bouncing off each other. Everybody's got such a crazy hormonal drive and reacting to each other differently and getting upset over little things. High school puts all these potential explosions in one place.
Comics are a dying art. If you ask a little kid to choose between a video game with insane graphics or comic books... you have to compete with cable, satellite TV with its thousands of channels, and with video games that are like movies, with CGI explosions where you can blow up worlds.
'Puzzlejuice' will get your brain juices flowing as try to juggle both falling boxes and a growing list of letters to create words from. There are power ups to unlock and massive explosions that will shake your mobile device to its very core if you are quick enough with your fingers and your thoughts.
I'm afraid that - not necessarily deliberately, but consistently - I've made a kind of laboratory out of my life, where I mix the stuff in the test tubes to create explosions - possibly resulting in interesting by-products. I mean, not deliberately - I'd be crazy to deliberately do that - or maybe not.
The relentless invisible storm of radio signals and electronic particles, the hustle and bustle, and the billions of petrol explosions in the engine blocks of trucks and cars seem to churn up the molecules of life and heaven so violently that the beautiful fogs are unable to hold together like they once did.
I've been doing sci-fi for two years, and there is always something big going on. The stakes are always huge. You're fighting for your life, or you're dealing with personal stuff. It has really high stakes attached to it, and there are green screen and explosions. You're going out on these really cool locations.
Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.
Unlike uranium, plutonium was created in an American lab in 1940, but scientists soon realized that it could produce even wilder chain reactions and even bigger explosions. In fact, fearing another country would create it, too, the American government went to great lengths to keep even the existence of plutonium a secret.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
The Text is plural. Which is not simply to say that it has several meanings, but that it accomplishes the very plural of meaning: an irreducible (and not merely an acceptable) plural. The Text is not a co-existence of meanings but a passage, an overcrossing; thus it answers not to an interpretation, even a liberal one, but to an explosion, a dissemination.