Quotes of All Topics . Occasions . Authors
I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
High school was interesting. For a lot of people, high school was just a big social experiment, and I think the value of high school was not so much learning how to be a great student... but I think it's learning how to interact with people and be social. I would say that in that endeavor, I completely failed.
Everybody, as soon as they do a good experiment, their first thought in this lab is, 'That can't be right. I must have screwed it up. What did I do wrong?' And that's the best kind of scientist because they're filled with this self-doubt. And if I'm going to be honest, that's who I am. And it's what drives me.
I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.
'Under the Skin' is handsome, in a dour way, but inert - a cunning experiment that died in the shooting or on the editing table. You'll want to get the DVD, though, and not just for its study of Scarlett. Odds are that the Making-Of documentary will be far stranger and more fascinating than the movie that was made.
I'd done all the things I thought a person had to do in order to be successful and fulfilled, like getting a great education and becoming a lawyer, and yet there was zero spark in my life. But there was no light-bulb moment. It was gradual. In the early 1990s, I decided to experiment and try some new ways of living.
I don't think that you can invent on behalf of customers unless you're willing to think long-term, because a lot of invention doesn't work. If you're going to invent, it means you're going to experiment, and if you're going to experiment, you're going to fail, and if you're going to fail, you have to think long term.
If you persist in your purpose of secession, there will be war - a bloody and cruel war. Not only will the North fight, but she will also triumph. The experiment of secession will fail, and the South, in ruin and desolation, will bitterly repent the day when she attempted to overthrow a wise and beneficent government.
Humanity is a failed experiment, but I think I'm God and I'd like to start over. I don't want to die, I just want everyone else to. I certainly would not be lonely. It would be exciting never having to listen to another person again but just my own self droning on and on. That's why I write a blog. And I read it, too.
Sudan has been an experiment that resonated across Africa: if we, the largest country on the continent, reaching from the Sahara to the Congo, bridging religions, cultures and a multitude of ethnicities, were able to construct a prosperous and peaceful state from our diverse citizenry, so too could the rest of Africa.
Climate change denial, anti-vaccination proponents, creationist teachers, faith healers, fake bomb detector peddlers, psychic frauds, alternative medicine pushers... we need scientific thinking. We need a generation of kids who think an experiment is more important than a preconceived notion or an argument from authority.
We have 200 trillion cells, and the outcome of each of them is almost 100 percent genetically determined. And that's what our experiment with the first synthetic genome proves, at least in the case of really simple bacteria. It's the interactions of all those separate genetic units that give us the physiology that we see.
When you look at what we can call the golden era of concept albums, which starts in the mid or late '60s and ends maybe in the early '80s, it's an interesting time for music. You see all these very established and popular acts and bands and artists that were somehow on the top of their game but really trying to experiment.
'Jigarthanda' will be the first in the Kannada industry to do this type of an experiment. All these days we use to do our recordings in Mumbai, Hyderabad, or in Chennai. But this time we have recorded in three different countries: Spain, Italy and the U.S. We have used around 50 foreign spring orchestra including violins, etc.
There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.
I experimented with different roles, but they didn't work, despite being fantastic films like 'Naa Autograph,' 'Sambo Siva Sambo,' 'Neninthe'... etc. I was very satisfied doing those roles. Had those films worked for me, I perhaps would not have tried anything different further. I like to experiment once in a while if it works.
If you look at the beginning of this country, when the pilgrims came to this country, the first year they had a communistic experiment. They said, 'OK, we're going to take the land, we're going to work the land together and share in the fruits of our labor.' They almost starved to death. Almost half of them died that first year.
I used to have costumed characters come out, like SpongeBob. It's just fun to make it into this minor event, just to surprise people and experiment and be weird and just have fun with it. I've done just the hour stand-up, and that's fun, but the other stuff makes it fun for me and gives me something to react to and bounce off of.
