Quotes of All Topics . Occasions . Authors
Every time I think I know what's right and wrong, I end up being wrong. All I want to do is explore. I want to see what people would do. I say, 'What would this person do in this situation?' and I write it down. I'm not writing manifestos of my political views.
I am totally fascinated by people and our history as I understand and continue to explore it. People have so much to give and so far to go and yet we have given and gone a great distance. It's really just interesting to ask: why not? And see where that takes me.
Aaah, summer - that long anticipated stretch of lazy, lingering days, free of responsibility and rife with possibility. It's a time to hunt for insects, master handstands, practice swimming strokes, conquer trees, explore nooks and crannies, and make new friends.
I know how I felt when I saw things like 'Fame' on television when I was growing up and how that was an exceptional magnet for me to want to explore the theater. I can only assume that 'Smash' is doing that for anyone who is halfway interested in theater already.
As an American I wanted to explore... why are we the only first world country that still has capital punishment? Is it because we're too afraid to really examine the system, or is it because we really truly believe that this is the best way to deter future crime?
I did a little soul searching to explore where I had gone wrong, why I made the decisions I did, how my definitions of success and ambition were off. I love a great new pair of shoes - I love to look at my bank account and see zeroes - but what is it attached to?
I have never been a fan of science fiction. For me, fiction has to explore the combinatorial possibilities of people interacting under the constraints imposed by our biology and history. When an author is free to suspend the constraints, it's tennis without a net.
The whole novelty and challenge of playing twins is something that has kept things wonderfully fresh for me. Just the pure joy and freedom of being able to explore so many facets of not just one, but two, different characters at once is a very singular experience.
Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.
I was looking to explore the theme of good and evil, so what better inspiration than the comics? I'd developed a relationship with DC and Warner Bros. when I donated a sculpture of Catwoman to the 'We Can Be Heroes' campaign a few years ago. That's what started it.
I've been so lucky to do different things. The world in which 'Westworld' takes place is so unique and bizarre, and it's really interesting to explore that whole universe with the language and brutality going on there. With 'Inferno,' there's the Dan Brown mystery.
I'm acting for the same reasons I wanted to become a diplomat. I've thought about it a lot and concluded that I wanted to become a diplomat because it was a way to explore human nature. For the same reason that at one point in college, I wanted to be a sociologist.
I admit there's an element of brutality in all my work - it's part of the truth about human existence I always want to explore - but the last thing I'm trying to do is put on some kind of freak show, inviting people to get off on other people's pain and humiliation.
I am very interested in Ayurvedic medicine and hope to explore it more someday. I only have a very superficial understanding of the whole thing right now. But learning what my body type is has shifted my whole self-care regime a bit, and I feel better because of it.
I will continue my work to shepherd in this important societal change... In addition to working on AI myself, I will also explore new ways to support all of you in the global AI community so that we can all work together to bring this AI-powered society to fruition.
Why be in music, why write songs, if you can't use them to explore life or an idealized vision of life? I believe a lot of our lives are spent asleep, and what I've been trying to do is hold on to those moments when a little spark cuts through the fog and nudges you.
In the second season, usually television shows are running with the characters; they really get them. And then, the third season, they can push characters and really explore secondary storylines and things like that. And so I tend to like third seasons of most shows.
We all know that there are different scripted programs out there, and we're all facing the same challenges in terms of ratings and everything else, but I think that there is a lot of opportunity to be had as well, and what I'm excited to do is to get to explore that.
Imaginative writing, to me, is a way of discovering who we are and what we have to contend with; discovering what is out there and also what is not there. It enables me to think and explore and make something new with language while trying to make sense of our lives.
If given a chance, I would really want to explore the monuments in Delhi, like Qutub Minar and the forts. I have been there as a child, but now I want to go back and understand the history and significance behind them. We take all of these things for granted in life.
Growing up with my father's legacy, we never felt that we had to do anything, but we were always raised to think: What could be better than to explore the wonders of the world and share that with people? To try and make the world a better place. And I guess it stuck.
Ultimately, the reason privacy is so vital is it's the realm in which we can do all the things that are valuable as human beings. It's the place that uniquely enables us to explore limits, to test boundaries, to engage in novel and creative ways of thinking and being.
Stories, as we're taught in journalism school early on, are told through people. Those stories make our documentaries powerful. You can explore someone's culture, you can explore their experience, you can explore an issue through human beings who are going through it.
This is a whole new world to explore as a developer to go in and learn these new gameplay mechanics, to learn what it's like to actually control a character from a top-down, 'God's eye' view, and to figure out how the game camera can be controlled by the player's head.
I was struck after 9/11 by what seemed the assumption that everyone bereaved by that event was suffering the same thing. I wanted to explore how individual grief is, how complicated, how colored by the complexity of the mourner's relationship with the person who's died.
