Quotes of All Topics . Occasions . Authors
As I have written before, one of my favorite parts of my job as CEO of Moda Operandi is the opportunity I get to explore international fashion scenes to discover new talent, and then being able to introduce these designers to our community of fashion-savvy customers worldwide.
If you can depict situations and explore life in a truthful way and explore areas of grey - because that's where the truth lives - and you can do that in an objective way and allow people to take from that what they will, I think it's a satisfying sweet spot with storytelling.
The Amazons were notorious for their freedom: their sexual freedom, their freedom to hunt, to be outdoors, to go to war; and the Greeks, both men and women alike, were fascinated by these stories. Maybe it was a safe way to explore the idea of women who could be equals of men.
'What's It Gonna Be?' is about having a massive crush on someone, so it made sense to go back where - to school, where it all began. But it was important for us to explore those archetypal characters - The Jock, The Nerd, The Dork, The Popular Kid - and then flip expectations.
In the environment of the mobile Internet, there is value and need to explore every commercial context. What I care about is not just technology but the changes in people's behavior in this environment, which makes it possible that everyone can get connected with everyone else.
It's not even my job to educate, but what I do is try to facilitate by creating a book that works on different levels. I do want to entertain and bring some joy to the reading experience. If it holds a little kernel of knowledge that readers choose to explore, well, that's great.
I've read up on magic, and I think it sets you free, and it gives you hope. You can explore worlds you didn't know existed. It stretches your imagination, and I like my own imagination to be stretched and also the children I'm telling the story to. It gives you a sense of wonder.
While I appreciate horror movies, I'd love the opportunity to do something transformative, especially because people see me as contemporary. There's a lot to explore in my career that could take me back to another time. A period piece would be an incredible game of dress-up, too.
We are killing a living thing just so that we can wear it? I think fake leather is also beautiful and lasts longer. All I am saying is that if you like wearing leather stuff, put in some extra effort and explore the market. Take on fake leather and stop being part of this cruelty.
Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.
Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.
Sometimes you are lucky enough to get offered things, and there is no rhyme or reason. I am very lucky because I come from England, and you have a whole range of things offered to you, from television plays and shows and theatre, so much more to explore, so it's never really money.
In the end, censoring a comedian's jokes is on par with censoring 'Huckleberry Finn.' Now, I'm not comparing myself to Mark Twain - he had much wavier hair and a slightly thicker mustache. But when you deny an artist the chance to explore his art, you're forcing your beliefs on him.
Pageants were an amazing platform that gave a little girl like me from the mountains of my beautiful Puerto Rico a chance to travel, explore the world, meet amazing people, work for great charities and be a voice to empower women wherever I went. For all those things, I am grateful.
I think the western is about people in harsh places trying to tame an unfriendly wilderness. Because life is defined by struggle, it's kind of the perfect microcosmic experience to explore that. 'Here we are, struggling.' It's about people persevering and persevering and persevering.
I was a dancer for about 14 years. I was a martial artist for the same amount of time. I quit that when I realized I should probably not get my nose broken anymore. I love trying new stuff. Now I'm loving archery, and I surf. I just like to explore new things, I guess. I'm a big kid!
What is hypertext? It is a method of giving a text more depth, structuring it, and letting the computer help you explore it. Links, like we know today - you see some blue underlined word and you click on it and it takes you somewhere else. That's the simplest definition of hypertext.
A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all action; you must push the story on.
I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
I'm drawn to the classic antihero, the guy who's probably made a bunch of mistakes and really has the capacity to go either way. That's the most interesting type of character for me to watch, to see what decisions they'll make. There's a lot of gray area there for a writer to explore.
Sometimes I become attached to a character because I've gotten to explore him for so long, like in the case of Ben, but sometimes I fall in love with a throwaway character who exists for only one scene in a video game like The Drunken Villager in 'Diablo III' or Sandal in 'Dragon Age.'
India offers exciting business opportunities owing to the growth in corporate travel and a significant middle-class population waiting to explore the world. To begin with, Travelex is setting up eight city centre branches in metros and other major cities including tourist destinations.
I like a movie that brings out many discussions. From my experience, every time I have done movies, they create this kind of situation. Like 'Irreversible,' 'The Passion of the Christ,' 'Malena'; it's so interesting. I like to explore the dark side of humanity. That's why I'm an actor.
