For me, fashion is one of the biggest changes. I never got to wear Chanel or anything like that, growing up, or really experience fashion the way I get to now.

When I published my first book, a memoir, the experience taught me that writing something of any significant length was an endurance sport as much as anything else.

Anything that needs to be accessed is within me. Even if it's in a circumstance that seems outrageous, I can still just go back to the basic human experience and it's all there.

A big part of me would be very proud never having anything of mine adapted, because if you want the real experience, there's only one way to get it. You're going to actually have to be a reader.

Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.

To me, as a keeper, you don't learn anything from sitting in the stands collecting a paycheck. You don't learn from eating the organic lunches at the buffet, you know what I mean? You can only learn from experience.

I was interned in Auschwitz for one year. I didn't bring back anything, except for a few jokes, and that filled me with shame. Then again, I didn't know what to do with this fresh experience. For this experience was no literary awakening, no occasion for professional or artistic introspection.

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