As it turns out, one of the biggest choices we have doing the show is deciding the tangents we are allowed to take, the stuff that we see along the way. We're allowed to explore the world at large on these things; the urban-legend aspect of it is just kind of an excuse.
As much as I love beach holidays, I do really like to get out and about and explore. It's why I like Los Angeles: because I can easily drive to Malibu or Santa Monica to see what they have to offer. I get itchy feet if I stay still too long in one place when I'm abroad.
I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.
The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
Surely there is grandeur in knowing that in the realm of thought, at least, you are without a chain; that you have the right to explore all heights and depth; that there are no walls nor fences, nor prohibited places, nor sacred corners in all the vast expanse of thought.
Relationships with parents, grandparents, friends, and siblings were important to me when I was young and have remained so throughout my life. Our relationships with other people both shape and reflect who we are. These relationships are infinitely fascinating to explore!
I am endlessly inspired by both the tenderness that can exist between two people and the excitement of falling in love. I'm very fortunate that I've been able to explore that in novels, a television show, some early development film projects, and essays about my own life.
Allan had come down wanting to do some sort of crucial music and I'd been involved in so-called Art Music and wanted to explore other areas - we were approaching it in some quite tongue-in-cheek ways and we had a lot of fun - we spent more time laughing than playing music.
A lot of directors are great and they are fine but you know I think that Harry really takes a special point to really engage the actors and really make it feel like a safe place for them to explore whatever it is they want to explore in whatever scene with their character.
To me, Slow parenting is about bringing balance into the home. Children need to strive and struggle and stretch themselves, but that does not mean childhood should be a race. Slow parents give their children plenty of time and space to explore the world on their own terms.
'Doom' aficionados expand their adventures as far as their imaginations and artistic abilities allow. Once players have exhausted the 'authorized' levels of 'Doom,' they can go on to explore thousands of additional unauthorized levels available in kits and on the Internet.
The problem is how do molecules react. Because if you want to transform a molecule into something useful or something you're interested in, it helps a lot to understand the structure. That means you can explore much more complicated systems, much more complicated reactions.
Music is there for us to explore. To intentionally limit yourself to one, two, or three genres is limitation at its worst. Music is huge; it's a gigantic history lesson, and if you are true music fan or a musician, you should explore it. It's all right there in front of us.
Sardinia is beautiful. The people were so friendly, and the food was incredible! I also loved Florence. I spent two months there as part of a school study-abroad program. On the weekends, we would get to travel wherever we wanted, so I would explore. That was a magical time.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
What 'Short Term 12' did was it gave me the confidence to explore my intuition more. The healing process that came for me for making that movie and then sharing it with people - I was able to see, first hand, that movies can have a healing power and they can teach us things.
Read, listen to and watch everything you can. Explore the corners of popular culture and the arts. And, of course, these days you have to stay maniacally plugged in to the cutting edge of whatever technology is taking your profession into the future - otherwise you're toast.
I created a successful outdoor youth festival - the Liverd festival - against all good advice. It was a great way to explore and investigate social sculptures. Having that as my kind of studio, outside of a museum or precious white-cube gallery, that was a kind of education.
There's obviously a lot of controversy around the issue of hunting as there is around gambling, and I like these stories where there is a moral dimension, stories that force you to think about your prejudices about a subject and explore the extent to which they are justified.
Much like dystopian and post-apocalyptic books are a way to explore the worst-case scenarios lurking around the corner, fantasy can serve as a wonderful tool for showing kids that they have an inherent power in them to create change, both in themselves and in their community.
A move to a different town or school gives us new places to explore, new people to meet; a lost pet means we have to organize a careful search; baby-sitting requires looking out for dangers a young child can't foresee; a car crash or fire demands that we get help immediately.
I don't think it's the writer's job to give answers or to give opinions. In fact, when a writer has answers, I think the work ends up being corrupted. It becomes didactic. What a book does is share a consciousness and invite people to explore the questions as best as you can.
Evil is relative - and what I mean by that is that our villains are as complex, as deep and as compelling as any of our heroes. Every antagonist in the DC Universe has a unique darkness, desire and drive. And the reason for being of 'Forever Evil' is to explore that darkness.
I think the fact that we don't really... that the world really doesn't acknowledge how bad and how detrimental colonialism was; that people don't really try to explore it, you know, in popular media and news articles; that... that it's just kind of glossed over as this thing.
Actors get to go to these amazing worlds. In 'Terminator,' I was a cyborg with feelings; in 'Avatar,' I lived for 15 months on a fantastical planet, and in 'Clash of the Titans,' I get to fight a scorpion the size of a dump truck. It's a bizarre job, but you explore yourself.