I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
Much good art got made while money ruled; I like a lot of it, and hardship and poverty aren't virtues. The good news is that, since almost no one will be selling art, artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.
I picked economics at the end of my undergraduate time because it seemed to be a really nice combination of theory, including mathematical theory on one hand, and things that are quite practical that you can touch and see and feel. So I picked it, and I consciously thought of it as an experiment to see if I liked it. And it worked.
At Harman, we had to reinvent ourselves so that we can compete on a global playing field. We did it by instituting a culture where teams can take calculated risks. But to inspire such a shift in mindset requires meaningful rewards across the ranks and freedom to experiment and innovate. I like to think of it as our courage culture.
My own beliefs are that the road to a scientific discovery is seldom direct and that it does not necessarily require great expertise. In fact, I am convinced that often a newcomer to a field has a great advantage because he is ignorant and does not know all the complicated reasons why a particular experiment should not be attempted.
It's worth noting that invoking God as the entity who set our universe in motion isn't contradicted by the data. Of course, scientists would say the supreme being hypothesis is faith, and outside the realm of science - that it's not amenable to experiment. But we currently have the same problem with the notion of parallel universes.
I want to challenge myself to see where my limit is and experiment with a lot of different films. A lot of artists from Asia focus too much on their Asian background. I don't want to let go of my background, but to be a success in the U.S., which is my goal, I realize I need to surround myself with American filmmakers and producers.
In terms of getting people to experiment more and take more risk, there are at least three things that immediately come to my mind. Number one, of course, is role-modeling it yourself. Number two is, when people take intelligent, smart risks and yet it doesn't work out, not shooting them. And number three, being honest with yourself.
I will not undertake to offer an opinion on the capacity of Hindustan to produce cotton. The region is large, and the soil and climate various, the population great and wages low; but I must be permitted to doubt the success of the experiment of driving us out of the market, though backed and patronized by English capital and energy.
I would still very much love to change the world, and there are three or four neurological diseases that I've got a personal grudge against. I wouldn't mind mopping them up in one amazing experiment to come out of my lab, and I certainly wouldn't mind transforming hundreds of thousands of people's lives overnight with some discovery.
The rules and principles of case law have never been treated as final truths but as working hypotheses, continually retested in those great laboratories of the law, the courts of justice. Every new case is an experiment, and if the accepted rule which seems applicable yields a result which is felt to be unjust, the rule is reconsidered.
That our government should have been maintained in its original form from its establishment until now is not much to be wondered at. It had many props to support it through that period, which now are decayed and crumbled away. Through that period, it was felt by all to be an undecided experiment; now, it is understood to be a successful one.
Kuhn was the intellectual of whom many scientists said he's 'telling it as is it is' insofar as talking about a process of 'tinkering' in terms of theory and experiment followed by radical changes. But often, what Kuhn had in mind were some very spectacular incidents in the history of the sciences that changed our way of looking at the world.
Signing to a major label was an experiment for us. It was a challenge: working in a big studio with a producer was a challenge in a lot of ways. It all shaped what the band went on to become through the '90s. After we made 'Goo,' we went out and toured with Neil Young in ice hockey arenas for three months, and that was the same kind of thing.
Working as a correspondent for 'Business Week,' I felt that I was simply informing people, not empowering them. I saw a parallel problem in the world of education. In too many educational settings, teachers simply 'inform' or 'instruct' learners, rather than providing learners with opportunities to explore, experiment, and express themselves.
I would say, as an entrepreneur everything you do - every action you take in product development, in marketing, every conversation you have, everything you do - is an experiment. If you can conceptualize your work not as building features, not as launching campaigns, but as running experiments, you can get radically more done with less effort.
When you raise a child, you don't sit down and take all the rules of life, write them into a big catalog, and start reading the child all these individual rules from A to Z. When we raise a child, a lot of what we do is let the child experiment and guide the experimentation. The child basically has to process his own data and learn from experience.