Formally, I did my studies in the sciences, but I was very conscious that I was being deprived of culture. While studying neuroscience, I was running a rock-music festival and was able to use that as a platform to explore what it takes to produce art for 20,000 inebriated 20-somethings.
I'm not interested in writing overtly autobiographical songs. I would rather explore interesting stories. I like the idea of the songs being evocative and distinctive, so I have in my mind the atmosphere that a film could evoke. I like to think of them existing in their own little world.
With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are. The exercise in theater is night after night, you are doing the same play, but you have another opportunity to explore.
My general sensibility is most certainly comedic. But when I signed with my manager, he said, 'I think you could do dramatic stuff as well.' So, rather than making the choice to do it, I sort of agreed and deferred. By no means does it feel close to home, but I was willing to explore it.
What appealed to me about 'The Loved Ones' script was that it had this really theatrical element to it. I thought that the scope of this character is so broad, and there is so much fun to be had playing a crazy teenage loner. It was a great way to explore the delusions a mind can create.
One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
One of the things that we're trying to do with Creative Labs and all our experiences is explore things that aren't all tied to Facebook identity. Some things will be, but not everything will have to be, because there are some sets of experiences that are just better with other identities.
All of us have a bit of a sociopath inside of us, and it's wrong to think that somebody is just clearly sociopathic, because they're not. It's interesting to explore the shadings and nuances within a person. Those feelings exist within more human beings than people may want to acknowledge.
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
I wanted to explore expectations we have of people - what a woman should be, what a man should be. And if they don't meet our own interpretation of who they should be because of their gender, their background, their ethnic group, we then come to conclusions about them that are not accurate.
I don't think of bouncing between acting and singing as a transition but rather as an expansion. I love both crafts so deeply, I feel my heart and soul have no choice but to explore both. I could never choose between the two of them. I am passionate about both for equal yet different reasons.
I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
Public enthusiasm for new advances is a key ingredient in influencing policy-makers to stimulate follow-up work with suitable funding, and it can be achieved far faster now that interested non-specialists can explore new research autonomously and can also be appealed to directly by scientists.
When 'Apollo 13' appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
As I started to explore my gender identity, I didn't know how I could claim the title of 'feminist' without subscribing to the gender binary. I thought I had to be a proud woman to be a feminist. Then I came to the realization that I can be proud of women without necessarily identifying as one.
A perfect example is 'Zero Dark Thirty.' That's the closest thing to reportage that I've done because a lot of that was shooting from the hip and found images and giving the actors a lot of freedom to explore the space and not have to repeat their actions twice and basically workshop on-camera.
I can't choose one favorite place because all destinations have something different to offer. My favorite city to explore is Paris; I love the culture of Morocco and the waterfalls in St. Lucia. I just can't choose one. I would like to go back to New Zealand to see more of what it has to offer.
In 'Winter Soldier' - in terms of character-based, 'Winter Soldier' was so specifically for us: everything in that movie was designed around that version of Captain America that we wanted to see, that we wanted to explore. Everything in that film, all of the stylistic choices just flow from that.
We should continue all the time to look out for those who have less, to stand for those who can't, to reach out across differences, to use our land intelligently, to open our borders and welcome those who seek harbour, and never, ever cease to be curious, ask questions, and to explore and search.
That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
I always believe that Kar-Wai has a complete script: he just doesn't show it to us. He wants us to experience and explore the character. He gives you a lot of space, and you know every time will be a very long journey. You just live in the character, and that's very different from other directors.
I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
I took the whole college prep trajectory, and then in my senior year of high school, I decided that performing was something that I had always done as a kid, and I loved it... I said, 'This makes people happy when I do this, I feel good, I get to pretend and explore other areas and learn so much'.
It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
I started spending time at stables with my daughter while she was riding. I was reminded of my love for the form and different aspects of the horse. Then I thought about the bit, halter, and bridle in terms of how we harness and ride this animal. There were a lot of interesting elements to explore.
You know I never used to be a bad flyer, but I did start to have a fear of flying after I shot a movie where I was terrorized on a plane. I made Wes Craven's 'Red Eye'. I don't think they're linked but it does make me pause and wonder if they are, so perhaps I will explore that in therapy some day.
My interest in space started early, but for many years, I could not find any space-related investments that really penciled-out for venture. That changed in 2009 when Elon Musk came to us with a big vision to explore Mars while producing rockets at a fraction of a price and making space accessible.