It's always interesting to me that we all hear music differently. It's an awesome experience to hear what other people hear.

I can't write music unless I'm deeply connected to it and that connection almost always comes from some experience that I have had or am having.

There are always new things to experience, internalize then write about. This process is ongoing with me. It never stops. The opportunity to reach new audiences with all of the music that we have made is thrilling.

With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral.

Whatever I do, I'm always struggling to create a visceral experience. With my music, I'm more of a live performer these days. And film is such a different thing. It's where people sit in a dark theater. I want them to feel me as viscerally as if they were at a live show.

I think that music is crucially important in Shakespeare - and, clearly, was an important part of the Elizabethan theatre. And, it's always been something that was a profound element of the experience of Shakespeare that I have been drawn to - and interpreters have, as well.

Hip hop is usually a bunch of guys talking to a bunch of guys, in my experience. It's homosocial, not homosexual, in that it's almost always all one gender in a room where it's being created. That locker-room environment has an impact on the language. I think the music suffers 'cause it allows an almost cartoonish level of misogyny.

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